Tag Archives: dance

Being in the Body

Last night we danced. I’m patiently and persistently attempting to root a dance group into this community. It’s taking time, but I hope in the end to have a healthy core of four or five women to share this sacred practice with.

As I danced, I remembered an old friend with whom I danced in Colorado. She used to often say, at the end, as we sat in a circle holding hands, “It’s so good to be in the body.”

Not in the head, where family and other relationships, financial and political complexities, expectations, rules, to-do lists and all our internal voices reside, but in the body, right now.

Our bodies contain a childlike innocence and a wisdom beyond words. They communicate to us the truth about how things are with us via feeling and sensation. Patiently, they carry us through our lives, our most loyal and faithful companions. Persistently, we neglect, abandon and abuse them.

Somewhere along the way, we’ve learned to reject, be ashamed of and hate our physical being and experience. Now we’re to the point where bodily functions tied to being biologically female are a matter of political incorrectness and a hate crime. Social pressure is increasing to eradicate the very words that define female physical experience.

But dance is for everybody in every body, and the spiritual practice of dance has taught me to honor, protect and care for my physical self in new ways. There are no labels in dance, no gaslighting, no power-over that seeks to diminish or limit my physical history or expression. Dance is wordless, so there are no language police. Dance is the freedom to belch, to fart, to wiggle, to jiggle, to giggle, to cry, to shout, to play and to sweat.

The deepest language I know is of the body.

Allowing my body to be and joyfully inhabiting it has been a powerful act of self-love. It means allowing my hair to grow as it will, where it will, in the color it is. It means moving with dignity and pride. It means gratitude, for my life is a journey that maps itself onto my flesh. Every mole, freckle, stretch mark, scar, lump, bump, line, wrinkle and vein holds part of my story, and I honor story.

Being in my body is a powerful act of surrender, not to what the culture says I must be or not be, not to what I think I should embody or not embody, but to what I am. Simply that. The unique, miraculous complex system of genetic material, living tissue, viruses, bacteria and chemical processes that I am.

Allowing my body to be is a peace treaty. My body is not for the pleasure or evaluation of others. It’s not for sale. My body and I owe nothing to anyone, not explanation, apology, conformity, obedience and especially not shame. I refuse to go to war over gender, sexuality or political correctness ideology. I decline to support or participate in self-hatred or hatred of other bodies. The power of my body transcends the judgements, criticisms and opinions of others.

The deepest language I know is of the body. Words are inadequate to my passion, to my love, to my creativity. Spoken and written language fails to convey the richness of my body’s capabilities.

The tick crawling high on the nape of my neck along my hairline, the feel of its tiny claws stirring each hair as it seeks a good place to fasten on, gives me a physical experience so vivid and visceral it cannot possibly be conveyed in words. My skin shrinks, telling me what the sensation is before I examine the cause with my eyes. Undisturbed hair around its path rises, quite automatically, in response to the small but ominous trespass. It feels solid and smooth as an apple-seed between my thumb and finger as I pinch it off. It hurries up and down a bookmark, chestnut colored, as I transport it down the stairs, almost as though it knows it’s been seen, recognized and a death sentence passed.

We come out of our favorite restaurant after a meal on a hot, humid day and find a snake clothed in brown and green, voluptuously twined around our right front tire. My partner stoops and grasps it and it curls and writhes as it dangles from his hand, twisting between the newly-laid black tar and the heavy sky, glaring with sun, humid as a steam bath. My partner takes it into a nearby field and as he comes back he holds out his hand with a rueful expression, showing me beads of bright red blood, dazzling as rubies, on his finger, and two parallel shallow cuts that sting, he says, like paper cuts.

I danced with the tick, the snake, the rasp on my knee from falling on the front cement steps, their uneveness hidden by the encroaching hostas, blooming now on thick, fleshy stems, their lavender flowers plundered all day by bumblebees.

I danced with the rattling air conditioner lodged into a window of the recreation center activity room. As usual, we traded the rise in heat and humidity in the room with the lower and quieter fan setting.

I danced with a dead fly on the wood floor, trying to avoid stepping on it with my bare foot. I danced with a living large black ant, bewildered, crawling across what must have seemed like acres of flat, featureless terrain, also not wishing to step on it, but too involved in the flow of the music to stop and take it outside.

I danced with my breasts and belly and thighs, with my feet and elbows and wild hair. I danced with trickles of sweat and a wet upper lip. I danced with my tattoo and swaying earrings and sliding silver bangles. I let myself go. I let myself be. I let myself sink into my body as though sinking into a lover’s arms, for I am its lover, and it is mine.

I danced, and remembered again how good it is to be in the body.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Cultural Appropriation

This week I want to explore the idea of cultural appropriation . In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions I want to address.

I intend to approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote and illustrated several books, among them ‘Draw Me a Star’. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .

The Artist

“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”

Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.

Symphony of the Forest and Mysterious Island, by Kitaro ,a Japanese artist.
Maryam, by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
Aye Lon Lon Vadjro, by Angelique Kidjo , an African artist.
Kozuma, by Professor Trance and the Energizers , who perform multicultural Trance Dance music.
Stars Align, by Lindsey Stirling , an American violinist.
Mwari, from the album World of Rhythm.
Pinguli Pinguli Giuvaccinu, by Savina Yannatou , a Greek artist.
Barcelona Nights, by Ottmar Liebert, a German guitarist.
Symphony of Dreams and A Drop of Silence by Kitaro.

I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects that belong to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.

Anyone who creates art or delves into old oral traditions realizes that cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.

It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. The fact is that science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.

Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.

Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?

We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life that persists is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank goodness and all the manifestations of divinity, are not that powerful.

What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.

Have you noticed, though? Life–human, animal, plant–goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain that goes right back to the first humans.

Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of ‘Draw Me a Star’ to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.

The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.

Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.

The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and all the other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to commit the daily crime of adding myself to the culture of humanity and passing it on.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

 

Needs 2: Care and Feeding of the Elephant

I was absent last week in order to take a trip back to Colorado and finish selling my house. On the road, I thought about my last blog  and the second part of coming to terms with needs. Discovering, admitting and identifying one’s needs is, alas, just the beginning of what I suspect is a lifelong journey!

So, to recap my last post, we all have needs, and we’re all driven by our needs, whether or not we’re aware of them. If we’re not aware of our needs or those of others, great big elephants are standing in the middle of our living rooms, invisible to us until we run into them, or they step on us. Our relationships and lives don’t work well and we have no clue why.

One of the trickiest parts of thinking about needs is taking responsibility for them. If we look at the needs inventory, consent to recognize and admit our needs and make a list of them, it seems logical to begin to evaluate how well our needs are being met by others.

Here’s the thing, though. All the people around us have needs too, some identical to ours and some different. That doesn’t mean we’re responsible to meet all those needs, and they’re also not responsible for meeting our needs.

Newsflash! Having a right to get our needs met and understanding our needs are as important but not more important than everyone else’s doesn’t guarantee our needs will actually be met by … anyone.

This seems unfair to me. Excavating my own needs and acknowledging them, even to myself, was a lot of work. I was annoyed when I realized nobody much cared what my needs are. They’re too concerned with their own! What’s the point of this aspect of emotional intelligence, then?

First of all, it’s about adulting. Grownups know who they are, including understanding what they need. Those of us who aspire to adulthood are required to possess this kind of self-knowledge and accept responsibility for communicating our needs to others, not because anyone has an obligation to meet them, but because we’re willing to know ourselves and allow others to know us, too.

Needs are inextricably enmeshed with boundaries . I have a long history of ineffective boundaries that resulted in me choosing the needs of whoever I was with over my own. Paired with another person with bad boundaries, this quickly becomes an unhealthy, unhappy relationship. One of the words we use to describe such a connection is codependent.

The second point about working with needs is that our satisfaction and enjoyment of connection with others is directly related to the degree to which our relationships help us meet our needs. This is complicated by the fact that feeling love for someone doesn’t imply our needs are well met in relationship with that person. For example, media-driven portrayals of romantic love don’t address needs at all outside the realm of sex, and sex is not enough to create long-term relationships that work.

Thirdly, we humans have a great propensity to self-destruct when our needs are not well met. We use strategies like substance addiction, sexual acting out, eating disorders and cutting to manage the painful dysfunction of not getting our needs met. Sadly, the culture focuses on fixing the behavior rather than the cause–the unmet need.

Fourthly, making friends with our needs connects us to our power. When we understand what’s not working in our lives and why, we’re empowered to make better choices on our own behalf and create the kind of life we want. We build boundaries. We learn to be more authentic. We learn to be responsible, which is another way of saying we learn to manage our own power.

Another aspect of needs is that they change. Our needs change as we age, as we grow, as we move through our lives. Not only do needs change, we can be wrong about what we think we need and discover, accidentally, needs we never thought we had but cannot do without once recognized.

I said this was tricky, remember?

Having our needs met is not a black and white experience. No one person can meet all their own needs or all the needs of another, no matter how beloved. Expecting any single person to meet all our needs puts an unbearable burden on that person and the relationship. Human beings need healthy community because community helps us all meet most of our needs most of the time.

So how many of our needs must be met for a relationship or a life to be healthy and effective? I don’t think there’s a formula for this. I suspect every case is different, because we’re all unique individuals. We have several core needs in common, but we don’t all need the same things to the same degree.

For example, think about noise. I’m very sensitive to noise. Prolonged and unrelieved exposure to traffic, loud music, television, crowds, airplane and car noise or even a beeping alarm unhinges me. First I’m frantic, then I’m exhausted and then I’m ill. I have a primary need to control the noise in my environment. I hate crowds, parties, loud restaurants and cities.

Other people don’t seem to even notice noise levels. Many millions live in cities with a constant background of noise quite happily. I was struck by how many people live along the interstate system as we drove from Maine to Colorado and back again. I couldn’t live beside a freeway for a day without losing my mind. Life would literally not be worth living for me.

If my need for a low-noise environment doesn’t get met, nothing else will work for me. I can’t function in a noisy environment, period.

On the other hand, I’ve always believed order in my environment was also an essential need. I’ve lived in such a way that I’ve controlled housekeeping, cleaning, etc., except for private bedrooms and workspaces romantic partners and children have had. Before I came to Maine, I was sincerely certain that I couldn’t live happily in disorder, dust and clutter.

Much to my surprise, chagrin and irritation, I’ve discovered that’s not true. The old farmhouse my partner and I are living in is falling down and loaded with (to my eyes) junk and clutter, most of it undusted for years. I often feel frustrated and resentful about this. However, our relationship is filled with things that are meeting my needs in ways they’ve never been met before, and getting so many needs met balances out the squalor (my interpretation) in the house!

Managing my needs has become a kind of dance. After much practice, I now maintain a friendly relationship (mostly) with my needs as they ebb and flow. I’ve learned to tell others when my needs are not met without apology or justification, as well as communicate what I need simply and directly. I’ve got some beautiful boundaries in place. I’ve learned to ask others what they need, not because their needs are my responsibility, but because I want to support them getting their needs met. I’ve let go of expectations that anyone is obligated to meet my needs, but I treasure and nurture those relationships in which my needs are met naturally.

I also have precious people in my life whom I dearly love who don’t meet many of my needs, and that’s okay. Those connections are based on other things. I probably don’t meet many of their needs, either, but it’s not for lack of love and it doesn’t mean anyone is bad and wrong.

Managing needs takes a lot of mess and clutter out of my life. If something’s not working, I notice it right away and a little contemplation leads me quickly to the bottom line–what need is not getting met? Where and how am I feeling disempowered? What can I do to help myself and who do I need to have an honest discussion with?

Taking action when there’s a problem, communicating carefully and authentically and taking responsibility for my own needs invites those around me to do the same. Some people will accept the invitation and some won’t. We can’t control what anyone else does or doesn’t do. However, we can choose which connections to put energy into and which to bless and release, and we can commit to managing our needs effectively and appropriately, for our own sake as well as the sake of others.

All content on this site ©2017
Jennifer Rose
except where otherwise noted