Tag Archives: passion

Romance

I read a blog a few days ago titled ‘Romance Ruins Real Love’.

The blog reminded me of a conversation I had with an old friend some years ago. She said her favorite part of relationship was the first weeks, when everything is romantic anticipation and excitement. I remember how violently I disagreed with that view, though I didn’t say so to my friend at the time.

I never trust romance, because I don’t equate it with love. Even as a child, I was suspicious of princes on white horses. As an adult, I want a relationship that survives the flu, a broken toilet, a week-long power outage, job loss, poverty, a car accident, a road trip, moving house and painting a room together. Anyone can dress up, buy flowers and make a reservation, given adequate time, money and motivation. Anyone can make love with words. Many can show up for a great night between the sheets. Most of life, however, consists of day-to-day challenges, tasks and unexpected stuff that no one can prepare for, and that’s when we find out what we’re made of, as well as those around us.

Photo by Jan Phoenix on Unsplash

In spite of all that, I hunger for romance in my life. I always have.

I realized this week I couldn’t come up with a succinct definition of romance. I could write lists of what I find romantic, sensual or sexy, but how do those categories overlap into a central core of what romance actually is? As I sat down to begin this blog, I grabbed my Random House College Dictionary and was absolutely shocked at what I found.

Romance: A baseless, fanciful story; a love affair.

Wait, what? What about palpitating bosoms and muscled, shirtless heroes and wine and roses and diamonds? What about bikini waxes and lingerie, high heels, flowers, poetry, songs, movies and messages of love via social media? What about sex?

Is the whole world searching desperately for something that’s not even defined as real? I always thought it was real and attainable. I’ve thought of it as a rare phenomenon, a kind of shining miracle that can’t be bought or captured, that comes only to certain remarkable, young, beautiful and deserving people.

I’m ashamed to want romance. It’s not for someone like me, someone flawed, broken, aging, unbeautiful and in many ways unlovable (another of my stories). To dream of romance, to yearn for it, is pitiable and pathetic, and I keep such dreams well hidden, releasing them only in my writing.

I notice all of these thoughts and feelings about romance, all the shame, futility and bitterness associated with one word that means a baseless, fanciful story. Wow.

I paused in writing the blog and thought about Random House’s definition for a day. I decided the thing I find most disturbing about this definition is that it’s purely subjective. Do we each have a unique baseless, fanciful ideal we’re searching for or trying to create? I’ve written about stories  before. If my idea of romance is nothing but a baseless, fanciful story inside my head, it’s not about anybody else. It’s only about me. It’s not something I’ll ever discover out in the real world.

No wonder I haven’t been able to find it!

Huh.

If romance is just another of my stories, then it’s pointless to carry shame around because nobody will participate in my ideal. I’m the only one who can be responsible for my story. Nobody else even knows it, unless I tell it, and this is a private story I’m unwilling to reveal. My story of romance is part of who I am, a piece of vivid and passionate authenticity. It’s what I dance with and write with. I need it. It’s an aspect of myself to be nurtured and cherished, not ignored and denied.

Romance is not about them at all. It never has been. It’s about me.

Photo by Ryan Moreno on Unsplash

This is a place I’ve been before, although this time I’ve followed a different road to get here. When I lived alone in my own home in my old life, I became romantically self-reliant, as it were. I was lonely, but I realize now I was probably the most satisfied romantically I’ve ever been. I burned candles and incense. I bought flowers for myself. I took myself to the movies, to breakfast, out for pizza. I took long, luxurious baths with music and essential oils. I bought my favorite sexy underwear and wore it for my own enjoyment. I gave myself weekends away and night walks to watch the moonrise. I danced naked. I bought art cards I loved and mailed them to myself to mark special anniversaries and days.

Then I came to Maine and began life with my partner, and because I had a man in my life again, I gave up on romancing myself. I realized my new relationship is deeper and stronger than romance. I no longer feel lonely. Many of my needs are being met now that have never been met before. Life in central Maine in a 100+-year-old falling-down and leaky farmhouse with very little money is not romantic, however, and my partner is a pragmatic Yankee. He’s about as romantic as a rock. He loves me. I don’t want him to be different, and I recognize he is not equipped to satisfy my hunger for romance.

Well, no. But given the above definition, is anyone? Has my search for romance been in vain because what I long for isn’t out there at all, it’s in here? Was it my responsibility all along?

I say again: Huh!

If I decide to be the best romantic partner I’ve ever had, is that hilarious or creepy?

One thing’s for sure. I won’t have to work very hard to be the best romantic partner I’ve ever had!

Wait, I already am the best romantic partner I ever had, I just took some time off. And now I miss me.

Our daily crime: Let’s go romance ourselves!

Photo by Roman Kraft on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

 

 

 

 

Being in the Body

Last night we danced. I’m patiently and persistently attempting to root a dance group into this community. It’s taking time, but I hope in the end to have a healthy core of four or five women to share this sacred practice with.

As I danced, I remembered an old friend with whom I danced in Colorado. She used to often say, at the end, as we sat in a circle holding hands, “It’s so good to be in the body.”

Not in the head, where family and other relationships, financial and political complexities, expectations, rules, to-do lists and all our internal voices reside, but in the body, right now.

Our bodies contain a childlike innocence and a wisdom beyond words. They communicate to us the truth about how things are with us via feeling and sensation. Patiently, they carry us through our lives, our most loyal and faithful companions. Persistently, we neglect, abandon and abuse them.

Somewhere along the way, we’ve learned to reject, be ashamed of and hate our physical being and experience. Now we’re to the point where bodily functions tied to being biologically female are a matter of political incorrectness and a hate crime. Social pressure is increasing to eradicate the very words that define female physical experience.

But dance is for everybody in every body, and the spiritual practice of dance has taught me to honor, protect and care for my physical self in new ways. There are no labels in dance, no gaslighting, no power-over that seeks to diminish or limit my physical history or expression. Dance is wordless, so there are no language police. Dance is the freedom to belch, to fart, to wiggle, to jiggle, to giggle, to cry, to shout, to play and to sweat.

The deepest language I know is of the body.

Allowing my body to be and joyfully inhabiting it has been a powerful act of self-love. It means allowing my hair to grow as it will, where it will, in the color it is. It means moving with dignity and pride. It means gratitude, for my life is a journey that maps itself onto my flesh. Every mole, freckle, stretch mark, scar, lump, bump, line, wrinkle and vein holds part of my story, and I honor story.

Being in my body is a powerful act of surrender, not to what the culture says I must be or not be, not to what I think I should embody or not embody, but to what I am. Simply that. The unique, miraculous complex system of genetic material, living tissue, viruses, bacteria and chemical processes that I am.

Allowing my body to be is a peace treaty. My body is not for the pleasure or evaluation of others. It’s not for sale. My body and I owe nothing to anyone, not explanation, apology, conformity, obedience and especially not shame. I refuse to go to war over gender, sexuality or political correctness ideology. I decline to support or participate in self-hatred or hatred of other bodies. The power of my body transcends the judgements, criticisms and opinions of others.

The deepest language I know is of the body. Words are inadequate to my passion, to my love, to my creativity. Spoken and written language fails to convey the richness of my body’s capabilities.

The tick crawling high on the nape of my neck along my hairline, the feel of its tiny claws stirring each hair as it seeks a good place to fasten on, gives me a physical experience so vivid and visceral it cannot possibly be conveyed in words. My skin shrinks, telling me what the sensation is before I examine the cause with my eyes. Undisturbed hair around its path rises, quite automatically, in response to the small but ominous trespass. It feels solid and smooth as an apple-seed between my thumb and finger as I pinch it off. It hurries up and down a bookmark, chestnut colored, as I transport it down the stairs, almost as though it knows it’s been seen, recognized and a death sentence passed.

We come out of our favorite restaurant after a meal on a hot, humid day and find a snake clothed in brown and green, voluptuously twined around our right front tire. My partner stoops and grasps it and it curls and writhes as it dangles from his hand, twisting between the newly-laid black tar and the heavy sky, glaring with sun, humid as a steam bath. My partner takes it into a nearby field and as he comes back he holds out his hand with a rueful expression, showing me beads of bright red blood, dazzling as rubies, on his finger, and two parallel shallow cuts that sting, he says, like paper cuts.

I danced with the tick, the snake, the rasp on my knee from falling on the front cement steps, their uneveness hidden by the encroaching hostas, blooming now on thick, fleshy stems, their lavender flowers plundered all day by bumblebees.

I danced with the rattling air conditioner lodged into a window of the recreation center activity room. As usual, we traded the rise in heat and humidity in the room with the lower and quieter fan setting.

I danced with a dead fly on the wood floor, trying to avoid stepping on it with my bare foot. I danced with a living large black ant, bewildered, crawling across what must have seemed like acres of flat, featureless terrain, also not wishing to step on it, but too involved in the flow of the music to stop and take it outside.

I danced with my breasts and belly and thighs, with my feet and elbows and wild hair. I danced with trickles of sweat and a wet upper lip. I danced with my tattoo and swaying earrings and sliding silver bangles. I let myself go. I let myself be. I let myself sink into my body as though sinking into a lover’s arms, for I am its lover, and it is mine.

I danced, and remembered again how good it is to be in the body.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Make Yourself Small

I’m getting ready to turn over the manuscript of my first book to a developmental editor. Getting ready means I’m doing one final read through and combing out overused words and phrases using the search (and destroy) feature in my word processor. Over the months and years I’ve been working with my book and mastering the mechanics of writing, I’ve learned a lot about language and my own personal tics and patterns. The biggest problem I’ve found in my writing is unconsciously using passive voice.

On the face of it, the process of cleaning up a manuscript is straightforward and occasionally mind-numbingly tedious. Looking at 4000 plus occurrences of the word ‘was’ throughout 1000 plus pages is not filled with giggles and takes a long time. I entertain myself with battleship noises every time I eliminate ‘was’, ‘were’, ‘had’, or ‘have’. I also come up with amusing similes for the process. My favorite is that editing is like combing nits out of a child’s hair.

On the plus side, this practice opens up a lot of time in which to notice my unconscious language patterns and think about how my word choice reflects my choices in every other aspect of life. Editing word by word in this way is also a great habit breaker. When I write ‘had’ or ‘have’ now I notice it and I stamp on it immediately.

In the past, I’ve also overused ‘gently’, ‘lightly’, ‘quietly’, ‘a little’, ‘went’ (that’s a common one), and ‘softly’. As these patterns become visible to me, I ask myself with some annoyance, why not ‘fiercely’, ‘loudly’, ‘a LOT’ or ‘strode, galloped or dashed’?

I’ll tell you why not. Because I’m female and my culture has successfully taught me to make myself small. That lesson is so central and ubiquitous that I’ve only recently been able to identify it and begin to organize resistance. The message is impossible to see until you see it, and then you can’t unsee it.

Do you know the old French fairy tale of Bluebeard? A serial wife killer instructs his latest victim to refrain from opening a door in his castle, the door a particular little key opens. Then he leaves her alone with his keys (of course). In his absence, Bluebeard’s young wife and her sisters explore the castle, opening every door, and (naturally) the wife is persuaded there’s no harm in just peeking behind that last forbidden locked door. In the room they discover a row of headless bodies and a pile of heads belonging to Bluebeard’s previous wives. They exit the room (as you might imagine) and conspire to pretend they never unlocked the door. The only problem is the little key that unlocked the door begins to weep drops of blood and nothing they can do makes it stop. Bluebeard returns, discovers the infraction, and … I won’t tell you what happens, because different versions of the story end differently. This fairy tale is embedded in my own book, The Hanged Man, as well. The point is, once some things are understood and seen, they can’t be unseen. There is no going back.

The Roaming Gypsy Angel

So, consider this commandment with me: Make Yourself Small.

  • Adhere to the arbitrary cultural ideal of acceptable attractiveness. If you can’t, hate your body, torture it, starve it, distort it, color it, shave it and beat it into compliance. Make yourself conform.
  • Let the media, social media, experts, professionals, your favorite news channel or radio host, your religious leader or the men in your life tell you what to believe and what to think. Don’t you bother your pretty little head trying to understand anything.
  • Make your sexuality, passion and lust small. In fact, make them invisible (you slut).
  • Make your intelligence nonthreatening.
  • Tame your creativity.
  • Don’t ask questions. Don’t search for clarity and truth. Don’t do your own research. Restrain your curiosity.
  • If you must have needs, make them as infinitesimal as possible. Your needs are dust in the wind compared to the convenience, habits and preferences of others.
  • Be silent! You are disqualified from having an opinion. Don’t tell your truth. Others are speaking. Censor your voice.
  • Capture, restrain, cage, shackle, chain and abandon your dreams. Who do you think you are?
  • Deny, belittle, smother and minimize your feelings. Control yourself!
  • Shame on you! Cringe, cower, hide your head! You’re bad and wrong!
  • Be self-contained. Be self-sufficient. Don’t take up too much space. Move lightly. Don’t spend too much money. Don’t be too dramatic. Don’t be too sensitive. Don’t order dessert. Don’t attract attention. Don’t breathe too much air. MAKE YOURSELF SMALL!

You get the idea, I’m sure. This list goes on and on. The message is everywhere, and we’re all affected. It cuts across social, racial, economic, political and gender divides. Failure to toe the line, whatever that line is, results in harsh social and professional consequences, up to and including death. Show me a headline and I’ll pick out this theme. I trip over it a dozen times a day in my own life. Spend five minutes on Facebook reading any thread on any subject and you’ll find this underlying message.

The surrounding cultural mandate to make ourselves small is toxic, but it’s not the heart of the problem. The heart of the problem is that we internalize the mandate before we’re even aware of it, and then it becomes so woven into the fabric of our experience we no longer discern it.

Ironically, stubbornly pursuing my passion for writing and my determination to be bigger is what reveals to me the outlines of my self-sabotage. My habit of making myself small has trickled all the way down to the words I choose. Editing my manuscript has become editing my thoughts and choices, and noticing the words I write and think in has helped me notice my feelings.

My feelings contain a lot of fury and a lot of rebellion, far more than I was aware of when I created this blog last summer. Minor friction with my partner about planning a day or how we utilize counter space taps into a deep vein of lifelong rage and pain about allowing and participating in my own repression and oppression. I have systematically colluded in my own erasure. I’ve agreed to make myself small. I’ve agreed to abdicate my power.

No more. I opened Bluebeard’s chamber, and saw what it contained. The key that unlocked the door was writing, and I’m deleting all the blood-stained words that make my art small. If I fail as a writer, I’m not going to do it softly, gently, lightly or a little. I’m going to do it thunderously, monumentally and profoundly.

Original art by David Wyatt

It’s time to make myself big.

All content on this site ©2017
Jennifer Rose
except where otherwise noted