by Jenny Rose | Mar 15, 2018 | Power
Photo by Vladislav M on Unsplash
I’ve always been fascinated by the psychology of survival. I observe that we as a culture are obsessed with heroes and rebels and the endless struggle between archetypal good and evil. Survival kits are becoming a thing in marketing. Preppers write blogs and have TV shows.
Interestingly, our social and cultural world actively inhibits our ability to survive in all kinds of ways. Public school education might be said to be a long indoctrination in anti-survival. We spend hours with our mouths open in front of screens in dark rooms, enchanted by movies and games. Congregations of fans share reverence for comic book characters and the happenings in galaxies far, far away. We debate, criticize and celebrate the way these carefully constructed heroes dress, speak, look, act and collaborate with special effects. We have high expectations of our heroes. We imbue them with nostalgia. We expect our heroes to be just, compassionate, intelligent, interesting, attractive, moral, humorous, strong and poised.
Meanwhile, dangerous events take place in our families; in our workplaces, subways, airports and schools; in our world.
We wait for someone to neutralize the danger, clean it all up, drain the swamp, and make it all fair. We wait for rescue. We turn a blind eye. We do whatever it takes to distract ourselves from uncertainty, fear and our own powerlessness. We watch the beast lumber toward us and deny its presence, deny its existence until we find ourselves in its belly, and then we still refuse to believe.
I’ve been reading author Laurence Gonzales. He’s written several books (see my Bookshelves page). We have Deep Survival and Everyday Survival in our personal collection. Gonzales has made the subject of survival his life’s work. He’s traveled extensively, synthesized studies and research and spent hundreds of hours interviewing people involved with all kinds of catastrophes, both natural and man-made. His books are thoughtful, well-written, extraordinarily well researched and utterly absorbing.
Gonzales uncovers the astounding complexity of human psychology and physiology as he explores why we survive, and why we don’t. He’s discovered some profound and surprising truths.
The best trained, most experienced, best equipped people frequently do not survive things like avalanches, climbing accidents, accidents at sea and being lost in the wilderness. Sometimes the youngest, weakest female has been the sole survivor in scenarios like this. It turns out some of the most important keys to survival appear to be intrinsic to our personalities and functioning, not extrinsic.
Photo by Tommy Lisbin on Unsplash
Gonzales does not suggest, and nor do I, that training, equipment and experience don’t count, just that they’re not a guarantee. In some cases, our experience and training work against us in a survival situation, because we assume a predictable and familiar outcome in whatever our activity is. We’ve made the climb, hike, journey before, and we did just fine. We’ve mastered the terrain and the necessary skills.
Mt. Saint Helen’s had never erupted before. Therefore, all those people who stood on its flanks and watched in wonder failed to grasp that something new and unprecedented was happening. Their inability to respond appropriately to a rapidly changing context killed them. The same thing happens during tsunamis. People are awed and transfixed. They have no direct experience of a tsunami bearing down on them as the water rolls back to expose the sea bed. They don’t react in time.
There’s a model called the OODA loop. The acronym stands for Observe, Orient, Decide, Act. Our ability to move quickly through the OODA loop is directly linked to our ability to survive.
Observation, the ability to be here now, the ability to recognize what is, is something everybody can practice all the time. No special equipment or training needed. What is needed, though, is the emotional and cognitive willingness (consent, if you will) to set aside our distractions, addictions, rigid preconceptions and expectations (often invisible to us, making them even more deadly) and dependence on stimulation. It also requires a mind set of self-responsibility. It turns out movie theatres, schools, concert venues and many other places are not safe. We can debate, deny and argue; protest and rally; scapegoat and write new laws. We are and we will. In the meantime, the reality is we are increasingly unsafe in many public places, and no one has the power to wave a wand and take care of that for us.
It’s up to us to take care of ourselves. That starts with observation.
In my post on self-defense I mentioned situational awareness. Our instructor emphasized that skill as being more important than any other move or weapon. If we see or sense something dangerous in our vicinity, it’s up to us to orient and move to a safer location.
That brings up another very important survival skill: instinct. At this point science cannot measure instinct, but Gonzales’s instinct about getting on a certain plane saved his life once, and many of us have similar stories. As far as I’m concerned, instinct is part of observation. What do we observe? How do we feel about what we observe?
Photo by Wynand van Poortvliet on Unsplash
Our instinct is blunted in all kinds of ways. It’s mixed up with political correctness, including racial profiling. Few of us want to demonstrate discomfort around others for any reason these days. I invariably feel guilty when I react to someone negatively, even if my reaction is entirely private. It’s bad and wrong to judge, to cross the street to avoid somebody. It’s ugly and hateful.
Additionally, I’m a woman and I’m highly sensitive, which makes me particularly attuned to body language, voice inflection and all the clanging (to me) subtext of communication beneath whatever words are spoken. I can’t prove my intuition. I can’t demonstrate it logically. I have no wish to diminish or disempower others. I’m not a bigot. All people have energy and sometimes it’s foul. I reserve the right to move away from it. If that makes me hateful, woo, dramatic or hysterical, so be it. I’m accomplished in the art of noncompliance, but many are not.
If we only see what we expect to see, we aren’t observing. If we fail to see what we’re looking at, we’re not observing. If we can’t take in the whole picture, we’re not observing. If we look for something instead of at everything, we’re not observing. We’ve already broken the OODA loop.
Observing and orienting mean coming to terms with what we see. The plane is down. Our ankle is broken. We’re lost in a whiteout blizzard off the trail. We can’t decide how we’re going to survive if we’re unable to accept and orient to what is.
As a young woman, I did fire and rescue work. I was an IV-certified EMT, and I learned in those days that panic, fear and despair are killers. They’re also highly contagious. People who survive lock those feelings away to deal with after they’re safe again. Gonzales found, amazingly, some people will sit down and die, though they have a tent, food and water in the pack on their back. They just give up.
I also learned that the hysterical victims are not the ones most likely to die in a multiple trauma event. They demand the most attention, certainly, but it’s the quiet ones who are more likely to have life-threatening injury and slip away into death. The screamers and the drunks, the ones blaming, excusing and justifying, are frequently the cause of the accident and retard rather than assist in the survival of themselves and those around them.
On the other hand, strength, determination and calm are also contagious. If just one or two people in a group keep their heads and take the lead, chances for survival begin to increase for everyone.
When I was trained as a lifeguard and swimming teacher, I learned something that’s always stayed with me.
You can’t save some people. It’s possible to find yourself in a situation where, in spite of your training and best efforts, the victim is so combative or uncooperative, or the circumstances so impossible that the choice is between one death or two. This fact touches on my greatest impediment to survival, which, ironically, is also one of my greatest strengths.
My compassion and empathy mean I frequently put the needs of others before my own. I do it willingly, gladly, generously and out of love. It’s one of my favorite things about myself, and it’s also one of my most dangerous behaviors.
Consider a scene many of us are metaphorically familiar with. Someone nearby is drowning. They’re screaming and thrashing, weeping, begging to be saved. We throw them a rope so we can pull them out. They push it away and go on drowning because the rope is the wrong color. Okay, we say, anxious to get it right and stop this terrible tragedy (not to mention the stress-inducing howling). We throw another rope, but this one is the wrong thickness. It, too, is rejected, and the victim, who is remarkably vocal for a drowning victim, continues to scream for help.
Photo by Lukas Juhas on Unsplash
On it goes, until the rescuer is exhausted, desperate, deafened and feeling more and more like a failure. Meanwhile, the “victim” goes on drowning, loudly, surrounded by various ropes and other lifesaving tools. We, as rescuer, are doing every single thing we can think of, and none of it is acceptable or adequate. In our frantic desire to effect a rescue at the cost of even our own lives, we’ve ceased to observe and orient. We’re not thinking coolly and calmly. We’re completely overwhelmed by our emotional response to someone who claims to want help.
The survivor in this picture, my friends, is not the rescuer. The so-called victim is the one who will survive. If they do grudgingly accept a rope and are successfully pulled out of the water, they immediately jump back in.
The will to survive is an intrinsic thing, and I can’t give or lend mine to someone else. People who can’t contribute to their own survival, and we all know people like that, are certainly not going to contribute to mine, and some will actively and intentionally pull me down with them, just because they can.
I don’t have to let that happen, but in order to avoid it I need to be willing to see clearly, accept what I see, cut my losses and act in my own behalf. Real life is not Hollywood, a comic book or virtual reality. It’s not my responsibility to be a savior, financially, emotionally, sexually or in any other way. The word survivor does not and cannot apply to everyone.
It’s a harsh reality that doesn’t have much to do with being politically correct or approval and popularity, and most people have trouble facing it, which will inhibit their survival if they ever find themselves in an emergency situation.
Gonzales covers this at some length in Deep Survival, and he rightfully points out that compassion and cool or even cold logic are not mutually exclusive. People in extreme situations sometimes have to make dreadful decisions in order to live, and they do. A compassionate nature that does what must be done may buy survival at the cost of life-long trauma. Ask any combat veteran. This is the side of the story the Marvel Universe doesn’t talk about. Survival can be primitive, dirty and gut wrenching. Sending blue light and thoughts and prayers are not the stuff of survival.
Clear orientation leads to options and choices. Evaluating available resources and concentrating on the basics of survival: water, food, shelter, warmth, rest and first aid are essential. Thinking coolly and logically about what must be done and breaking the task into small steps can save people against all odds.
Sometimes, death comes. Eventually, we all reach our last day. In that case, there’s no more to be said. Yet the mysterious terrain on the threshold between life and death is remarkably defining. I wonder if perhaps it’s the place where we learn the most about ourselves.
Photo by Andrew Neel on Unsplash
I’ve known people who stockpile weapons and ammo, bury gold in bunkers, build off-grid compounds and obsess about survival equipment and bug-out bags. Many wilderness schools teach basic and advanced survival techniques. Some folks put all their financial resources into prepping for catastrophe and collapse. I’m nervous about the state of the world on many levels myself, so I understand, but I can’t help thinking that investing in a story about living in a guarded, fully-equipped compound is not much better than investing in a story that water will continue to run from faucets, a wall socket will deliver electricity and grocery shelves will hold food, forever and ever, amen.
After reading Gonzales, I’m considering maybe simply living life is the best preparation for survival. Trusting my instinct; learning to manage my power and feelings; being aware of the limitations of my experience, expectations and beliefs are all investments in survival. Simply practicing observation is a powerful advantage. I don’t have money to spend on gear and goodies I might or might not be able to save, salvage or retain if things fall apart. The kind of investment that will keep me alive is learning new skills, staying flexible and adaptive, developing emotional intelligence and nurturing my creativity. No one can take those tools away from me and I can use them in any scenario.
We’re born with nothing but our physical envelope. Ultimately, perhaps the greatest survival tool of all is simply ourselves, our wits and our will.
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 13, 2017 | A Flourishing Woman, Spirit
I first began thinking about bones 25 years ago when I was given a copy of Clarissa PInkola Estes’s book, Women Who Run With the Wolves. She writes about discovering stories of bone people in the Southwest. Bone people are old ones who collect bones in a desert between the worlds and bring dead animals and humans back to life.
Reanimation is a common creative and spiritual theme. Bones are like seeds; they are the remnants of life, and thus the base material from which to build new life. Bones are the simple starting point, the hidden scaffold and substance that survives.
Several times in my life I’ve found myself walking in a trackless emotional desert, alone, lost, frightened and injured. Old stories tell us during these times we must seek and gather our discarded, stolen and lost bones in order to call ourselves home.
Bones can be hard to see under layers of clothing, flesh, distraction and scar tissue. Perhaps that’s why it was the desert dwellers who kept bone people stories alive. The desert is clean and uncluttered, and the vast sky and sweep of land hold space for stillness and inward journeying.
Bone collecting is like treasure hunting. The first time I went bone collecting, I traveled backwards and excavated memories of my child self. I compared those memories to my adult life and began to sift for my bones, those indestructible pieces of self that have always been present, come what may, sustaining and shaping me from the beginning.
I discovered I’d thrown a lot of bones away over the years. Some I rejected because I judged them as ugly or misshapen. I refused to claim them. Others I grieved to discard, but I believed they were useless, unworthy and/or unlovable, so I dropped them and walked on without marking the spot where they lay.
The desert between the worlds has become a home to me now. The sands know the scent of the naked sole of my foot and the soaring vultures recognize my figure as I wander below them, insignificant as an ant. I’ve crawled and searched, remembered and listened for my whispered name when my missing bones feel me draw near. Some are broken and stained, incomplete fragments that no longer tell their entire story about me, but I’ve learned patience and persistence, and I save every shard and splinter. I’ve traveled miles in the desert to reclaim all those bones, groping my way through old memories, feelings and bits of conversation, sifting my bones from the garbage dump of words that did not belong to me, expectations, rules, beliefs and storm debris from storms that swept me up, though they were not mine.
Over and over, I’ve felt I’ve come to the end of everything, only to find a whole new horizon just a few steps away, at the top of a hill I didn’t know I was climbing. Each time that happens, I pause and inventory my bones. Bone collection has become an external practice as well as an internal one. I’m less and less interested in obscuring the essentials in my life with distraction, objects and complications.
This summer I have a new dimension of perception in discerning the bones of each day, each week and each season. Living simply as we do, having time to stretch out mentally, spiritually and creatively, I’m experiencing for the first time the joy of casting myself into a day with no list, no agenda, no expectations and lively curiosity.
This is, for me, a summer of wood. We’re clearing a knoll of land in order to build a cabin, thinning a grove of spindly alders and cutting an occasional small tree growing in the field which is our building site. As each tree falls, I haul it into the wall of forest surrounding the clearing. In the sunny field, the growth is waist-high, and as I drag trees through it, the sweet scent of milkweed mingles with the smell of fresh-cut wood. Wild cucumber catches at my feet, invisible in the thick growth, and I fall, and fall again, getting up hastily because, although my clothing is doused in bug repellent, rolling on the ground is a foolish exposure to ticks, not to mention rampant poison ivy.
In Maine in the summer, this kind of work is done in light-colored pants and long sleeves to protect from black flies, mosquitoes, poison ivy, nettles and the inevitable ticks. Five minutes of exertion leaves me sweating heavily under the necessary layer of clothing, breathless in the heavy, humid air.
Stepping from the field into the forest, the air cools and I’m shaded from the sun. Here, the undergrowth diminishes and mainly consists of huge ferns, but I still slip and fall, as the forest floor is littered with rotting tree debris and liberally scattered with moss-covered boulders and stones. I drag the cut trees in under the canopy so they can gradually rot and feed their living brethren and the rest of the forest system.
In the driveway, we are processing enormous piles of tree debris from trimming two live trees and from a fallen maple. The maples we trimmed provide us with welcome shade as we work. I fork wheelbarrow load after wheelbarrow load of twigs, small branches and dead leaves off the driveway and tip them over a steep hill out of sight below the house. My partner works with a chainsaw, and its snarl, along with the smell of cut wood, becomes one of this summer’s bones.
A generous neighbor loaned us his splitter, and once the maple (rock maple, which dulls chainsaws at an alarming rate) is cut into wood stove lengths, we heave the rounds onto the purring splitter, and the smell of the gas engine and sound of the relentless maul cleaving the wood becomes another of summer’s bones.
The healthy wood parts smoothly, revealing ivory, cream, and pinkish-red grain. The diseased wood breaks open, showing honeycombed defects, or crumbling, blackened rot that smells, oddly, like vomit. Heavy, thick bark peels from the wood like scabs as we work. Here in the driveway, I risk working in shorts with bare arms, but the wood is heavy and unwieldy and my legs and arms are bruised and scratched. The way I hold the rake invariably rubs a blister on my left thumb. We sweat through our clothes and I have to keep wiping my forehead and upper lip with my bare forearm and gloved wrist. Hard wood is heavy, especially when still wet, and the inside of my wrist is bruised from supporting two or three pieces as I carry firewood to the wheelbarrow, into the barn or into the cellar for stacking.
Some of this wood has been piled in the driveway for a year. As we work, we uncover an insultingly large woodchuck hole. We find a red salamander, about two inches long. My partner rescues a grass snake from a brush pile and relocates it away from the pitchfork tines. We accidentally lift away a shrew’s roof, and my partner catches the grey velvet covered creature in his gloved hand and releases it over the hill in a safe place. We brush away crickets, earwigs and worms. We split one huge round and little red ants swarm over it, hysterically collecting a broad swathe of exposed white eggs. My gloves are covered with them, and the ones who run fast crawl onto my arms and bite before I can brush them off. We set those pieces of wood aside before splitting them further to give the ants a chance to find a new nursery.
We have birdfeeders along the driveway, and the birds are the backbone of the summer days, stretching from dawn to dusk. As soon as we take a break from work, the woodpeckers gleefully swoop in for uncovered insect tidbits, and the nuthatches scurry up and down the trunks of the standing trees with their fluffy, uncoordinated offspring. The finches and sparrows return to the seed feeders from their observation posts high in the surrounding canopy.
Our resident chipmunk is so curious he can’t stay away, but as we disassemble all his best hidey holes he scolds endlessly, like a shrill and irritated metronome, glaring from under the hostas or the gap in the porch floor.
Nesting Phoebe
birdsandbloomsblog.com
Strangely, the shy phoebes like best to nest in the barn, in spite of my partner frequently playing music and our wood stacking and other noisy activities. They arrow in and out of several broken windows when the barn is shut, but on days when we’re working, they use the same door we do. Because of them, the cool barn is not only a haven of shade, but free of flies and mosquitoes. We know where the nest is, but we’re careful to ignore it and whichever motionless parent is sitting on the eggs when we happen to be present. Even the nestlings are still and silent as stone when we enter. The phoebes are currently raising their second brood, and their first set of offspring darts all over the place, hunting insects and filling the days with their distinctive cry, which gives them their name.
The bones of summer in this place mingle with my own bones. We are a bruise, a scratch, a sticky film of sweat on the skin, a sly mosquito bite. We are birds strung on the lace of trees; the private life of snake, shrew, salamander and woodchuck; the determined persistence of insects. We are tree and water and moss-covered stone. We are the smell of rotten wood, of sweat, of blossom. We are the breeze in the tree, the sound of the phoebe questing for insects, the tapping woodpecker, the hunting hawk’s cry as it circles, and the clamor of the tools we use to work on our land.
The days saunter through the season, leading me forward by the hand, and I follow, stopping every now and then to collect and record the ravishing experience we call life in words, and each word is a miniscule bone, too, each page a scatter of tiny bony seeds that wait for warmth and light, water and the soil of life and death in order to take root, grow, blossom, fruit and die, again … and again … and again.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 6, 2017 | Connection & Community, Emotional Intelligence
This week I’m exploring the idea of cultural appropriation. In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions.
I approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote several books, among them Draw Me a Star. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .
The Artist
“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”
Photo by Leon Liu on Unsplash
Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.
“Symphony of the Forest and Mysterious Island,” by Kitaro a Japanese artist.
“Maryam,” by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
“Aye Lon Lon Vadjro,” by Angelique Kidjo , an African artist.
“Kozuma,” by Professor Trance and the Energizers, who perform multicultural Trance Dance music.
“Stars Align,” by Lindsey Stirling, an American violinist.
“Mwari,” from the album World of Rhythm.
“Pinguli Pinguli Giuvaccinu,” by Savina Yannatou , a Greek artist.
“Barcelona Nights” by Ottmar Liebert, a German guitarist.
“Symphony of Dreams and A Drop of Silence” by Kitaro.
I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects belonging to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.
Anyone who creates art or delves into old oral traditions realizes cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.
Photo by NASA on Unsplash
It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. Science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.
Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.
Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?
We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank all the manifestations of divinity, are not that powerful.
Photo by Lukas Budimaier on Unsplash
What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.
Photo by Jazmin Quaynor on Unsplash
Have you noticed, though? Life — human, animal, plant — goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain going right back to the first humans.
Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of Draw Me a Star to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.
Photo by Quino Al on Unsplash
The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.
Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.
The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to add my own work to the dynamic, ever-changing culture of humanity.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Apr 20, 2017 | Power
I came across a prayer to Baba Yaga recently. I’ve spent a lot of time with Baba Yaga, who is a supernatural female figure out of Slavic European folklore. I’ve told stories about her for years, and she’s an important character in my book. She’s a powerful life-death-life-death figure and has many names, among them Storm Raiser, Primal Mother, Lady of Beasts and Mother of Witches. In spite of our long acquaintance, I’ve only lately begun to love her.
Photo by ivan Torres on Unsplash
Sometimes I think the most important thing to understand about life is power. It structures every single relationship, most of all our relationships with ourselves. Power creates wars, cults, murderers, abusers, tyrants, rebels and perhaps angels.
I believe we have a great longing for our individual mislaid power, such a longing that we’ve lost track of what it is or how to recognize it in our hunger and desperation. I don’t know how else to explain our mindless obedience to the media, to our culture, to our religions, to the almighty “they” who instruct us how to live, how to eat, what to believe, how to look, how to buy and how to be.
At this time in my life, and at this time in my country’s history, I cling to Baba Yaga, because she represents sanity in a world becoming more insane by the day. The prayer reminds me of what true female power is — and is not.
True female power wastes no time on despots and bullies who conceal their fear and impotence behind dishonesty and the willingness to use force. It’s not her business to prop them up. They have nothing she needs and they’re not worth her attention, for they shall not endure.
True female power is real. It’s authentic. It’s not bound by chains of political correctness, manners, fear or ideology. A woman in her authentic power is, according to need and whim, a child, a wild woman, a bitch, a seductive temptress, a crone, and a creature of magic. Obedience and compliance are not in her nature.
True female power seeks the hidden thing, within and without. She pares away layers, stories, masks, facades, dreams, visions, expectations, and shoulds. She’s a persistent poker, prier and meddlesome busybody in holey tennis shoes. She opens drawers, boxes and jars, looks behind forbidden doors and never stops asking questions. She refuses to shut up, close her eyes or pretend, and views everything by the stark light of a fiery skull without flinching. She doesn’t need anyone to agree with her, and she doesn’t need everyone to agree with her. She doesn’t argue with what is. The truth cannot escape her.
True female power doesn’t prostitute for love and validation. Baba Yaga eats sulfur to make her farts more momentous and fertilizes her body hair to make it grow more abundant. She’s hairy legs and iron-tipped fingers and teeth sharpened on bones. She takes a lover when she feels like it, but she kicks him out of her bed before dawn and doesn’t offer breakfast. Her body is not for sale, her hair is the color it wants to be, and she has no use for a painted mask over her face.
True female power is a teacher of magic. She teaches the sorting of one thing from another, cleansing, lighting a fire, the alchemy of cooking. She’s the power of the cauldron, the cup, the womb and the growing seed. She’s the wisdom of bone and blood, seed and water, life and death. A woman in her authentic female power learns to feed and nurture the magic of her intuition and creativity. She knows they are the most priceless jewels she will ever have.
True female power feels huge, deep feelings of rage, grief, joy and lust. When fear accosts a woman in her power, she spits in its eye and knocks it down on her way forward. An authentically powerful woman knows how to cause earthquakes with her dance, bring rain with her tears, melt rocks with her passion and sow stars with her joy. She allows no one to make her small.
True female power expresses all her fine feelings. She shrieks, curses, cackles, stomps, grumps, slams and mutters. She will not be silent. She stays up all night drumming and dancing if the mood takes her, and sleeps all day when she wants. She collects secrets, stories, marbles and insults with equal enjoyment. In fact, she says and does exactly what she wants to do and say.
(Yes, I said marbles.)
True female power is ancient and enduring. It’s coarse silver hair, aching bones, pearly stretch marks, lumpy thighs, scars and wrinkles and cracks and crevices. A woman in her power bleeds, first red and then the invisible silver blood of wisdom that arrives when the children of her body have become ghosts living only in her memory. A woman in her full authentic power smiles kindly on the young and beautiful, because they are not yet capable of her wisdom.
Photo by Cristian Newman on Unsplash
True female power knows how to live through the night alone, how to wander in the desert, how to go underground and live in a cave among the roots of life when necessary. She survives the conflagration, the invasion, the prison sentence, the betrayal, the loss, the beating, the chaos, the flood. A woman in her authentic power is rooted in the stars, in the trees, in the mountains, in the sea and in the earth. She welcomes cycles and seasons. Change is her strength. She knows how to bide her time and let die what must, because she knows her power will endure in women who come after her.
A woman in her power is not confused. She knows there’s no authentic power in money or position, youth or beauty or hairless legs. She knows her wellspring of power is internal and if she can’t find it, no one will. True feminine power defines her own success, her own goals, her own agenda, her own spiritual practice, her own beauty and her own rules.
Baba Yaga’s specialty is too-good maidens of all ages. That’s how I met her. When the Baba is finished with such a maiden, she’s either saltier and wiser or dead. Baba Yaga eats the dead ones with vinegar to cut the sweetness.
It’s a good time for prayers. Perhaps it’s always a good time for prayers. Here’s mine:
Baba Yaga, Grandmother, we offer you our sweat, tears, blood, milk and urine. Initiate us into life and death with our own blood and bone. Lead us back into love for ourselves, our bodies and our earth. Help us, your daughters, find our authentic feminine power again.
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Jennifer Rose
except where otherwise noted
