Wolves in Sheep’s Clothing

As an oral storyteller, I’m committed to gathering old tales from all over the world and retelling them because they contain blueprints for life. Each story is a teacher, a small piece of code, a seed, a fragment of wisdom, a snippet of DNA. Stories speak to us about who we are, who we have been and who we might yet be. They speak in the voices of place, people, history and culture.

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Story does not exist without storytellers. Literacy is not necessary, as long as people remain connected enough to pass story on orally. A culture which unravels and frays in its ability to form healthy connections and bonds and at the same time stifles the acquisition and sharing of knowledge is in grave danger of losing stories, and when old stories are lost much of the collective wisdom of our ancestors is lost with them. We become crippled and impoverished. We lose our way in the world and we have to spend time and energy reinventing wheels we learned how to make hundreds of years ago.

As a storyteller, then, I come to you this fine spring week when the snow is ebbing in Maine, leaving behind rich, greasy mud, with the old story of the wolf in sheep’s clothing.

Every old story is in fact many stories. A piece of oral tradition is like a many-limbed tree. As it grows and matures it branches out over and over. Every teller who passes on the tale adds or takes away a piece of it, reshaping it according to the teller’s context in history and place. Still, the skeleton of the story remains recognizable, because the bones contain the wisdom, the old truth, the regenerative pieces reanimated over and over by those of us who share them.

The essential truth contained in the idiom “a wolf in sheep’s clothing” has appeared in many times and places. According to my research, the first time was in the Bible, in the Gospel of Matthew, as a warning against false prophets. The sermon goes on to suggest actions speak louder than words. Thereafter, the phrase was repeated in other Christian religious writing and from there entered into European vernacular. A Latin proverb arose: “Under a sheep’s skin often hides a wolfish mind.”

A 12th century Greek wrote a fable about a wolf who changed his appearance in order to get access to ample food. He put on a sheepskin and mingled with a flock of sheep, fooling the shepherd. The disguised wolf was shut up with the sheep for the night. The shepherd decided he wanted mutton for his supper, so he took his knife and killed the deceitful wolf, mistaking it for a sheep. Here is a branch in the story tree. The Gospel reference warns against deceitful teachers. The Greek fable warns evil-doing carries a penalty. The bones of the story — the consequences of a wolf disguising itself as a sheep — are the same. The story is now two-dimensional. Such pretense is dangerous for both wolf and sheep.

Another iteration occurs three centuries later in the writing of a 15th century Italian professor. A wolf dresses himself in a sheepskin and every day kills one of the flock. The shepherd catches on and hangs the wolf, still wearing the sheepskin, from a tree. When the other shepherds ask why he hung a sheep in a tree, the shepherd replies that the skin was of a sheep, but the actions were of a wolf. There it is again: Actions speak louder than words.

Aesop wrote two fables having to do with wolves gaining the trust of a shepherd and killing sheep, but the wolf is undisguised in these cases. Even so, the common theme is clear. A wolf is a wolf, and cannot be trusted with sheep.

In the 16th, 17th and 18th centuries, Italian, French and English writers adopted versions similar to the early 15th century Italian tale, in which the wolf pretends he is not a threat to the sheep.

Most of us know the tale of Little Red Riding Hood, whose origins can be traced back to 10th century European folk and fairy tales. In the familiar modern version, a wolf disguises itself as Red Riding Hood’s grandmother and the innocent too-sweet maiden is fooled and subsequently eaten.

My favorite story of wolves and, in this case, goats, comes from my own childhood, the tale of the wolf and the seven kids (young goats). The mother goat must leave the house and warns her seven children about the wily wolf who might try to gobble them up. She says they will recognize her by her sweet voice and white feet, and they mustn’t open the door to anyone else. I was mightily amused by the wolf’s machinations in trying to fool the kids: Swallowing honey to make his rough voice sweet, whitening his black feet with flour. Of course, he does fool the kids and they are eaten, but, much like Little Red Riding Hood, the kids are saved from the wolf’s stomach in the end.

As an adult, this tale doesn’t seem nearly so amusing.

Lastly, modern zoology makes use of the term “aggressive mimicry,” which describes a method of deception by an animal so it appears to either predator or prey as something else.

I’m deeply troubled by what I see going on around me in the world. It appears many millions of people are no longer able to discern the difference between wolves and sheep, and this is creating dire consequences for all life on Planet Earth.

How did this happen? Why did this happen? When did this happen? How are we producing college graduates who don’t recognize wolves in sheep’s clothing? What kind of a so-called educational system, public or private, produces such myopia? For two thousand years we’ve understood the dangers of failing to clearly see the difference between sheep and wolves. Such a failure of judgement is bad for the wolves as well as the sheep. Tracing this old tale through time (when most of the world’s population was largely illiterate and uneducated), clearly shows us this is a learned skill. Little Red Riding Hood, the seven kids and several confused shepherds, all innocent, naïve, and inexperienced, had to learn to recognize a wolf when they saw one, or starve or be eaten. Critical thinking is not an innate skill. Parents, teachers and leaders must actively teach it.

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Here is a wolf. It’s an apex predator; intelligent, flexible and canny. The wolf is evolved to survive and pass on its DNA. It’s not confused about what it eats or the meaning of its life. Its job is to do whatever is necessary to survive and successfully reproduce. As a predator, wolves are an essential part of the complex system we call life. A healthy population of wolves benefits both the land and prey animals.

Photo by Jamie Morris on Unsplash

Here is a sheep. It’s an herbivore, a prey animal. It’s evolved to produce milk, meat and wool, survive and pass on its DNA. It eats grass. It too is an essential part of the web of predator (including humans), prey and plants. Its presence, properly managed, benefits the land and predators.

One can certainly throw a wolfskin over a sheep and say it’s a wolf, but that doesn’t make it so. Now we have a sheep in the throes of a nervous breakdown, but the animal is still a sheep. It still needs to eat grass. We cannot change a sheep into a wolf.

Likewise, a wolf wearing a sheepskin does not begin to crop grass. Wolves eat meat, no matter what kind of a skin they’re wearing. A simple shepherd might be fooled by a single glance in the dusk if the disguised wolf mills among the sheep, but five minutes of observation will quickly reveal the truth. Sheep do not tear out one another’s throats. A wolf cannot be changed into a sheep.

The wolves of the world, those who prey on others, naturally have a large inventory of successful speeches and manipulations. They study their prey and learn quickly how to take advantage of it. They are everywhere, in politics, religious organizations, schools and cults. They’re athletic coaches and businessmen, people of influence and power. They’re shadows behind conspiracy theories and cults like QAnon. They disguise themselves with projection and gaslighting, mingle freely with their prey and pick them off, one by one.

In the natural world, an overpopulation of wolves eventually runs out of prey animals. At that point, the wolf population goes down dramatically while prey animal populations recover. Nature seeks a balance of life, and if we create endless flocks of fat, stupid, blindfolded sheep, the grass will run out, wolves will increase, and slaughter will commence as the sheep begin to starve for want of food.

That’s a lot of destroyed land, dead sheep, fat and happy wolves and then, in the next generation, a lot of young wolves starving to death and, (one hopes) a few smarter and wiser sheep and shepherds.

People say we’re a superior species to wolves and sheep. I don’t see much evidence of that recently. We can’t seem to remember what we once knew well. We teach our children how to press buttons, look at a screen, and pass a standardized state test, but they can’t tell a wolf from a sheep, and neither can we. The wolves are not confused, but the sheep are milling around aimlessly like … well, like sheep, ripe and ready for slaughter. We’ve allowed ourselves to be brainwashed into believing our true nature is expressed by appearance, words and socioeconomics. Actions don’t count, and neither does DNA. Off we skip to the slaughterhouse, following honey-tongued wolves dusted with flour, who praise us for our compassion, compliance, inclusivity and political correctness while drooling at the prospect of all that food. Meanwhile, our planet degrades so no one else is properly fed and natural checks and balances are destroyed. Even the noncompliant, troublemaking sheep who manage to escape slaughter will starve. So will the wolves, eventually, after they’ve devoured everyone else.

Maybe then the complex system of life can begin to heal. I hope so.

In the meantime, I’ll be separating wolves from sheep and telling stories.

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Discovering Character

Character: The mental and moral qualities distinctive to an individual; a person in a novel, play or movie.

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I’m fascinated with the places between. All the places between. Threshold places. Edge-of-chaos places. Here-there-be-dragons places off the edges of maps. It’s in the gaps, fissures, cracks and edges that I mine for the characters that inhabit my writing. It’s in the between places my own character is shaped, and I gain the clearest understanding of the characters around me.

I’ve written about labels before. Discovering characters is not about labels. Labels aren’t people. We’ve had a lot of reminders recently that talent, success, money and power fail to fully define character. Ours is a culture of texts and tweets, acronyms and jargon like “neoliberal” and “postmodernism.” We’ve become skilled at reducing ourselves and others to one-dimensional paper dolls with the application of a label. It’s an all-or-nothing kind of culture. We’ve no time or interest to invest in understanding complexity.

But what lies between the enormously talented actor and his serial sexually abusive behavior? What is the untold story of the “perfect” mother who drives into a lake with her kids in an act of murder and self-destruction? How do we think about the extraordinarily gifted writer who is also homophobic, or a child abuser? Who are we in the gap between what we believe ourselves to be, what we define ourselves to be, what we want ourselves to be, what we’re afraid we are, and how we actually show up in the world in the experience of others?

In that space between lies real character. That’s where I’m at work, listening, taking notes, asking questions and observing. As a writer, I must know my characters. What are they afraid of? What’s their worst memory? What’s their ideal vacation? What motivates them? What does their sock drawer look like? What’s in their car? What’s on their desk? How do they treat a service person? How many unopened emails squat in their inbox? Where do they want to be in five years? In ten years?

Defining ourselves or others by a single characteristic, choice or ideology doesn’t build connection, understanding or empathy. We can spend hours online, commenting, facebooking, blogging and interacting with others about every issue from sexual politics to diet, but none of it defines our character as honestly as how we treat a real live co-worker who identifies as transgender, or what kind of food we actually have in our refrigerator.

Those tantalizing, fertile, often concealed places between! Interestingly, words obscure the places between. Words are capable of seductive lies, but action, especially action taken in the stress of an unexpected moment, points unfailingly to true character.

Another problem with labels is their inflexibility. We each perform hundreds and hundreds of actions a day, and some are notable for how well they don’t work out. Labels imply we don’t change, we don’t grow, we don’t adapt and adjust and learn, when in fact the opposite is true.

The Johari Window is a concept created by a couple of psychologists in the 1950s to help people understand their relationships with themselves and others. The window suggests that we cannot see ourselves or others entirely; there is always a space of possibility to discover. Fully defining character becomes a community project. Even so, the unknown or hidden parts of character can and do appear suddenly and overwhelmingly, often resulting in some kind of heinous act and leaving us struggling with what we missed, what we didn’t know or what we didn’t want to admit.

It’s so fatally easy to misunderstand and underestimate others, especially when we can’t observe, talk and interact face-to-face with someone and compare their actions with their words over the long term. Complexity takes time. Making judgements based on labels does not.

As a writer, I’ve learned to look at myself and others with a more interested and less judgmental eye. I’ve learned to set up camp in the places between, look and listen carefully, observe keenly and ask a lot of questions. I’ve concluded that people who toss labels around are often in too much of a hurry to achieve power over others and silence challenge or dissent to engage in thoughtful dialog or discussion. Label users reveal far more about themselves than whoever they’re labeling. It’s a diversionary tactic.

Who is that character hiding behind all the labels they’re slinging left, right and center? What’s really going on with them? What kind of fear, uncertainty, insecurity, pain or lust for power motivates them? Who taught them to use labels so carelessly and unhelpfully? What needs are they trying to meet?

Photo by Quino Al on Unsplash

An engaging character is one who defies labels, one who challenges preconceptions, one we empathize with and even care about in spite of the abhorrent choices they make. A well-written character is complex and dynamic.

This week is one of those between places. We’re swinging between Christmas and the New Year, between 2017 and 2018. The holiday season has stirred up our memories, our family situations, our grief, gratitude, and financial fears. We’ve traveled, abandoned our usual diet and routines, gotten worn out and indulged in sugar and alcohol. The flu is abroad. The package was stolen off the porch. The dog bit Santa when he came down the chimney.

Here, my friends, is the between place of authentic character. Not who we wish to be. Not who we say we are. Not who we present ourselves as on Facebook or pretend to be for our families and coworkers or resolve to become in the New Year, but who we are today, with our blind spots, our secrets, our fears, our greasy oven, our favorite coffee cup, indigestion, bills to pay, snow to shovel, our comfy sagging chair and what we choose to do with this in-between time.

Powerful characters. May we create them. May we discover, foster and celebrate them in others. May we honor our own.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Defining Intelligence

I went to the dentist last week. I spent the usual hour with the hygienist and then the dentist breezed in to give me four or five minutes of exam, comment, teaching and friendly conversation. Thankfully, I don’t require more than this, as my teeth are in excellent shape. In the course of those few minutes, I used the term “permaculture,” and he asked me what it was. I gave him a brief answer, and on the way out the hygienist said I had a “high dental IQ.”

“She has a high IQ, period,” he responded as he left.

I almost got out of the chair and went after him to explain that I’m the dumb one in the family, and certainly don’t have a high IQ.

As I’ve gone about life since then, I’ve thought a lot about that interaction. I’ve also been feeling massively irritated, isolated and discouraged. This morning I woke out of a dream of being in a closet groping for my gun, my knife, even my Leatherman, absolutely incandescent with rage, because a man outside of the closet was having a dramatic and violent meltdown, intimidating everyone present because of something I’d said or done that he didn’t like.

I wasn’t intimidated. I was royally pissed off.

When I had my weapons assembled, I stormed out of the closet and came face-to-face with a clearly frightened woman who was wringing her hands and making excuses for the behavior of the yelling man. I screamed into her face that he could take his (blanking) opinions and shove them up his (blanking blank) and unsheathed my knife, not because of her, because of HIM.

I woke abruptly at that point and thought, I’m not depressed, I’m MAD!

Photo by Nicole Mason on Unsplash

While I showered and cooked breakfast I sifted through IQ and conformity and cultural and family rules, economic success and failure, work, invalidation and silencing and keeping myself small. I thought of how pressured I’ve always felt to toe the line, be blindly obedient, follow the rules, ask no questions and be normal. Normal, as in compliant, and refraining from challenging the multitude of life’s standard operating procedures that “everyone knows.” Normal, as in not daring to resist, persist, poke, peel away, uncover. Normal, as in never, NEVER expressing curiosity, a thought, an experience, a feeling or an opinion that might make someone uncomfortable. Normal, as in never admitting that the way we’re supposed to do things doesn’t always work for me, and frequently doesn’t appear to work for others, either. I slammed around the kitchen, turning all this over in my mind, letting the bacon burn, and finally pounced on a keystone piece to write about.

What does it mean to be smart? Why do I feel like a lying imposter when someone makes a casual comment about my IQ? Why is IQ even a thing? Why does so much of my experience consist of “sit down and shut up!”?

Intelligence is defined on an Internet search as “the ability to acquire and apply knowledge and skills.” Please note the absence of any kind of test score in that definition. Likewise, there’s no mention of economic status, educational status or social status. Also, this definition says nothing about intelligence as a prerequisite for being a decent human being.

The definition takes me back to the playing field in which I wrote last week’s post on work. Here again we have a simple definition for a word which is positively staggering under assumptions and connotations.

Fine, then. I’ve explored what work means to me. What does intelligence mean to me?

Intelligence means the ability to learn, unlearn and relearn. Good learners do not sit down and shut up. We question, and we go on questioning until we’re satisfied with answers. We try things, make hideous mistakes, think about what went wrong and apply what we learned. We don’t do the same thing over and over and expect a different result. We exercise curiosity and imagination. We pay attention to what others say and do and how it all works out. We pay attention to how we feel and practice telling ourselves the truth about our experience. After a lot of years and scar tissue, we learn to doubt not only our own assertions, beliefs and stories, but everyone else’s as well. We practice being wrong. We become experts in flexible thinking. We adapt to new information.

We give up arguing with what is.

Intelligence endures criticism, judgement, abuse, taunts, threats, denial and contempt. It’s often punished, invalidated and invisible. Intelligence takes courage.

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Intelligence is power. It does not sit at the feet of any person, ideology, rule or authority and blindly worship. It retains the right to find out for itself, feel and express its own experience, define its own success, speak its truth in its own unique voice, and it remembers each of us is limited to one and only one viewpoint in a world of billions of other people.

Intelligence is discerning the difference between the smell of my own shit and someone else’s.

For me, intelligence is a daily practice. It’s messy and disordered and fraught with feeling. It means everything is an opportunity to learn something new. Everything is something to explore in my writing.

I have no idea what my IQ is, and I don’t much care. I’m sick and tired of all the family baggage I’ve carried around about who’s smart and who isn’t and how we all compare. Honestly. What am I, 10 years old? Enough, already.

I’m also fed up with being silenced, and in fact I’ve already refused to comply with that, as evidenced by this blog. I understand a lot of people don’t want to deal with uncomfortable questions. Too bad. Those folks are not going to be my readers. It’s not my job to produce sugar-coated bullshit that can’t possibly threaten or disturb anyone.

So there it is. The practice of intelligence.

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All content on this site ©2017
Jennifer Rose
except where otherwise noted

Dancing Home

Last weekend I took my own advice and surrendered to the now of my life. Two big, heavy wooden doors opened like wings and I came home to dance between them.

New England Barn

One of my dearest friends introduced me (kicking and screaming all the way) to dance more than ten years ago.

“No,” I said, “I can’t do that.”

“No,” I said, “I don’t know how.”

But she, in her infinite female wisdom, nagged and niggled and poked and prodded until at last I agreed to try it. Once. Just to get her to shut up about it!

So I tried it and found myself there, waiting. I rarely missed a dance for years afterward. Ours was a small group of dancers, ebbing and flowing over the years, but the core group remained remarkably the same. Sometimes there were only two of us. It didn’t matter. It was a safe place, a place to be with myself in candlelight, a place to be in my body without thought, shame or responsibility. Everything happened at dance. We raged, we sobbed, we hurt, we lay on the floor. We shouted and clapped, farted, belched, giggled, played, pounded on the walls and danced until we drooled. It’s one of the few places in my life where I’ve felt I belonged.

Leaving my dance group was the most painful loss when I left my old life and came to Maine. I knew I could never replace it, but I hoped to find another place, another group, another dance.

The farmhouse I live in is more than a hundred years old and that means the ceilings are low. I don’t need a lot of room to dance by myself, but I do need to be able to move freely. I did dance a couple of times the first winter and spring I was here, but I had to make myself small so I didn’t scrape the ceiling with my hands and my heart was filled with what I’d left behind. It was so painful I didn’t want to face it again.

In Colorado we danced in a yoga studio. It was a beautiful space — clean, high ceilinged, wood floored. Perfect. Our little town was safe after dark. The studio was easily accessible, heated, had a bathroom available, and for most of us it was less than a five-minute drive to get there.

Since I’ve come to Maine I’ve searched for a local group. I’ve talked to several women about dance. Some have been intrigued, but they’re busy, or they have partners, or we don’t live very close together, or there’s no place to get together and do it. You know.

Here, the nearest town is twenty minutes away in good weather. I’m sure there are places in town we might use, but I don’t know where. Or who. Or how. I’m intimidated and overwhelmed and it seems ridiculous to try to find a suitable gathering place when there’s no dance group to use it.

So I stopped trying. Too painful. After all, now I have a partner to hang out with in the evenings. I told myself I’d keep thinking about it, look for openings, and eventually, maybe, be able to start another group. Or even find one. One day. When we had more money. If we moved somewhere else. If we had a better car that could actually deal with driving on winter nights.

But this summer there’s a lot of movement and change, not all of it comfortable. I’m learning a lot. I’m feeling a lot. Writing is good, and so is swimming, but dance accesses something deeper. I’ve known for a few weeks now I need to find a way to get back into those depths for my sake and for the sake of my loved ones.

So I decided to quit playing games with myself and figure this out.

Naturally, an old farmhouse in Maine comes equipped with a barn. Ours is a total of New England barn in winterfour stories, a typical New England nineteenth-century barn. There’s a bat colony in the top of it and it’s an apartment house for rodents. It’s constructed of gorgeous beams and posts with high ceilings and huge blocks of stone in the foundation. Windows look across the tops of the trees and over the river valley, most of them without glass now. We have six cords of hardwood stored in the driveway level and miscellaneous stuff on the top two floors. The spirit of the building is in the cellar, though, which is accessed through two huge heavy wooden doors that are permanently propped open in the back of the building. This area is mostly underground and the stone foundation can be clearly seen. There are old pens and animal stalls built by hand from the plentiful wood here; not boards, but logs and saplings, rough cut. The mowed area in front of this lower floor is not visible from house, driveway or road and is surrounded by trees.

So, I built a playlist of good music, a mix of old familiar dance tunes and some new discoveries. I swept and raked, picked up trash and got rid of some impressive spider webs. I found an old rusty tin can, filled it with dirt, and stuck incense in it. I put on a skirt and some jewelry, found a pair of light shoes I thought would work (I’ve always danced barefoot), grabbed a yoga mat to sit in the grass and stretch on and went to see what would happen.

They were all there, my dancers. It seemed to me I could almost reach out and touch them. They mingled with the ghosts of animals who once lived in this barn, long dead; generations of birds, now flown from empty nests in the rafters; and the dirty lace of old cobwebs. My feet felt clumsy and heavy in shoes and it wasn’t night, but my body remembered how to move and my brain remembered how to lie down and rest. The music swept me up, pushed me with sharp elbows and knees, shook me by the scruff of the neck, played with me and soothed me. I danced with my expectations, my stories, my fears and limitations and loss. I danced with my disappointment and grief and rage. I threw down my rigidity, refusal and denial and danced in their blood. I danced with the joy of coming back to myself.

I danced in an old barn, in a new life, but not alone. The past is still with me, the dancers I knew green and supple in my memory. The pain of change is not, after all, too great to bear. I don’t need money. I don’t need a better car. I don’t need anything that hasn’t been here all along. I don’t need to wait for anyone else or anything else. I just needed to surrender to what is now.

So this one’s for you, my dear Bobbi; for you, Jill, in all your beautiful sensitivity; for you, Rena, who taught me so much about strength, courage and being real; and for you, Pat, who brought essential balance to our group and allowed us to dance with a playful small boy.

Half a world away, you all still honor my dance with your presence.

**************

We based our dance practice in Colorado on the work of Gabrielle Roth, and I still follow this template. Please see my resource page for links. Also, here’s a wonderful piece about the power of dance.

All content on this site ©2016
Jennifer Rose
except where otherwise noted

Consent

Last month I posted about our power and ability to say both yes and no to others. This morning I’m thinking about another level of yes and no; that is the yes and no we say to life. At this level, the term ‘consent’ is useful. Consent means to “give permission for something to happen,” according to a 2-second search on Google.

Consent is a huge and complex topic and there’s a great deal of discussion about different aspects of it. For the purposes of this post, I’m using consent in the widest sense; the way in which we approach life.

Several interactions this week have made me think about the mysterious difference between people who consent to learn and grow and those who don’t. When I think about my observations, and people I’ve known, it’s clear to me the difference between these two kinds of people has nothing to do with age, sex, money, education, employment, intellect or family. It has nothing to do with the color of our skin or the god(s) we worship, or where on the planet we live, or what kind of horrors we might have endured.

I’m acquainted with a writer who sent me a piece in praise of stubbornness, a quality she admires (as do I) in herself and others because to her it means a determination to survive and do well, regardless of limitations, real and perceived. (Thank you, A!) We might mean the same thing by consent and stubbornness, or close to it. I see the ability to consent to learning and growth, over and over, no matter how many times we’re knocked down and cut off, as a kind of stubbornness — a refusal to give up, to close down, to conform to something that doesn’t work for us.

Without even trying I can identify seven people in my life, past and present, who don’t consent to the experience of life, the flow, the dance, the mystery and uncertainty, the synchronicity and the billions of invitations that arise for exploration, connection, understanding, growing and being.

Photo by Alex Iby on Unsplash

These folks are easy to spot. They resist. They argue with what is. They deny, distract, fall into various addictions. They don’t communicate effectively. They care about winning, being right and power-over. They have rigid stories and expectations. Everything that happens to them is a personal insult or a crisis. They’re victims. A good, deep question is a grave threat. To my eyes, they look miserably unhappy. They repeat the same patterns, over and over, dying a little more with each fruitless repetition. They do not consent. They refuse.

Photo by Cristian Newman on Unsplash

Every single one of the seven people I’m thinking of has had opportunities to learn, to grow, to change, to make different choices. They all had people in their lives who loved them and had information, tools and skills that might have enriched them. They all had people in their lives who valued them and wanted their contribution. They each had at least one person in their life who would have done anything to support them in learning and growing, and that person was me.

Most of those relationships are behind me now, because I have this unforgiveable quality of consent. My life now is based on the why, the what if, the whose rule is that, the help me understand. My life is about teach me, show me, share with me and what do you think? My life is about doing more of what works and letting the rest go. People who refuse and people who consent invariably have friction, because their needs are opposite. There’s just nowhere meaningful to go.

People who consent are not perfect or perfectly happy people. On the contrary, their lives have been filled with mess and miscalculations, abuse, addictions and other painful experiences, but they’ve learned from everything and everyone. People who consent don’t look at their lives with bitterness or frame things as mistakes. They see teachers, opportunities and fascinating things learned and yet to learn. People who consent are endlessly curious. They think about what they don’t know and question what they think they do know. They seek the hidden thing. They’re more likely to ask questions than proselytize or lay down the law. They’re not interested in power games or being right or winning. They seek to understand, to explore, to exercise choice, to manage their own power. They can laugh at themselves. They can and do say no, but they say it to protect their integrity and needs, not to shut out or control life.

People who consent choose happiness. That’s the most important one for me. I’m still reaching for that. I’ve always been a person who consents, but I’ve also chosen to stay limited in many important ways. As I’ve learned to discern between refusal and consent, I see that living life from a state of consent results in joy. Again, it’s got nothing to do with age, beauty, money, status or any of the things that the culture says we’re defined by. Joy, at the end of the day, is a simple thing, arising out of being at peace with this wild ride we call life. Joy is consenting to surrender, consenting to feel and experience, consenting to feeling fear and doing it anyway, consenting to give up trying to control the things we can’t control. Joy is composed of tears, blood, loss and disappointment, pain and growth. We already have it. It’s here, sitting on your shoulder as you read this and mine as I write.

All we have to do is consent.

Photo by Evan Kirby on Unsplash

All content on this site ©2016
Jennifer Rose
except where otherwise noted