In the used bookstore in which I volunteer, I found a slim paperback book of poetry, modestly and plainly bound, entitled A Gypsy’s History of the World, by Kim Robert Stafford. It called to me and I bought it for $4.00.
I had never heard of this poet, but he turns out to be quite well-known and has published several books, which I’ll be looking for now. In the meantime, this book is filled with treasures.
For a couple of days I’ve been groping for this week’s post. Sometimes they come so easily, these posts. Other times I flounder. It seems that the more I have going on, the harder it is to come up with a focused essay. Irritating, but writing can be like that.
When I listen to the sound of my life this week I hear a cacophony. There are the half-excited, half-apprehensive feelings I have as the night approaches on which I’ve scheduled a local venue to once again try to start a dance group. (Will I be a good leader? Will they like me? Will anyone come?) There’s the increasing pressure I feel to find a way to earn a paycheck. There are new friends and our conversations as we strengthen our connections. (Am I talking too much? Am I offensive? Am I too blunt? Do I ask too many questions?) I’m preoccupied with family dynamics and past, present, and future possibilities and fears. (What’s the right thing to do? What’s loving? What’s useful? What will people think about me? How do I take care of everyone’s needs and expectations? How much irreparable damage will I do if I make the wrong choice?) There are my weekly activities and appointments. All the material of my daily reading swirls in my head, awaiting synthesis and integration.
In my creative world, I’m with Pele, the Earth-Shaper, sensual, passionate and angry. This week others will come to dance with her, to make offerings, to propitiate and reconnect. Revolving around her are other characters: Rumpelstiltskin the dwarf; Poseidon, the Greek god of the sea; a little brown bat called Ash and his companion, a bark beetle; the eldest of the twelve dancing princesses, Ginger; an old woman, Heks, apprentice to Baba Yaga; and Persephone, who comes to drum for the dance.
All this, and I can’t come up with a thing to post about.
I know this dynamic. The more pressure I put on myself, the harder I try, the more elusive inspiration will be.
It’s a foggy morning here in Maine. Foggy and oppressive with high humidity and a threat of severe weather this afternoon. I’m planning on meeting a new friend for a walk and then I’ll swim. I decided to stop trying to write a post. I turned off all the lights up here in my little attic space and lit a candle. I picked up A Gypsy’s History of the World and turned back to the beginning of the book.
A dream flips me into the daylight.
I pry my way back:
a door opens, I enter, never
escape; the jailor sings by morning
duets through the bars with me.
I wake and out my window
by dawn a blackbird sings and
listens, sings and listens.
Listen. Thistledown jumps its dance
in the wind. I’m small and have
no regrets. Yesterday is a temporary
tombstone, a hollow stalk
on the hill. I’m putting my best
ear forward; in the space between songs
I’m travelling. My hands make
whistling wings in the wind.
No things meet without music:
wind and the chimney’s whine, hail’s click
with the pane, breath in a bird’s
throat, rain in my ear when I
sleep in the grass. I miss the
whisper of a swallow’s wings
meeting the thin air somewhere far.
Branches of my voice, come back.
Inside each song
At once the cacophony in my head faded away, no more than the murmur of the trees and breeze or the ocean’s breath. For a few minutes, I thought about being small and having no regrets, let alone imagining future regrets. Yesterday and yesterday and yesterday, all temporary tombstones. All my yesterdays add up to almost 20,000 hollow stalks on a hill. And yes, activities and schedules, efforts and appointments, hopes and fears, words and information, friends and family, the way the shadowed ceiling looks in a sleepless hour and the path of silent tears on their way to my pillow. All of that. But I forget about the space between all those songs. I forget that I’m traveling through this place, this life, and these landmarks.
Sometimes I forget to just listen to life’s music, just witness, just be present and still. Sometimes I forget to fold my hands in my lap and watch the wavering shadows the candle makes inside the song of my life. The song will not be endless. One day it will be yesterday’s song, held in a hollow stalk on a hill. I can’t reach out my hand and clutch it, pin it down, record it and make sense of it. I don’t need to. I don’t want to.
Today, friends, I’m listening.
My daily crime.
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