Tag Archives: dance

Lessons From Tai Chi: Meditations on Moving

After years of interest, last autumn I finally found a Tai Chi teacher. I approached learning Tai Chi with hopes and expectations about the benefits it could provide, but I was unprepared for the depth and complexity of the power of the practice and how important it would become in my life.

Photo by Mark So on Unsplash

Tai Chi is a form of Chinese martial art intended to teach defense and support health. It’s a multilayered practice, elegantly complex. Learning the gross motor movements is only the first baby step. One layer is connected to and leads to the next. Tai Chi is not a linear activity to learn from beginner to mastery, but a dynamic, fluid practice best approached with humility every time. It’s constantly challenging in new ways, depending on what my state of mind and spirit is on any given day.

The Tai Chi I practice is called 24 forms, all of which gradually blend into one smooth, flowing whole with practice. The forms have delightful, poetic names like The Crane, Windmills and Clouds.

Tai Chi is about finding one’s center, physically and emotionally (layers) and building the strength and balance residing there. In order to facilitate this, one crouches slightly with bent knees throughout the whole routine. This is obviously quite challenging, and for some people impossible. However, with proper foot position, body dynamics and a crouched stance, we can immediately feel the solid, stable center that is the core of every Tai Chi form. Crouching for long periods of time immediately informs us about the strength of our ankles, knees, hips, hamstrings and quadriceps, information we might not otherwise receive as we move upright through the world.

Crouching assists with balance because it lowers the center of gravity. Many people take up Tai Chi to support balance issues, in fact. Several forms require balancing on one foot or another with the supporting knee bent. This, too, can be unexpectedly challenging. Once again, our body has a story to tell that we might not otherwise hear as we move normally. I’ve always been aware that I have sloppy posture, but I’ve been habitually lazy about doing much about it. Tai Chi demands that I stack my bones on top of one another and tuck in my tailbone. If I don’t do that, I can’t balance. I notice that I now move through the rest of my life standing tall, with more grace and confidence and better posture. I don’t slump, crowding my lungs and abdominal organs. I don’t tilt or lean. I know where my pelvis is and I stay over it. My back is happier. I feel better.

Every movement counts in this practice. Each foot is placed just so in order to support a fully centered crouched stance. Shoulders, wrists and elbows stay in line with several of the forms, which necessitates holding arms straight out from the shoulder. My arms ached for months as I built strength, and I’m a strong swimmer who works out in the pool once a week. One form requires placing toes down and heel up, and another the heel down. At times we turn on our heel, and at other times our toe. In one form we turn one foot on the heel and the other on the toe at the same  time. Everything about Tai Chi leads me inward on a spiraling journey of deeper focus and mindfulness.

Photo by Ludde Lorentz on Unsplash

It’s amazing to practice over time and begin to feel the forms smoothing out into a cohesive routine with some kind of elegance and grace. Such fun and so rewarding. Then, however, the instructor started to talk to us about our eyes. It turns out every form requires a very specific eye gaze, often on our hand movements. I was doing well with balance, but when I took my gaze off the middle distance and looked at my hand in front of my face, I lost my balance. This was advanced balance. I added in the appropriate eye gaze and started all over again with balance.

Then, the teacher began to talk about breathing. Crap. I hadn’t even thought about my breathing! Breathing is connected to energy, and Tai Chi was originally a practice for working with energy as well as defense. All the forms have to do with pushing, pulling, deflecting or defending. Now that we had some mastery of the physical challenges, we began to work on feeling our field of energy and moving it with our bodies and breath. A push is an exhalation. A pull is an inhalation.

Breathing then leads to pace and rhythm. We practice Tai Chi to meditation music — very slow. Balancing on one leg is not so hard when you do it for two or three seconds. Balancing for sustained periods of time, especially with a bent knee, requires a lot more strength and, well, balance! Every movement takes far more concentration when slowed down. This is one of the few activities I’ve ever done where the goal is to slow down. We seem to be running faster all the time, overstimulated, overscheduled, multitasking, trying to earn more money, perpetually on call via technology. We’re all in pursuit of … something. What? Does anyone ever find it? Is it worth the cost of the chase?

Photo by Chris Ensey on Unsplash

Tai Chi demands we slow down. In that slowness we discover our fatigue, our aches and pains, our half-healed injuries, our distractions and our distress and unmanaged feelings. We remember our center. We recover our balance. We make time to breathe.

Some people call Tai Chi a moving meditation, and I now understand why. When I’m practicing Tai Chi, I’m not doing anything else. When I’m walking or swimming my mind goes right on with whatever it’s busy with. Those activities are good for creative inspiration, prayer and processing feelings. Tai Chi, though, takes me to a deep, restful, quiet place of no thought, focus and present mindfulness, so rich and so empty. It opens the door for awareness, too, of the degree to which I’m captive to distraction. The instant I’m distracted by a sound or a stray thought, I lose my balance and center, I lose my breath, I lose the flow and I don’t know where I am in the forms. I think of myself as fairly focused, but I’m just as susceptible to distraction as anyone else, and I don’t want my life to become an uncontrolled blur of noise and stimulation in which I forget there’s anything but distraction. Tai Chi brings a precious and necessary balance into my days.

All these layers have brought health and healing into my life, but the greatest grace Tai Chi brings me is the opportunity to be in the body. I’m saddened by the ever-more strident body politics in our culture. I don’t remember a time in my life when it seemed so many people were locked in self-hatred and hatred of others based on some kind of physical characteristic. It reflects in our suicide and addiction rates, and it touches each one of us. We no longer honor the sacred feminine and masculine, we have few invitations to fully inhabit ourselves physically, and no one encourages us to honor and respect our physical form as it is.

Just like dance, Tai Chi calls us home to ourselves. My home is not nipped, tucked, plucked, lipo-suctioned, dyed, shaved, made-up, compressed, surgically reconstructed or uplifted. My home is my oldest friend, my most loyal companion, the loyal record keeper and diary of childbirth, breast-feeding, menopause, a lifetime of Colorado sun, slipped kitchen knives and barbed wire fence. My home is lines and wrinkles, lumpy thighs, softened breasts, grey hairs and thinning skin. This amazing, adaptable, resilient, hard-working body is the shelter and haven for my spirit.

I often move a chair aside, open the windows, take up the sheepskin rugs lying on the wide plank floor in my attic space, shut the door at the bottom of the stairs, turn on music and take off my clothes to practice Tai Chi. I like to look down at my bare toes and toe ring on the sloping grey-painted floorboards. I like to glance at my strong knees and make sure they’re in line with my heavy ankles. I like the gentle slope of my belly, cross-hatched with silver stretch marks, under which two children grew into life. I like to stack my bones carefully, tuck in my tailbone and feel the subtle realignment that opens up my center and my balance. I like the clench, pull, stretch and relaxation of my muscles. I like the combination of strength and loosening skin and flesh as I move my arms. I’m grateful for the ability to breath deeply, and the ability to sweat. I relish the air coming in the windows and touching my bared breasts.

We started with a large Tai Chi class, and over the weeks and months people dropped out, one by one. I suppose for some it wasn’t a good fit. For others it wasn’t a priority. Still others were discouraged by their physical limitations, in spite of the fact that the instructor was and is eager to modify the practice to accommodate anyone. One lady had trouble with balance but was unwilling to stand next to a chair for safety and support. Others were ashamed of their weight, their muscle weakness and/or learning a new thing in public. It made me sad. I think many would have benefitted if they could have moved past their shame and self-consciousness, and if they’d been willing to work with their physical reality instead of resenting and arguing with it.

Our Tai Chi group is small now, but we’re good friends. We laugh a lot. We learn from one another. We greet and part with hugs and affection. We enjoy the music; share our distractions, worries, aches and pains and support one another in centering, grounding, calming and mindfulness.

I’m entirely grateful.

My daily crime.

Photo by Biel Morro on Unsplash

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Making An Offering

The seed for this post was a podcast by Pat McCabe, also known as Woman Stands Shining, who is a Diné (Navajo) mother, grandmother, activist, artist, writer, ceremonial leader and international speaker. In the podcast, she speaks about the idea of making an offering as part of our spiritual work.

Photo by Chinh Le Duc on Unsplash

That idea started me thinking about offerings, what it means to make one, to whom we make them, and why. Spiritual and sacred practices are a strong theme in the trilogy I’m writing, starting with The Hanged Man. Mother’s Day has come and gone and Father’s Day is ahead. Many of us mark these days with offerings of some kind. For Earth Day, I joined a small neighborhood group and picked up trash, and I framed that activity as an offering. Yesterday I cleaned up my summer-only dance space and danced there for the first time this season. As so often happens, during that hour of dance this week’s blog crystallized.

An offering is “a thing offered as a gift or a contribution” according to a quick Internet search. A gift is “a thing given willingly to someone without payment.”

The act of making an offering is ancient, a practice we began long before we could go out and buy a gift. Various cultures have historically engaged in ritual sacrifice (an act of slaughtering an animal or person or surrendering a possession as an offering to God or to a divine or supernatural figure), an altogether different degree of gift from a cute coffee mug.

I’ve long struggled personally with gift giving. There’s something in me that resents and resists the cultural mandates we’ve created to give gifts of a particular kind on certain occasions or days of the year. It seems to me modern-day gift giving has moved away from making an offering and into a demonstration of possessing money and spending it on some new piece of something, just for the look of the thing. We may feel real love, or gratitude, or whatever, but the only way we know how to express it is by buying a card (never mind the trees) and some kind of a gift.

I know that’s how we do things, but what does it accomplish, aside from contributing to our capitalist economy? Is that what we most want from the people in our lives — more stuff — or is that what we take because we can’t get what we really want? Is a coffee mug all we think we have to offer? Is a coffee mug all we think the other will accept? Are we unable to recognize and cherish an offering unless it comes gift-wrapped?

Photo by Chris Ensey on Unsplash

I’m thinking a lot about Pele, the Hawaiian volcano goddess, because I’m writing about her in my second book. (This began before the recent trouble in Hawaii.) Traditional offerings to Pele involved tobacco, brandy, silk, crystals, tropical flowers and food. Offerings to Pele and other divine figures around the world involved ritual, prayer, music, song, dance and sometimes a sacrifice. Things, yes, although many were objects from the natural world, but also time. Presence. Creative, sensual and/or erotic expression. Community celebration, guided by spiritual leaders. Reverence. Appreciation. Gratitude. Acknowledgement of the Divine’s connection to the people and the natural world they inhabited.

Making an offering on this level is a demonstration of commitment and willingness to participate in the complex web of connection between people and nature. It’s a practice, not a one-time event. It’s flexible and not limited to the calendar or the clock. If there’s a community or individual need to speak to the Divine, time is set aside to do so. No money or commerce need be involved, because the offering is of self.

The offering of self, however, is often invisible, especially to our nearest and dearest. It’s so fatally easy to take one another for granted. The very act of feeding those we love is an offering we’ve been making and accepting since humans began. The acts of growing, harvesting, gathering, hunting, sharing and preparing food, absolutely necessary for survival, are almost obscured now by money and time constraints, ecological concerns, health issues, ideology and who does the dishes. Whether we recognize it or not, feeding another person is an offering of life. Parents know that making that single offering to just one child, let alone other family members, is a colossal, exhausting, unending task. Yet it’s so often completely invisible, and who has time to enjoy the act of offering food to another (or ourselves, for that matter), or incorporate ritual, play or creativity into our eating? It’s just another chore in our busy days.

So, if our offering is invisible, unrecognized, unappreciated or even rejected in favor of something like a coffee mug, does it mean we’re worth nothing, we are nothing?

Of course not, but it feels that way sometimes, doesn’t it?

Making an offering means letting it go into the world and having faith in its worth. An offering is a gift, and a gift is a thing given willingly, without payment, remember? There isn’t a scorecard. It’s the practice of offering that enriches our spirit, not the outcome. Unfortunately, everything about our modern culture trains us to depend on immediate reinforcement. We’re hooked on likes, claps and our stats. We gloat over the number of our friends, subscribers, comments and shares. Deadliest of all, we compare our popularity and performance with the popularity and performance of others.

What others think about us and how the world perceives us is becoming more important than our own integrity and the authenticity and quality of our offerings. We’re forgetting how to trust and have faith in silence, in invisibility and in not knowing. We’re forgetting that our worth is not defined by others.

We’re forgetting that our worth is not defined by others.

What about the offerings we make to ourselves? What about our ability to meet our own needs,  spiritual, physical, creative and emotional? Do we have any self to give ourselves? Do we tell ourselves there’s no time, no money and no point? Do we tell ourselves that whatever our self-expression is, it’s not worth anything, meaning we can’t sell it to someone or no one will approve of it?

Woodshed

I danced yesterday in an old woodshed that was attached to a local one-room schoolhouse more than 100 years ago. It leans and tilts. The roof leaks. The windows and doors aren’t square and the wind blows through gaps. I swept out the winter’s accumulation of mouse and bat droppings, leaves and dirt. It was a warm, sunny day and as I danced I gradually peeled off my clothes until I was naked. The sun came in the west window and made a square on the floor.

I thought of trees and stones offering their bodies to moss and lichen, the earth offering itself to plants, and blossoms offering themselves to sunlight and insects.

I thought of smiling into a stranger’s eyes and complimenting a cashier on the color of her blouse.

I thought of the creators of the music I was dancing to making an offering of their talent, enabling me to offer my dance.

I thought of homes, rooms and gardens I’ve created that are long erased. I thought of people I’ve loved with my whole heart and volunteer work I’ve done. I thought of my partner, who was running an errand in town so I could eat bacon the next morning. I thought of picking up trash on Earth Day and the new trash that’s been thrown out car windows since then, and how futile that makes me feel.

I thought about words, all these words, all these stories and ideas and thoughts in my head that are here, and on Medium, and in my books. I thought about all the words written by others that I read each day and appreciate, share, clap for or comment on.

I thought about procreation, the red tide and the milky seed our bodies offer to life, to hope, to continuance. I thought about offerings of tears, of blood, of pain, of rage and of surrender.

Photo by Leon Liu on Unsplash

Offering is a circle. Life offers itself to us, and we can choose to offer ourselves to Life. What better offering can we make than our fully engaged participation and presence with ourselves, our experience and others? Such a gift can’t be bought or sold. It might not feed our fame, popularity or bank account. We probably won’t get validated by statistics or Twitter. Some people may never recognize or value it.

But our self-esteem will bloom. Our joy will increase. Our words and choices will add to the positive energy in the world. We will become self-empowered and spiritually strong and resilient.

I smiled and laughed and shouted as I danced, whirled and stamped and clapped. I offered up my white, winter-tender skin to the sun and air. A mosquito bit me on a knee; a blood offering. No one saw me, except maybe an astonished spider or two. No one cared. It was an offering of self to self, a private thing. It gave me joy. It gave my body a chance to move and be grateful. It fed my creative well.

It was nothing.

It was everything.

It was my offering.

Thank you for reading.

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Letting Go

I have, on my desk, a small clay sculpture of a woman with her hands cupped in front of her chest. She holds a tiny clay bird and is surrounded by a couple of crystals, a piece of amethyst and a small geode. This little altar has been my daily companion for years. Wise and smiling, round and nurturing, the sculpture has comforted me through many losses, grief and rage. She’s one of my greatest treasures.

Letting Go

These days, the bird she holds is perched on the rim of the wooden dish that she sits on, looking out at the room, at the world, at me. It can stay, or it can fly away. For now, it is content to sit, watching and listening, as I live my life in these two small rooms at the top of our sagging farmhouse.

I have placed tiny polished garnets in the woman’s cupped hands where the bird once nestled.

I had a friend, dear and wise, in my old place who once said to me that if we open our hands and let something go, and keep our hands open, something new will come and fill them. As she spoke, I again saw the image of an open hand, generous, allowing freedom, and prepared to welcome and support the next thing, and the next.

Letting go is power. Letting go is serenity. Letting go is an authentic act of love toward self and others. The usefulness of letting go is not a secret. Almost any self-help book out there talks about it as an aspect of healthy functioning, but I think popular psychology doesn’t explore it deeply enough.

Letting go doesn’t mean we brush aside our feelings. Not at all. Unexpressed feelings cement us in place. We all know people who remain frozen in time because of a death or traumatic event. Years and decades pass, but they don’t heal. They don’t move on. Their emotional growth is arrested. This is what unfinished emotional business looks like. Unexpressed feelings can’t flow through us and dissipate so we can release them.

We know very little about appropriately expressing our feelings in this culture.

Feelings aren’t thoughts. They’re not stories, expectations, beliefs or ideology. They’re not labels or rules. Like it or not, admit it or not, we’re physiologically wired for feelings, and they give us good information about how things are with us. Our thoughts and beliefs, on the other hand, are frequently distorted, confused, inaccurate, misinformed, outdated or otherwise unreliable.

That’s where letting go comes in.

We’ve all had events in our life that left deep scars. We’ve all seen things we can’t unsee, heard things we can’t unhear and done things we can’t undo. We’ve all felt disempowered or victimized at one time or another. Death and disaster enter our lives with no warning and take those we love.

Some people move on from such events with more grace than others. I suspect part of that grace has to do with forgiveness. Not forgetfulness, but forgiveness of self and others. I suspect another part is the ability to fully experience and express the feelings attached to the event. That requires a certain kind of support, and many folks don’t have it. Some people simply don’t choose to move on or let go. They center their thoughts, feelings and energy in the event, whatever it was, and they hold it tight, cherishing it, feeding the fire of their pain, keeping their scars open with the razor blade of their attention and focus. It becomes part of their identity, part of their story, a grievance to cling to, a betrayal to treasure, a wound to worship.

Photo by Andrey Grinkevich on Unsplash

I have a book called Clean Sweep, by Denny Sargent. It’s filled with rituals and instructions to help us let go of what no longer serves us. The author outlines a banishing exercise in which he suggests the reader visualize holding tightly to a thorny branch. In my own version, the branch is heavy, so heavy I can hardly hold it, which drives the thorns deeply into my flesh. The branch is a person, event, memory or belief that gives us emotional pain. We can make an easy choice and cling to it, cradle it, embrace it, let it tear our skin and make us bleed. We can make a harder choice and set it down, open our hands and let it fall. We can walk away from it. We can burn it or bury it.

In order to let go, we have to be willing to surrender control and endure loss. Letting go of a core piece of identity, a long-held belief or a painful memory is difficult work, even when that core piece, belief or memory gives us great pain. Letting go will leave a hole. Then what? Then who are we? How do we fill that hole? How do we understand ourselves and our place in the world? This is scary stuff.

Photo by a-shuhani on Unsplash

Aristotle said nature abhors a vacuum. My friend was right. If we open our hand and release what we’re holding, something else will come, though we can’t predict or control what it might be. In fact, the thing released might return to us in another form. We can’t know. We’ll never know unless we release our need to control. We’ll never find out what might perch on our open hand if we’re not willing to walk through loss in order to reach gain.

I’m having a long and involved break up with my desire to control. Some days I go all day without thinking about it, and other days I want to micromanage everyone and everything in my life. Some days I feel light and free, a confident and lovely woman, and other days I feel like a grubby three-year-old hiding under the covers sucking my thumb because nothing and no one is the way I want them to be. I sulk and pout and snarl and I feel crushed by the thorny weight of my need to control.

Then, at some point, my eye falls on my little clay wise woman and her cupped hands and wide-open heart, and I say, “Oh, yeah. That’s right. Letting go.”

I feel annoyed when people tell me to “get over it.” First of all, I have a right to my feelings, and secondly, it’s not that easy. Letting go, for me, is a practice, and I need time to engage in it. Sometimes I go back and find my leaden armful of hawthorn or bramble or locust and hold it again for a while, opening up all the old wounds, exhausting myself, hurting myself, and, finally, opening my hands and letting it fall again. Sometimes I need to design a ritual for letting go, a prayer or a dance or some kind of purification rite. Sometimes I need to make a physical resting place, like a grave or a patch of garden or a newly-planted tree in order to let something go. For me, taking time to honor whatever it is I’m trying to release is helpful. Whatever it is that no longer serves, it was once a part of my life and experience. Laying things to rest in this way helps me release them fully and finally.

When it comes right down to it, this blog has been an exercise in letting go as much as anything else.

Photo by Ester Marie Doysabas on Unsplash

When we know how to let go, we increase our power, as well as the power of others. Often, what we desperately hold onto is people. This is a strong archetype in old stories; locking the beautiful maiden in the stone tower to “protect” her. Part of love, as any seasoned parent will tell you, is letting go. Imprisoning, disempowering and trying to control others isn’t love. Refusing to let go of someone isn’t love.

Releasing our grievances with others frees them as well as ourselves. Being willing to accept an apology, an explanation, and the imperfections of others allows us all to move forward with lighter loads. The stories and memories we hurt ourselves with are often ghosts, events involving people who are long dead and far in the past. We can choose to bless them and lay them to rest.

I don’t want to haul around painful memories, toxic garbage, the futility of trying to control life and ineffective behaviors and beliefs. I can’t swim with all that tied to my ankle. I can’t dance. I can’t embrace anything or anyone with an armful of brambles. I can’t create with a heart full of thorns.

I want to be free.

I open my hands.

Photo by Stephen Leonardi on Unsplash

Make a Boat

Make a boat
out of who you are
not what you have.
If you don’t know who you are
(Search for the desert between the worlds.
Find the Lady of Bones.
Recollect.
Reassemble.
Bathe in soul.
Birth yourself.)
That is another journey.

Your boat will be small.
You can take no one.
You can take no thing.

Shape your boat with the entirety of your truth.
Shape it with the joy in your hands
and the wisdom in the soles of your feet.
Make a chisel of rage and grief.
Sand with the grit of clarity.
Stain with blood.
Oil your boat with the moisture and musk of your life.
Take your time
And remember
Fear does not float.

When you know the boat is ready,
Sit in it.
Lay the backs of your hands on your knees.
Open your hands.
Let everything go.
Let everything go.

Keep your hands open
So that new things may come.

Without fear
Ask the one who stands just behind your shoulder
The one who shelters your life in the shadow of her wing
To come forward.
She will guide the boat.

Surrender yourself to your boat,
to the water,
to your guide.

Find your breath.
Stay there.
Find your heartbeat.
Stay there.
Keep your hands open.
Rest.

Don’t stand up in the boat!
Don’t throw yourself out of the boat!
Don’t you want to see where you are going?

Look. See how the feathers on her wing
trail in the water?

All content on this site ©2018
Jennifer Rose
except where otherwise noted