Rules for Success

I’ve been blogging now for a year.

Photo by Markus Spiske on Unsplash

I remember the first time I stood on a high diving board as a kid. The safe haven of the water was impossibly far away. I did eventually jump, but I stood, hesitating, for a long time.

Beginning to blog was like that. Could I manage the technological learning curve? Would I have time to do a good job? Did I have anything to say? Would I have to deal with spammers, hackers, hecklers and hate mail? Would anyone read it? And, the biggest Boogeyman of all, what would people think when I revealed who I really am?

I researched. I read dozens of articles on blogging. I made lists of do’s and don’ts. I bought a book on blogging.

I hesitated. I worried. I doubted myself. I clung to limits, obstacles and fears.

Then, in the middle of a personal and emotional catastrophe, the very last time I would have chosen or planned such a risky, frightening new endeavor, I suddenly started. I suppose I felt I had nothing more to lose.

This summer I’ve been taking stock of what I’ve created, what I’ve learned, my long list of mistakes and my intentions for the future. I’ve been a member of She Writes and Medium. I follow several other bloggers. I went into my Favorites and deleted most of my Blogging folder and then started filling it up again with new articles on Intermediate blogging.

There are hundreds, if not thousands of articles about blogging on the web. What I notice is 19 out of 20 are geared to successful blogging, which is to say blogging with the most possible likes, looks, shares, clicks, referrers, subscribers, advertising and side bar businesses, all of which can translate directly into income for the blogger. The Holy Grail is to go viral with your blog. To this end, the advice is repetitive. Use sentences of five words or less. Use short paragraphs of two or three sentences. Use lots of images, video, bullet points, colors, fonts and section titles. Keep your posts short and to the point. Carefully construct a title that will result in as many clicks as possible. Convince the reader you have something of value they need. Don’t be emotional or personal. You can’t be successful unless you have several active social media accounts.

I read, saved, took a few notes, and then realized I didn’t want to do most of what these articles said I should do. I paused and thought about that for a couple of days. I looked at my stats. I talked with my partner. I groped for a bottom line.

I absolutely love blogging/writing.

Why?

Because when I do it I’m real. Every single week I write about something real. Most weeks I struggle with what other people might think, but at the end of the struggle I again choose to be seen. I stare down that fear of using my voice and speaking up. I’m taking my power back, week by week, post by post, line by line.

Blogging and writing are my way of building bridges and fostering connection, to myself, to others, and to life. It’s the medicine I can offer to aid in healing. It’s my hug, my love letter to the world, my kiss of peace. It’s my outstretched hand, regardless of whether or not others choose to clasp it, ignore it or spit on it.

Photo by Alona Kraft on Unsplash

My feeling of success about writing a book and creating a blog isn’t attached to any of the general markers of success among bloggers. We have all kinds of programs that help us gather statistics on the web, but my heart doesn’t thrill to hundreds of clicks or fall if there are only five. None of these stats tell me anything about the quality of my contribution to my readers, and that’s the only stat that interests me. I don’t have anything to sell you. I don’t assume I have anything of value to you. I never expected to make money on my blog.

I just am. Myself is all I have to give, and what I really want from you is just … you.

I’ve been honored to achieve simple connection with others through Our Daily Crime. Some I know about, because people comment. I may be making other connections that remain invisible to me. Contrary to the best advice, I don’t have social media accounts. I don’t have a Facebook page. If a reader connects with my words or finds some kind of value in the experience I share and doesn’t comment or email me, I don’t know anything about it, but I have faith. I believe there are others out there who think about relationships, empowerment, being a woman, and what it means to be alive on Earth today. I believe there are readers who can deal with sentences more complex than five words and read a paragraph of several sentences. I think a post about rules for success should be titled, clearly and honestly, Rules For Success. I’m not a click bait engineer.

I don’t regret a minute of research or reading I’ve done about writing and blogging, and I wish those writing advice the success they seek. They’ve helped, especially their content that I couldn’t use. All those rules set off a lot of feelings. I hardly ever met a rule I didn’t want to challenge, and my feelings showed me the way into my own definition of success.

I find it useful to have goals and intentions, to know what kind of outcome I want, but the fact is I don’t always know. Some things are so unknown and such a personal leap of courage or faith that to insist on exactly defined goals before beginning is to never take action. Jumping inelegantly off the high dive into blogging was all I could manage last summer. I couldn’t define an audience, a goal or an intention, except that I was damned if I would let fear stop me from trying. It’s only now, 50 posts later, that I begin to understand what I’m up to, and it’s not necessarily the same as what other bloggers are up to.

Here’s my favorite story about success. This version is from One Bird One Stone by Sean Murphy.

For 40 years, a fisherman in China used a straight needle to fish. When someone asked him, “Why don’t you use a bent hook to fish with?” he replied, “You can catch ordinary fish with a bent hook, but I will catch an extraordinary fish with my straight needle.”

Word of this came to the ear of the Emperor, and he went to see this fool of a fisherman for himself. Laughing at the sight of the fisherman’s straight pin, the Emperor asked, “What are you fishing for?”

The fisherman said, “I’m fishing for you, Emperor.”

Photo by Steinar Engeland on Unsplash

Thank you for reading my blog. You’ve helped make it a success.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Cultural Appropriation

This week I’m exploring the idea of cultural appropriation. In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions.

I approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote several books, among them Draw Me a Star. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .

The Artist

“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”

Photo by Leon Liu on Unsplash

Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.

“Symphony of the Forest and Mysterious Island,” by Kitaro a Japanese artist.
“Maryam,” by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
“Aye Lon Lon Vadjro,” by Angelique Kidjo , an African artist.
“Kozuma,” by Professor Trance and the Energizers, who perform multicultural Trance Dance music.
“Stars Align,” by Lindsey Stirling, an American violinist.
“Mwari,” from the album World of Rhythm.
“Pinguli Pinguli Giuvaccinu,” by Savina Yannatou , a Greek artist.
“Barcelona Nights” by Ottmar Liebert, a German guitarist.
“Symphony of Dreams and A Drop of Silence” by Kitaro.

I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects belonging to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.

Anyone who creates art or delves into old oral traditions realizes cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.

Photo by NASA on Unsplash

It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. Science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.

Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.

Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?

We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank all the manifestations of divinity, are not that powerful.

Photo by Lukas Budimaier on Unsplash

What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.

Photo by Jazmin Quaynor on Unsplash

Have you noticed, though? Life — human, animal, plant — goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain going right back to the first humans.

Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of Draw Me a Star to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.

Photo by Quino Al on Unsplash

The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.

Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.

The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to add my own work to the dynamic, ever-changing culture of humanity.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Make Yourself Small

I’m getting ready to turn over the manuscript of my first book to a developmental editor. Getting ready means I’m doing one final read through and combing out overused words and phrases using the search (and destroy) feature in my word processor. Over the months and years I’ve been working with my book and mastering the mechanics of writing, I’ve learned a lot about language and my own personal tics and patterns. The biggest problem I’ve found in my writing is unconsciously using passive voice.

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On the face of it, the process of cleaning up a manuscript is straightforward and occasionally mind-numbingly tedious. Looking at 4000 plus occurrences of the word ‘was’ throughout 1000 plus pages is not filled with giggles and takes a long time. I entertain myself with battleship noises every time I eliminate ‘was’, ‘were’, ‘had’, or ‘have’. I also come up with amusing similes for the process. My favorite is that editing is like combing nits out of a child’s hair.

On the plus side, this practice opens up a lot of time in which to notice my unconscious language patterns and think about how word choice reflects my choices in every other aspect of life. Editing word by word in this way is also a great habit breaker. When I write ‘had’ or ‘have’ now I notice it.

In the past, I’ve also overused ‘gently’, ‘lightly’, ‘quietly’, ‘a little’, ‘went’ (that’s a common one), and ‘softly’. As these patterns become visible to me, I ask myself with some annoyance, why not ‘fiercely’, ‘loudly’, ‘a LOT’ or ‘strode, galloped or dashed’?

I’ll tell you why not. Because I’m female and my culture has successfully taught me to make myself small. That lesson is so central and ubiquitous I’ve only recently been able to identify it and organize resistance. The message is impossible to see until you see it, and then you can’t unsee it.

Do you know the old French fairy tale of Bluebeard? A serial wife killer instructs his latest victim to refrain from opening a door in his castle, the door a particular little key opens. Then he leaves her alone with his keys (of course). In his absence, Bluebeard’s young wife and her sisters explore the castle, opening every door, and (naturally) the wife is persuaded there’s no harm in just peeking behind that last forbidden locked door. In the room they discover a row of headless bodies and a pile of heads belonging to Bluebeard’s previous wives. They exit the room (as you might imagine) and conspire to pretend they never unlocked the door. The only problem is the little key that unlocked the door begins weeping drops of blood and nothing they can do makes it stop. Bluebeard returns, discovers the infraction, and … I won’t tell you what happens, because different versions of the story end differently. This fairy tale is embedded in my own book. The point is, once some things are understood and seen, they can’t be unseen. There is no going back.

So, consider this commandment with me: Make Yourself Small.

Photo by Hailey Kean on Unsplash

  • Adhere to the arbitrary cultural ideal of acceptable attractiveness. If you can’t, hate your body, torture it, starve it, distort it, color it, shave it and beat it into compliance. Make yourself conform.
  • Let media, social media, experts, professionals, your favorite news channel or radio host, your religious leader, your parents, or the men in your life tell you what to believe and what to think. Don’t you bother your pretty little head trying to understand anything.
  • Make your sexuality, passion and lust small. In fact, make them invisible (you slut).
  • Make your intelligence nonthreatening.
  • Tame your creativity.
  • Don’t ask questions. Don’t search for clarity and truth. Don’t do your own research. Restrain your curiosity.
  • If you must have needs, make them as infinitesimal as possible. Your needs are dust in the wind compared to the convenience, habits and preferences of others.
  • Be silent! You are disqualified from having an opinion. Don’t tell your truth. Others are speaking. Censor your voice. Don’t make anyone uncomfortable.
  • Capture, restrain, cage, shackle, chain and abandon your dreams. Who do you think you are?
  • Deny, belittle, smother and minimize your feelings. Control yourself!
  • Shame on you! Cringe, cower, hide your head! You’re bad and wrong!
  • Be self-contained. Be self-sufficient. Don’t take up too much space. Move lightly. Don’t spend too much money. Don’t be too dramatic. Don’t be too sensitive. Don’t order dessert. Don’t attract attention. Don’t breathe too much air. MAKE YOURSELF SMALL!

You get the idea, I’m sure. This list goes on and on. The message is everywhere, and we’re all affected. It cuts across social, racial, economic, political and gender divides. Failure to toe the line, whatever that line is, results in harsh social and professional consequences, up to and including death. Show me a headline and I’ll pick out this theme. I trip over it a dozen times a day in my own life. Spend five minutes on Facebook reading any thread on any subject and you’ll find this underlying message.

Photo by James Pond on Unsplash

The surrounding cultural mandate to make ourselves small is toxic, but it’s not the heart of the problem. The heart of the problem is our internalization of the mandate before we’re even aware of it, and then it becomes so woven into the fabric of our experience we no longer discern it.

Ironically, stubbornly pursuing my passion for writing and my determination to be bigger is what reveals to me the outlines of my own self-sabotage. My habit of making myself small has trickled all the way down to the words I choose. Editing my manuscript has become editing my thoughts and choices, and noticing the words I write and think in helps me notice my feelings.

My feelings contain a lot of fury and a lot of rebellion, far more than I was aware of when I created this blog last summer. Minor friction with my partner about planning a day or how we utilize counter space taps into a deep vein of lifelong rage and pain about allowing and participating in my own repression and oppression. I have systematically colluded in my own erasure. I’ve agreed to make myself small. I’ve agreed to abdicate my power.

No more. I opened Bluebeard’s chamber, and saw what it contained. The key that unlocked the door was writing, and I’m deleting all the blood-stained words that make my art small. If I fail as a writer, I’m not going to do it softly, gently, lightly or a little. I’m going to do it thunderously, monumentally and profoundly.

It’s time to make myself big.

Photo by Stephen Leonardi on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Quitting

Last Friday I resigned from my medical transcription job. Shortly after emailing my letter of resignation to my supervisor, she called me, wanting to know why.

I told her the truth. I don’t feel as though my contribution matters. I don’t like the company culture of perfectionism and high stress. I don’t feel valued as an employee, and my skills and talents are worth more than I’m receiving.

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We parted in a friendly manner. She assured me I was eligible for re-hire any time and wished me well. I wished her and the rest of the team well. Cyber handshakes and smiles all around.

I’m in the middle of selling a property back in Colorado. I currently have wonderful renters in the house. They’ve been honest, cooperative, open and have done every single thing they’ve said they would do. They’ve become friends. I’m faxing paperwork, including the lease with these tenants, to Colorado and working with my Colorado real estate agent long distance. The agent expressed surprise that our rental agreement didn’t contain language about punitive consequences if the tenants suddenly decided to break the lease and leave.

It never entered my head to limit my tenants’ choice to leave if they were unhappy. Obviously, at least one property professional feels this is inappropriate business practice, but why would I want to force two people whom I respect and like to stay in a situation that wasn’t working for them?

Answer: I wouldn’t want to, I didn’t want to and I don’t want to.

Last evening I had a long conversation with one of my sons, and among the things we talked about was the idea of noticing how things are within ourselves and the choices we make about our own unhappiness and discomfort.

This morning, as I fried bacon and sausage and worked in the kitchen, I was thinking about this week’s post, trying to come up with something I wanted to write about from my current experience, and suddenly all these interactions lined up in my head (Clunk! Clunk! Clunk!) and I thought, well, there it is. I want to write about quitting.

What do you think of when you think of quitting?

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I think of the word “should,” as in should quit smoking, should quit drinking, should quit eating so much sugar, should quit fill-in-the-blank. These are the kind of circumstances under which quitting is supported and validated, but the “should” is an instrument of shame, guilt and fear, as well as a thoroughly ineffective motivator.

I was taught being a quitter or a dropper outer is a desperately mortifying thing. Quitting is associated with betrayal, abandonment, failure, letting others down and weakness.

Quitting is often an act of aggression. It’s what we do when we’ve hung on by our fingernails until they’ve torn out, one by one, and we have to let go or die. It’s hitting bottom. It’s burnout, breakdown and nothing left to lose, often accompanied by scenes, meltdowns and an exchange of insults.

Quitting is selfish and irresponsible. Choosing to be happy is an embarrassing thing to admit. We’re told If everyone did what made them happy, everything would unravel. Nobody would work. Important things wouldn’t get done. The economy would collapse.

There are cultural consequences for quitting. The label “quitter” impairs our ability to get hired, find stable relationships or make financial choices. A quitter is unreliable and untrustworthy at best. Someone who quits their marriage, family or children is so despicable as to be unforgiveable in some cases.

The word quit, according to a quick search, means to leave a place, resign from a job or stop or discontinue an activity. In short, it’s a word that defines a choice. Interestingly, one of its origins is Middle English, in which it means “set free.”

Set free sounds a lot more positive than quitting, doesn’t it?

It occurs to me that the whole idea of quitting is rooted in power. To quit is to stop. How is it that the culture is so unfriendly and unsupportive, for the most part, of making a choice to stop? Why are we so consistently and pervasively discouraged from saying no, from quitting, from changing?

I’ve written before about the yes and the no. To be in our full power, both consent and dissent have to be available to us. We have to be able to make a real choice. The inability to freely choose points to a power-over situation, and it doesn’t matter if it’s work related, relationship related, addiction related or some internal limitation like fear. Something or someone is interfering with our power to freely choose if we can’t make a choice to quit.

Said a different way, the problem is not so much the addictive substance, the miserable job, the narcissistic family member or the abusive romantic relationship. The problem is we’ve been systematically amputated from our full power to choose.

Sadly, this is a consequence, at least in part, of our current educational system in the United States. It doesn’t work for a lot of kids. It didn’t work for me. It didn’t work for my kids. I told my sons the same thing I was taught when they complained. Education is important. Everyone has to go to school. It’s the law. We all have to do things we don’t want to. Being happy doesn’t matter.

Ugh. I wish I hadn’t believed that. I wish I hadn’t said it, and more than anything I wish I’d listened to their distress and taught them to respond to it appropriately by responding to it appropriately myself. At the time, all I had was what I’d been taught, and I’m absolutely certain my own mother taught me the only thing she knew as well.

Photo by Gemma Evans on Unsplash

The point is few of us learn how to respond to our discomfort or unhappiness, either by expressing it appropriately or taking action to help ourselves. Public education certainly doesn’t teach it. The way we work in this country doesn’t support it. Patriarchy in general doesn’t validate self-reflection, honest communication, or simply saying, “No more. This isn’t working for me. I’m stopping. I’m quitting.”

On the other hand, we’re great at demanding and commanding, as in “You should … You will … You must … You have to …” However, living in a cage of internalized and externalized shoulds is more power-over. When the shoulds have our power, we’re not free to choose. I know, because that’s how I’ve lived most of my life.

One of the hallmarks of power-over is its resistance to change. Change threatens the status quo. Traditional marriage vows are forever, no matter what. Many jobs reward length of service. We’re encouraged to grow up, settle down, get a stable life. Loyalty, dependability, reliability and predictability are all rooted in not changing.

But we do change. Our bodies change. Our needs and desires change. We learn new information. The things that captivate and delight us change. The best of us learn, grow, question, seek new experience, dance elegantly with challenge and tension, and develop a healthy relationship with being wrong. The best of us spend a lifetime making friends with our changing selves, investigating our motivations, our patterns, our behaviors and beliefs, our weaknesses and strengths, and doing battle with our fears and demons.

A relationship, job, priority or place may be a perfect fit at some point in our lives, and then be outgrown. A coping mechanism or response may work very well, even save our lives at one time, and cripple us at another. Life is always changing. The ability to flow with change, to welcome it and play with it, responding with free choice after free choice, defines a well-lived, powerful, elegant life

Quitting, like boredom, has a bad reputation. I suspect this is mostly due to a cultural smear campaign. My son is in his 20s, and as he shared parts of his experience with me, I realized we’ve arrived at the same place, he’s just 30 years ahead of his late-blooming mother. He’s reclaiming his power to respond to his own discomfort and distress and choose what to do, based on prior choices and how they worked out. He’s not waiting until he can no longer bear his unhappiness. He’s not quitting in a blaze of hand grenades and gunfire. He’s not self-destructing. He’s allowing himself to stop, to change, to leave. He’s setting himself free of what doesn’t work for him, and he’s doing it without guilt or shame or the need for outside validation.

Quitting is an art. I can be done with respect, gratitude and dignity. It can be a gift of love and authenticity to self and others. The right person for a job, place or activity is not someone who hates the job, place or activity. The right job, place or activity for us is not the one that makes us unhappy. Commitment, responsibility and keeping our word are all important things, but not unto death. Not unto madness and broken-down health. We are allowed to set ourselves free. We are allowed to change. We are allowed to learn. We are allowed to try and fail and move on.

I began this project of blogging with a letter of resignation. This week I sent another letter of resignation. In both cases, I hung on long after I knew I was miserable because I was afraid to make a change. I have more work to do in building trust with myself, but I’ve made a start.

I quit. My daily crime.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Nothing for Fear

Last week I came down the steep stairs from my little attic aerie, sat in a chair in the living room and cried while I asked my partner if he thought I would ever have a less effortful experience of life.

It’s not that anything was really wrong. What I was feeling was an old, familiar feeling of trying to manage my life and myself as efficiently as possible and feeling worn out and unsuccessful.

Photo by Bradley Wentzel on Unsplash

Trying. Manage. Efficiently. What am I, a machine?

I was tired that evening, and worried about diminished workflow and subsequent diminished paycheck. I wasn’t seeing a way out of my work/income situation, which is a place I’ve been in for several years.

One of the things I did last week during a work shift devoid of work was join She Writes, an online community for, obviously, women writers. I’d been procrastinating about doing so for a long time.

For years, I’ve been trying to find a writing community, both locally and online. I’ve joined a professional local organization, but their programs are rarely offered up here in Central Maine, as Portland is their headquarters. I’ve tried, unsuccessfully, to find beta readers for my first book. I put up an invitation to start a writer’s group at the local library and didn’t get a single call. I tried a give and take partnership with another writer so we could read one another’s work and provide feedback, but my partner had other priorities and needed to drop out.

And, of course, I need to work for that paycheck, so my time and energy are largely gobbled up by my financial needs rather than the joyful work of my life. This produces a chronic background tension that grinds away at my soul.

Anyway, I decided the time had come and I was ready to join She Writes and see what possibilities might open up through that community. I had to apply to join.

I knew they wouldn’t take me.

They accepted me (probably some kind of mistake) and the day after I sat in the chair and cried, I had another shift with no work and began exploring She Writes. I came across a blog post titled “The Only Reason to do Anything is Love,” by Bella Mahaya Carter, and had an epiphany.

Engaging with life from a place of love rather than fear is not a new idea for me, or probably for anyone reading this. It’s the kind of thing we hear and read all the time. I would have said I do that. It’s always my intention to show up in the world with love, which is to say kindness, compassion and respect.

The wording of Carter’s post, however, indicates motivation, an internal thing, not external action. Make choices with love, not fear. Decide what to do based on love. Do nothing for fear.

Right, I thought. I treat others and myself well. Of course.

Why?

I treat others well because I think it’s effective and I’m afraid of violence, hatefulness, rejection and just plain crazy.

I treat myself well because I’m afraid to be unhealthy, unable to earn a living and/or unable to be independent.

Photo by Milada Vigerova on Unsplash

It’s all for fear. It’s not for love.

Furthermore, treating myself well doesn’t equal loving myself. I caretake my physical form like a good property manager takes care of a rental. I exercise, eat well, brush my teeth, wash my body and take care of injuries.

What I think about myself is that I disappointed my parents, drove my brother nuts (not literally!), failed two marriages and made unforgiveable mistakes as a parent. I think I’ve never made a successful career or had a good enough job. I think I’m ridiculously hard to live with. I think I eat too much, use too much hot water in the shower, like obnoxious music, try too hard and am too sensitive. I think I’m unattractive and few people want to hug or touch me. I think I’ve spent years writing a 300,000-word book that, for all I know, has less value in the world than a roll of cheap toilet paper. On sale.

Those are some of the things I’m conscious of. When I look at my fear-based choice making, it appears I also think if I don’t hold my own feet to the fire at all times I’ll become a lazy, irresponsible, selfish slacker; demanding, mean, dishonest and greedy.

Carter’s post made me realize I could hardly think of a choice, any choice, whether important or mundane, that I haven’t made based on some kind of fear. Ever. From earliest memory.

The greatest motivator in my life is and has always been fear.

Not only that, but I’ve created a whole pantheon of idols I obsessively and ceaselessly worship in order to avoid the vengeful, punitive God I’ve made out of fear. I make daily bloody and brutal sacrifices of time, energy and life to appease them, but insatiable fear just gets more and more powerful. Here are some of the idols:

I read that post on Friday. There and then I decided to start making choices based on loving and believing in myself rather than fear of consequences and see what happened.

Without leaving the chair, I asked myself what the hell I was doing messing around with a job that wasn’t meeting my needs and I was unhappy in.

On Saturday I applied and tested for a job as an independent contractor to do transcription for an online company.

On Sunday I applied and tested for a job as an independent contractor to do transcription for a second online company and was hired on the spot. I also wrote the publisher of She Writes Press and asked for help with the next step for my book manuscript.

On Monday, when I ran out of work, I began getting qualified (via testing) to do various kinds of transcription through my new job and looked up the resignation process from my current medical transcription job.

Yesterday the second online business hired me.

This morning She Writes Press wrote me back with support, suggestions, a recommended professional who might read the manuscript, and what it would cost.

The fear is not gone. In fact, it’s louder than ever because I’m challenging it on so many fronts at once. The difference is I’m not standing nose to nose with it right now. Playing with the new toy of making choices based on what’s loving for myself gives me another option, which means now I can make a real choice.

Fear is not a bad feeling. We need it to survive. It’s just that mine has grown bloated and swollen on all the power I’ve given it over the years. The bigger it gets, the more space it takes. At this point I’ve become its thing. It thinks it can do as it likes with me.

It’s wrong.

I’ve had a belly full of life based on doing things out of fear. It’s exhausting, demoralizing, joyless and hag-ridden. It doesn’t work well and I’m sick of it. When I think about it rationally, I know I don’t need to beat myself with a stick through every day for fear I’ll become lazy, selfish, etc., etc. If I was going to turn into any of those things I would have done it long ago.

How would it be if I used regard for myself as a motivator and refused to do or not do out of fear? What might a life based on doing things out of thinking well of myself look like? What if I stopped giving anything to fear?

The funny thing is life looks much the same. The difference is largely in the outwardly invisible motivation behind my choices. Am I going to relax with music or a video and stretch because that’s the right and responsible way to treat my tiresome physical needs after a long day sitting in which I earned inadequate money, or am I going to do it because I love the way it feels after a tiring day in which I worked hard, whether I earned money or not?

Life is crazy right now. Everything feels like it’s in transition. I hardly know what to concentrate on in any given moment, there’s so much on the table. Even so, now when I run out of energy in the afternoon I spend a few minutes writhing between making a choice between demanding more from myself out of fear or doing something pleasurable and relaxing. So far, every day I’ve managed to choose rest and relaxation after another wild day.

It appears I’ve begun a new practice. I didn’t know that evening I sat in the chair and cried I was standing on an important threshold. I didn’t know by the end of the week I’d have not one but two new jobs. I didn’t know I was going to finally get serious about putting my manuscript into a professional’s hands and risk failure and rejection. I didn’t know in just a couple of days I was going to begin making a habit out of rolling out of bed and stepping into the day’s embrace with curiosity and a resolve to think well of myself as I navigate, rather than wondering fearfully what would happen next and whether I would manage it adequately.

So far, so good.

Nothing more for fear.

Photo by Stephen Leonardi on Unsplash

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Jennifer Rose
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