Tag Archives: writing

Scrying the Depths

Scrying is “the practice of looking into a suitable medium in the hope of detecting significant messages or visions.” (Wikipedia)

My laptop has developed the Technical Flu and is in the shop. I’m chagrined to discover how much I depend on it. It’s the only portable device I have, as I still resist the pressure to obtain even a cell phone. Suddenly, my access to music, DVDs and the Internet is restricted. I know, it’s a first world problem, but I’m not complaining. I whined for the first few days, but as I sit down to write this blog what I mostly feel is a kind of grateful wonder.

In my laptop’s absence I find a lot of quiet. Without my usual entertainment and distraction, my ears, eyes and attention are freed. As I work on the second book of my Gaia trilogy, I’ve picked up a sketch pad and colored pencils in order to create a map of my very complex world where the myth, fairy tale and oral history of several cultures meet and interact. Without access to my one-dimensional outline on my word processor, I recognize the need for a two or even three-dimensional model to truly show all the connections and correspondences of the trilogy. I’ve discovered new depths to my creative vision and work and considered new ways to approach it.

Photo by Ludde Lorentz on Unsplash

Folk and fairy tales often speak of depths. Caves, tunnels, wells and stairways descend to other places, magical underground kingdoms where evil beings lurk and flex their destructive forces and unexpected but powerful animals or crones or fairies save the hero or heroine. Gypsies, oracles, shamans and seers scry crystal balls or pools of water, smoke, fire, mirrors or stones. Runes whisper messages. Tarot cards reveal enigmatic insight.

We are in the depths of seasonal darkness now. In two weeks the light begins to return. Here in Maine the day starts to fade at 3:30 in the afternoon and an hour later it’s full dark. What do the depths of darkness hold? What lies between the stars? What dreams unfold behind our eyelids during the long sleeping hours? What lives, hunts and dies in the winter-bare forests under the moon? What stirs in the dark sea’s deeps?

If we could separate ourselves and all those around us from our tech and toys, if we could all free our eyes from the screen and our ears from the noise and look, clear-eyed and undistracted, at those around us, what would we see in one another? If we were forced to sit quietly at a window with nothing but a chair for company, what might we discover in the world around us? If we stand naked and alone in front of a mirror and look into our own eyes, what looks back at us?

What lies in the depths of longing and loss? What lies denied and amputated in the deeps of a soul? What waits to be rediscovered or reclaimed, healed or released?

Some of the deepest, darkest, coldest and most fearsome depths in my life turned out to be only ankle-deep after all. Ankle deep and unpleasant, but, once challenged and understood, pathetic and sad rather than powerful and terrible. Shallows pretending to be depths. A leech or two instead of a sea monster.

Other shallows are so seductive, so enticing, so shiny, that we joyously bare our feet and run into them, gradually wading farther and farther from shore, our attention captured, our gaze fixed on their captivating surface, and there we stay until we die.

All my life I’ve been told that I’m too intense. I’ve never known exactly what that means, and the criticism never fails to both hurt and irritate, especially as I can’t get more information. Asking probing questions is simply an example of my obnoxious intensity, it appears.

I wonder this morning if what people are expressing is discomfort with my love for the depths, for the dark where miracles happen, for the hidden thing, be it dreadful or dazzling. Questioning is falling out of social favor. Political correctness shackles and gags us. The shiny shallows are the place to be, where text messages, emojis and ‘likes’ glitter and frolic and algorithms and ideology teach us what to think, believe, value and buy.

Photo by Ryan Hutton on Unsplash

I can be seduced by the shallows as well as anyone, and have several times been fooled by them, but somewhere inside me resides a wild thing, a female creature that glories in the power of the dark and deep and always returns to passion, emotion, and creativity. I want to dive into the night sky and swim naked among the stars and nebulae. I want to see and be seen, hear and be heard, know and be known. I navigate with a mouthful of questions and an insatiable curiosity. I don’t want life to be pretty and distracting and shiny. I don’t want all my dreams to be sunlit and filled with flowers and kittens.

I want life to be as it is, smelling of musk and blood and starlight, dark and powerful and magnificent beyond my puny imagination. I want the hot eroticism of life and the torn flesh of death. I want to embrace the unknowable, kiss the lips of mystery and reclaim and wield the full power of my fear.

I choose to live in the depths.

Photo by Christopher Campbell on Unsplash

My daily crime.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

The True Shape of Things

Photo by Autumn Mott on Unsplash

I love autumn, and autumn in New England is particularly poignantly beautiful. The leaves, oh the leaves! It’s as though the trees release their passion in one final gasp of ecstasy before their long sleep. The colors stun the senses with their beauty; it’s almost too much to absorb. Yet the trees’ splendor is fleeting. Inexorably, the leaves fall like golden tears, like blazing sparks, and as they fall the greatest power of all is revealed: The true shape of things.

The green and fiery sea of the forest and fields recedes. Lichen-covered rocks bare themselves. Trees stand or lean in bony beauty, gnarled and hollow, smooth and upright, each species clad in its own color and texture, but now the colors are russet and ivory, shades of brown and grey touched with black. Thorns and stems become semi-transparent cover for winter-colored birds and animals.

The bare forest is everything it is and nothing it is not.

I, too, am becoming reduced to my essential self. Confusion, guilt and shame are loosening their hold on me and drifting away, and I make a resting place for them in my writing. I look back in my memory and, for the first time, begin to see the true shape of things. All the words that weighed me down and kept me small, all the gaslighting and controlling, all the lies and distortions, are responding to some miraculous internal seasonal shift and slant of light. I am bursting into triumphant understanding, and then letting go, letting all that does not serve me fall away. My true shape emerges, and it’s strong and clear-seeing and wise. It always was.

Photo by Erik Stine on Unsplash

Now I begin to see the true shape of things. Now begins a season without pretense, unencumbered by expectations. Now the lineaments of my feelings lay bare. The landscape of my life becomes stark and uncomplicated, a walk through winter woods where a feather is a feather, a quill a quill and a swatch of fur on a thorn exactly what it is, not more, not less, not something else entirely. I reclaim the dignity of my own perception, intuition and experience.

It does not surprise me that traditionally this is the time of year when the veil between the worlds thins, ghosts walk, legends come to life, ancestors are honored and we acknowledge that which haunts us. I do not fear my ghosts. Indeed, they’re old friends and companions. My bogeymen were flesh and blood concealed beneath dazzling costumes of false power, fearful only as long as their true shape was hidden from me.

Some fear the fading light, endings and truth. Some prefer the riot of distraction and confusion. Some refuse to see or know the true shape of things. My own courage is not strengthened by distraction, no matter how beautiful or seductive. My courage is a thing of unadorned simplicity, spare and clean as bone.

Photo by Andrey Grinkevich on Unsplash

The leaves fall, ravishing, rapturous. At last, the true shape of things emerges from the blaze, pure and indestructible, and I embrace it like a lover.

Photo by Vanessa von Wieding on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

uncovered, pure, tough, strong, solid, undeniable, tangible, unembellished, unpretentious, honest, genuine, elegant, restrained, understated, clean

 

Wellspring of Love

A few weeks ago I wrote about romance and in that blog I confessed that at this point in my life I’m not sure what love actually is. A strange admission from a reasonably intelligent, well-educated, middle-aged broad with two marriages and two children in her history.

Writing that post enabled me to clearly separate romance from love; though I suppose love might include a little romance from time to time. I’m convinced that romance is not synonymous with love, however. I began to make a mental list of what love is not, as I often approach things from the back door first. Love is not a synonym for:

  • Romance
  • Sex
  • Slavery
  • Control
  • Possession
  • Obsession
  • A suicide pact
  • Abuse
  • Fear
  • Duty
  • Obligation
  • Enabling
  • Obedience

All right. So what is love? My Randall House Collegiate Dictionary says it’s “a profoundly tender, passionate affection for a person” or “a feeling of warm personal attachment or deep affection.” This definition doesn’t satisfy me at all. My rewrite is that love is a feeling of warm, tender connection and deep affection. I don’t think love is always passionate and I don’t like the word attachment. If anything, love implies to me an attitude of nonattachment.

But what about unrequited love? What about failed love or withdrawn love or love as a weapon or a tool? What about the inability to accept love, or feeling unloved though being told we are? What about those who make us feel our love is ugly, twisted, shameful or inadequate?

I’m always playing with words in my head. This week it’s “What is love?” and “What is a crone? and “What are the differences between compassion, empathy and sympathy?” I lie down with those inquiries and wake up with them. I turn them over while I shower, cook bacon, wash dishes, take my morning walk, practice Tai Chi and drive to town. I’m constantly scribbling notes.

I gave a neighbor a lift this morning and asked him to talk to me about compassion, sympathy and empathy. Poor man. He didn’t know what to make of me.

Yesterday, during my frosty morning walk, I dove into a stand of staghorn sumac below the barn and went to visit the spring. This is a daylight spring that comes out of the hill on which the barn and house stand. A long time ago, someone dug a well there, and at one time a pump and tank were installed, along with a system of black plastic outdoor lines to carry water to and from the barn, the garden, and down through the woods to, presumably, crops in the fields below. All the equipment is many decades old now, fallen over and covered with leaves and moss. The well is protected by a round cement cap, much too heavy for me to lift alone (drat!).

Spring 10/2017

This spot is hidden in a thick tangle of vine, briar and trees. We rarely go in there, though it’s in close proximity to the barn.

It’s fall and it’s been dry, but the drainage where the spring emerges is clearly marked by rocks and moss. The ground underfoot felt soft, and when I brushed away the leaves I found moist earth. A yard or two below that is mud, and then a trickle of water and then, at the bottom of the hill, a quiet film of water, barely moving, reflecting the tree-laced sky. Right now It’s full of apples dropped from a wild apple tree that grows alongside it.

As I slipped and slid, tripping over vines and getting scratched by hawthorn and raspberry bushes, feeling the velvety moss coating the rocks and stepping cautiously on rotting wood, it occurred to me that love is like this spring.

I’ve always thought of love as an action verb, something I do to another in exchange for receiving the same. I thought I knew what I meant when I used the word, though I was never challenged to define it exactly. For me it’s been a catch-all term, synonymous with dozens of other, more specific actions: Want, need, desire, honor, trust, respect, care about, listen to, defend, make excuses for, enable, protect, support, believe in, etc., etc.

But what if love is just being? What if it has no object, but just is?

Spring 10/2017

This little spring is absolutely true to itself. Water drains off the hillside above us and carves a path through the earth and rock until it emerges and runs down the surface at the foot of the hill. We pay no attention to it whatsoever. It’s reliable, predictable and faithful, but not because anyone is looking. Its unobtrusive, quiet presence has created a lush pocket of life, a complex system of plants, fungi, animals and insects, but ten yards away on the open hillside it’s invisible.

What if I make a choice to allow my feeling of love to run through my life in the same way the spring runs through and over the ground? What if I carry within me a wellspring, a hidden cleft, moist, fertile, filled with life, rich in sensuality, simply because it’s an expression of self? If others find their way to it, sit a while, bathe, drink, and allow it to nourish and refresh them, they’re welcome. If others can’t see it, or don’t value it, or dislike the perfume of rotting wood and leaves or the feel of plush moss under their bare foot, it’s nothing to do with me. Not everyone chooses to make their way through raspberry and hawthorn bushes, after all.

What if I don’t need anything in return because I’m giving nothing away? Perhaps the act of love can be a simple state of being, not a totality, not a hurricane of passion and lust, not a romantic fairytale, not a prison and torture chamber, but a spring, a waterway, a shining thread that I can share without depletion. Can I allow it to seep quietly up through the roots of my experience, even if no one else ever finds it, wants it, returns it or deems it acceptable?

Our spring is part of a landscape of field and forest, river, pond and stream, rocky hillside and bog. The landscape contains many forms and embraces many systems of life. Birth and death happen on this land. Disease, erosion and flood happen on this land. Prey and predators carry out their sacred dance of balance here. Blood, bone, fur, feather, antler, musk, urine and feces are all here.

I, too, am a complex system of history, memory, belief, thought and feeling. I do not feel love for everyone and everything. My experience of love is that it’s a wild thing; it seeps up where it will and trickles away without warning, taking no account of rules and expectations. I can’t command it and I don’t choose to hold it back. My love doesn’t need anyone’s reception, appreciation, validation or praise.

Love is. I reserve the right to love as I will. I am the keeper of my own wellspring.

I love. My daily crime.

Spring 10/2017

All content on this site ©2017
Jennifer Rose
except where otherwise noted