Tag Archives: choice

Depression and Other Unwelcome Visitors

Slowly, I’m finding online communities of writers. The most important among these is Medium, where I republish the most popular posts from this blog. As I’ve shaped Our Daily Crime, I’ve connected with other bloggers. These connections mean I spend at least an hour a day reading the work of others. I’m inspired, touched, tickled and provoked, and I feel at home in these digital communities because we all share the need to write and be read. We also share self-doubt, confusion, vulnerability, loneliness, the need for connection and the problem of earning a living.

Photo by Volkan Olmez on Unsplash

Over and over again, I read about personal struggles with depression, fear and anxiety. Many a writer sits down to their daily writing practice with goals and intentions and finds him or herself unable to do anything but express the here and now of their experience of ambivalence, avoidance, distraction or block. To be a writer is to occasionally live with shame and guilt about what we meant to write, what we should have written and the quality and subject of what we actually did come up with. We all doubt our ability, our value, and whether anyone will care enough to read our words. Creative expression is a daily leap of faith.

I’ve struggled all my life with depression. In more recent years, I’ve come to understand anxiety and fear are also large parts of the feeling I recognize as depression. Over the years I’ve tried to manage depression in many ways. Some worked, at least temporarily, and some didn’t.

It hasn’t been until the last decade that I’ve finally found a way to effectively manage and even largely banish depression. It doesn’t play with me anymore. Fear and anxiety still show up regularly, but the same method works to manage them, and I no longer worry that one day I’ll just give up, step over some unseen edge, and disappear into crazy, a fugue state or death.

One day, for no reason in particular except that I felt exhausted, despairing and bored with both, I said to Depression, “You win. I give up. Why not come out of the shadows and show yourself?”

Fat and happy, secure in its power, it did just that.

The first thing that I realized was that Depression is an experience, not an integral piece of me. It’s something draped around me. It can be separated from me.

The second thing I noticed was that my depression is male. He walked with an arrogant male strut and swagger and he spoke in a male voice.

I didn’t name him because he wasn’t a pet, he wasn’t a friend, and he most definitely wasn’t invited to be a roommate. He was merely someone who showed up at more or less regular intervals and made a nuisance of himself. He didn’t have the manners to knock on the door, wait to be invited or give any notice of his arrival. He just appeared.

I wondered what it would take to discourage him from visiting. What made me so attractive?

Photo by Stefano Pollio on Unsplash

Clinical depression is like a grey cave filled with fog. It numbs the senses and fills head and heart with cold, sticky, lumpy oatmeal. One is entirely alone with no hope. The simplest action, like opening one’s eyes, takes enormous effort. Depression envelopes and consumes every spark of power.

The only reason I’m in the world today is because I’m an unbelievably stubborn butthead. I’m also very nice. One does not cancel out the other, but nearly everyone persists in missing that important point, with the result that I’m constantly being underestimated. This is a wonderful advantage in life.

Depression was no exception to the rule. When invited, he disentangled himself from me, parked his butt in a chair I pulled out for him, and began to tell me how things were going to be from now on.

On that particular day, I hadn’t showered (or the day before that, or the day before that). Annoyed by his high-handedness, I interrupted to say I was going to shower. He told me not to. Who would care? What was the point? I wouldn’t see anyone. No one would see me.

That was all I needed. I went and took a long shower. Washed my hair. Shaved my legs. Put on clean clothes and some jewelry. Depression sat in the bathroom and muttered at me. I ignored him.

I felt better then, and my irrepressible creativity began to stir, along with a childlike streak of playfulness that I usually keep well-hidden. One small act of rebellion had helped me regain a tiny sense of power.

One of the things that used to happen when depression struck was that I stopped eating. I’d go all day with nothing but a salad and a piece of toast. I hadn’t eaten a solid meal for several days on this occasion. I wasn’t the slightest bit hungry (this is common), but I knew I needed to eat.

Depression didn’t like it. He threatened and complained and trotted out all the usual points. I was too fat. I hadn’t been doing anything useful and didn’t need to eat. I didn’t make enough money to deserve to eat.

Photo by Florencia Potter on Unsplash

I put a chair at the table for Depression (I lived alone at the time), invited him to sit, set the table for two with complete place settings, right down to two glasses of water, made myself a meal, and ate. I offered him some food, but he refused. I read while I ate and ignored Depression, who sat and sulked.

Well, you have the idea. The more he protested when I wanted to take a walk, sit in the sun or work in the garden, the more stubborn I became. I politely invited him to join me in my activities, but he refused, which meant the more I got out in the world and did things the less time I spent with him. He hated my movies and my audio books. He thought walking to Main Street for an ice cream cone was a criminal waste of money, along with feeding the birds. The only activity he approved of was my work, which involved sitting for hours in front of my computer with headphones on doing medical transcription as fast and accurately as possible for only slightly more than minimum wage.

He absolutely hated my music. I quickly developed the habit of turning on Pandora first thing every morning and listening to it most of the day.

We also conflicted over sleep. Depression said there was no point in getting up in the morning because no one would notice. No one would care. In fact, the only things really worth doing in life were working and sleeping. This attitude ensured that I set the alarm for 5:30 a.m. and walked every day at dawn.

I didn’t ask him to leave. I didn’t fight or struggle. I made sure he had plenty of space and a good pillow in my bed. I gave him a spot at the table and a seat in front of the TV. I took out a clean towel for him and invited him to browse in my personal library.

Every single time he told me not to do something I did it, no matter how much I didn’t want to. I was pleasant, noncompliant, resistant and stubborn as a mule.

You know what?

He went away.

One day, he was just gone.

I knew I’d found the key.

Externalized, Depression suddenly became more pathetic than terrifying. He was so predictable, and so limited. All he had to say were the same things he’d been saying all my life. He was boring. He was like a batty old uncle who must be invited to every family gathering and tells the same interminable stories year in and year out.

He came back, of course, but for shorter and shorter visits at wider and wider intervals.

“Back again, I see,” I’d say. I’d set a place at the table, take out a clean towel, make space in the bed and on the couch. I’d realize I was sliding again and concentrate on eating more regularly, exercising, playing music, putting flowers on the table or maybe scheduling a massage.

I tried to have conversations with him, but Depression had no conversation, just the same tired monologue, mumbling and whining. He was really quite sad. He stopped spending the night and then gradually stopped visiting altogether.

I guess he was no longer getting what he needed from me.

Fear and anxiety are still regular visitors. Things are different here in Maine. I don’t live alone, for one thing. I still play imaginary games, but only in my head. Still, when either fear or anxiety show up, I recognize them. (Anxiety bites her fingernails; I always recognize her hands.) I don’t try to keep them away and I don’t try to hide from them.

I focus on giving them no power. I don’t buy into their catastrophizing. I appreciate that they’re trying to keep me safe, poor things. All they can do is make up terrible stories about what might happen and then sit, paralyzed by their imaginings. I know they’re wretched. I wish I could help. I try to be kind — at a distance. They usually don’t stay long.

This experience is the sort of thing I used to hide, but I realize now that my struggles are not unique. I’m inspired by the creativity, honesty and vulnerability of other writers. It seems to me that coping with depression, anxiety and fear is like figuring out how to eat. Every body is different. Everybody needs to find their own path to healing, health and sanity. At times, it’s difficult to break through social expectations and shoulds and make a complete left turn into something creative, intuitive or outside the current norms.

Still, nothing succeeds like success. Turning Depression into an externalized character helped me see I didn’t have to define myself by it. I could choose to set aside that label and all it implies. Once I truly believed I had the power to choose, everything changed.

Sometimes, running away from sudden or passing danger is appropriate. However, running from these chronic spectres that dog my heels has not worked. I can’t get away from them. I can’t avoid or evade. Being chased by anything is fearful. The moment when I stop running, turn around and deliberately go toward whatever threatens me is the moment in which I begin to regain power. Monsters suddenly become mice. My own fear and abdication of power are what made them monstrous. I don’t need to hide. I don’t need to defend. I only need to consistently and patiently demonstrate that I will give them nothing they want so they choose to leave me.

It helps when they tell me what to do.

Don’t tell me what to do!

My daily crime.

Photo by Senjuti Kundu on Unsplash

All content on this site ©2018
Jennifer Rose
except where otherwise noted

 

Selchie

Selchie: A mystical creature who takes the form of a seal in the sea and a human on land.

I have a picture book from my childhood called Greyling, by Jane Yolen. It’s one of my favorite stories, by one of my favorite authors, and I’ve told it as an oral storyteller for many years. When I began doing storytelling, I sought out all the selchie stories I could find and incorporated them into my programs.

I rarely tell a selchie story without fighting back tears.

I’ve lately revisited this wonderful material for my second book, and it occurred to me to explore why these stories touch me so painfully and deeply.

Selchie stories appear in the Hebrides, Iceland, Orkney, Scotland, Ireland and the Faroe and Shetland Islands. Like all lasting oral traditions, they contain blueprints for navigating loneliness, exile, love, loss, competition, compassion, trust and power. A good story has many facets.

A common thread in selchie stories is that a seal comes to land, takes off its skin, and becomes human, usually a beautiful young woman. Subsequently, the skin is stolen by a man and the woman entrapped. In many of the tales, she marries  the man who has her skin (always a fisherman) and bears his children. Sometimes her husband promises that after a certain number of years he’ll allow her access to her skin again, but he doesn’t follow through for fear of losing her. Inevitably, the skin is found, often by a child, and returned to the selchie, who must then face a choice between her life with her family and her life in the sea.

Photo by Jeremy Bishop on Unsplash

It is this choice that makes me weep. I know the agonized longing for what we are made of but can’t ever quite find.

As I observe the world and people around me, I think many of us feel in some way exiled from who we were born to be, from a place, from a tribal connection, from some integral expression of self. I believe this exile creates such an unbearable hunger we grasp at anything within our reach in order to appease it, becoming addicts, developing eating disorders and body dysmorphism, and struggling with anxiety and depression. We live in a culture of distraction and entertainment. We’re busy, noisy, exhausted, and inundated with information, stimulation, propaganda, manipulation and demands.

Photo by Anna Dziubinska on Unsplash

We want what we are made of, but how do we find what that is? Why is it taken away or withheld from us? Why are we so often forced to choose between one thing we’re made of and another? This all lies at the heart of selchie stories, for the selchie is a creature torn between two worlds and two tribes, and we instinctively recognize this conflict.

Choice is so often grief. If a selchie re-dons her skin and goes back to the sea, she cannot return, for she already knows the terrible cost of losing her skin, and though she may love her children and even have grown to love the fisherman she’s with, she cannot trust him. In returning to the sea, she is joyous, but now the grief of leaving her children and the life she made on the land replaces her longing for the sea.

I was with a man who avoided choice. He said he didn’t like to choose one thing in case something better came along. My experience of this was that he didn’t want to commit. It meant we couldn’t plan a date, a weekly ritual or even a walk. If we did, he frequently cancelled at the last minute. It was painful for me, and it frayed our connection considerably as I vacillated between hurt and anger. Eventually, I gave up and made my own plans. I told him that his maybe-I-will and maybe-I-won’t approach didn’t avoid a choice but was a choice. He refused to take responsibility for that, and he was bitter about the choices I made subsequent to his.

I’ve also been with partners who believe we can have it all. One man walked away from any situation in which he couldn’t have his cake and eat it too. It was a point of pride with him. He didn’t see why he shouldn’t have it all, and, as far as he was concerned, the world (and I) owed him that. Looking back, I see this as just another evasion of the heartbreak and consequences of having to make choices.

I think very few of us have the luxury of having it all. We come together and move apart, searching, seeking, fleeing and climbing ladders that we hope end in success. Many of us feel rootless in terms of place and tribe. We don’t really feel we belong anywhere on a map, and we have no rightful place in a human circle. We do the best we can, a choice at a time, and over the years those choices and their consequences teach us who we are and turn us into adults.

What we’re made of is not necessarily what we’re born into. What we’re made of is not necessarily the place we live in, the people surrounding us, the job we have, the clothes we wear, the car we drive or the color we dye our hair. What we’re made of is not always who we want to be, who we insist we are or who we’re expected to be. Discovering what we’re made of is an excavation of our dreams, our souls and our joyous bodies. Many of us spend our whole lives finding one piece of ourselves at a time, stumbling, groping, picking up and discarding, searching blindly in the dark with nothing but our feelings to guide us.

On one particular day of no special consequence, my small toddling self, clothed in a yellow bathing suit with white trim, was lifted into a pool of water as big as the sea. From that day to this I’ve loved the water, and during occasional long, dry spells without access to swimming I dream of water and wake myself weeping with the anguish of my longing.

I’m a creature of water. It’s part of what I’m made of.

Photo by Nathan Anderson on Unsplash

For some years I lived in a city and laid awake at night watching headlights move across the ceiling and walls, straining to hear a precious moment of silence in between the sound of cars and sirens and too many restless people moving through the pale night. I dreamed of high, snow-covered mountains under starry skies and the peace of trees in unbroken darkness. Every day I died a little more, but I knew in my heart one day, one day I would leave the city and live in the shadow of the mountains I dreamed of. A thousand nights later I freed myself from the tentacles of that city, but I also left behind my marriage and the father of my children, my belief in happy-ever-after, the most lucrative job I ever had and the good wife and mother I wanted so much and tried so hard to be.

Photo by Ryan Hutton on Unsplash

At last, I slept in the shadow of snow-covered peaks in a small mountain town without pavement and street lamps and sirens. When I laid awake at night, I heard the cry of the vixen, the rushing wind, the owls calling to one another, the sound of the bear eating apples from the tree outside my window, or the raccoons cavorting in the tops of the pear trees like furry pirates.

I did not have it all. I had another piece of what I’m made of. I chose it, and I paid for it. I’m still paying for it, twenty years and thousands of miles later, and whatever the cost, it’s worth it. I cannot live in the city.

By the time my life is over, will I know everything I’m made of? Will I have lived with enough courage to choose what I’m made of, come what may? Will living true to what I’m made of sustain me? Will I ever find my own sealskin wedged between rocks, or locked away in a chest, or hidden in the thatch?

The selchie lives in a small cottage on the shingle beside the sea. She lives with a fisherman whose face is carved with a lifetime of loneliness that she has relieved. She and her children gather seaweed and driftwood, mend nets and dry fish and watch for the fisherman’s return, lighting a lamp and setting it in the window to welcome him home in the evenings. She lies with her man at night and listens to him sleep, and the waves come in, and the wind sighs through the beach grass, and she thinks of her sea kin and wonders how it is with them and if she’ll ever see them again.

Photo by Kace Rodriguez on Unsplash

The selchie takes the folded sealskin from her child and holds it to her breast, weeping, smelling its fading perfume of fish and sea, rubbing its softness against her cheek. She tells her children she loves them, but she must leave, and they clutch at her hands and her skirts, crying, not understanding what is happening. She tells them they will see her again, but in a different form. She cannot stop to explain, lest the fisherman return and her chance for freedom is lost. She stumbles out of the house, casting aside her clothing as she goes, until she stands naked in the surf and steps into the skin. The children follow, stricken and wailing, pleading with her not to leave, but her need for what she is made of is even greater than her love for them, and the surf takes her gladly in its embrace and carries her out. She looks back one more time, her great, dark eyes full of tears, before she dives into the arms of what she is made of and disappears.

Photo by Jeremy Bishop on Unsplash

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Alchemy

Alchemy: A seemingly magical process of transformation, creation, or combination (online Oxford Dictionaries).

The Star

Emotional intelligence training opened my eyes to the power of needs in our human experience. Coming to terms with my own needs catapulted me into a new life. During the months in which I learned to navigate through my feelings, needs (click here for needs inventories), limiting beliefs and stories, I kept coming back around to the same question.

If I accept that all human beings have needs, and a right to have them met, what then do I do with my unmet needs, past and present?

We might all have a right to get our needs met, but that doesn’t mean we have a guarantee they will be met, or that we can hold anyone responsible for meeting them. We can meet some of our own needs, but not every one. Some needs require healthy connections with others, but not everyone has that. Some people don’t have a single healthy connection with another human being, let alone many, and one relationship can’t meet all our needs.

Unmet needs are devastating, make no mistake. They drive addiction, all kinds of violence and power-over behavior (like school shootings), mental and physical disease and illness, and suicide. A chronically unmet need is a nonhealing, stinking ulcer on the soul. We may hide it from others and even ourselves, but it never stops oozing blood and pus. Unmet needs can cripple and/or kill us. We can let go of some people, behavior and beliefs, but needs are intrinsic.

None of us can entirely meet another’s needs. We all have limitations of some kind, and finite resources of time and energy. Being unable to meet another’s needs is not necessarily because we’re unloving or uncaring. Most of our close relationships probably do meet some of our needs some of the time, and we meet some of their needs some of the time. It’s not black or white. It’s a continuum, a balance of reciprocity.

So, I ask again, what about our needs that just don’t get met because even our healthy connections are unable to fill them?

At that point we make choices. We can choose to:

  • Act out in some desperate, destructive or deadly way that hurts ourselves or others.
  • Blame the people around us for failing to meet our needs.
  • Blame ourselves for having needs and feeling the pain of having them unmet.
  • Deny that we need anything from anyone — ever.
  • Figure out how to neutralize the experience of unmet needs.

By neutralize, I mean accept and surrender to how painful it is to carry around a bone-deep, persistent longing for something that’s unavailable.

Acting out has never been my style. I’m also not much interested in blaming others for what goes wrong in my life. It feels like a cop-out and it disempowers me. Blaming myself — now that I’m very good at. I’ve spent years perfecting the art of self-loathing, but it’s never been helpful. Not even one time. Besides that, it hurts. I can’t pull off denial, at least not for long. I might refuse to admit certain things to someone else, but I don’t play games like that in the privacy of my own head. I have a file in my documents labeled ‘Denial File.’ Now and then I put something in that file and leave it there while I wrestle with my unwillingness to believe. When I’m ready to stop arguing with what is, I take it out and re-file it. Usually, the Denial File is empty, but I like knowing it’s there for the really tough information.

That brings me to the last choice, which leaves me standing squarely in my power. I don’t hurt myself, I don’t hurt anyone else and I get to think outside of the box — my favorite thing! What kind of alchemy transforms, creates or combines an unmet need into something beautiful?

For several months I’ve been researching outer space for my second book. I’ve compiled lists of constellations and the mythology around them. I have definitions of meteors, comets and nebulae. I’ve spent hours looking at images from space. Astounding, mysterious, vast and lovely, the universe is infinitely larger than the largest playing field I can imagine. I gulp down science fiction books and I’ve watched hours and days and weeks of Star Trek, Stargate, Battlestar Galactica, Firefly and yes, yes, Star Wars!

I also, fairly frequently, turn up The Star card when I work with my Tarot deck. The Star symbolizes creative powers, confidence and diversity.

So, what if I create a cosmos? Great word, cosmos. It means “the universe seen as a well-ordered whole” (online Oxford Dictionaries). I’m always in favor of well-ordered, especially when I get to define it. All the pieces of my experience, including unmet needs, are part of a whole. I prefer combination and integration to amputation.

Photo by NASA on Unsplash

Here I am, with my unmet needs, my history, the people who have been significant in my life and a lot of passionate feelings to express and process. I’m an alchemist, a creator, and before me is a vast black nothingness.

I want stars in my cosmos, so every tear I’ve ever cried becomes a star. I fling them far and wide, like handfuls of tiny crystals. My cosmos is so vast there’s always room for more.

I want planets in my cosmos. I hang them carefully, one by one. These are the people in my life, past and present, living and dead. Some are hot planets, sere and lifeless. Others are cool and green and blue. Every cosmos needs a bloviating, bullying gas giant with heavy gravity that sucks more than its fair share of, well, everything! Rings are decorative, and spots and alien seas and strangely-shaped continents. Also, sand dunes and storms, poisonous (to us) gases, radiation, erupting volcanoes, mountain ranges and glaciers.

Photo by NASA on Unsplash

How about moons? Cool and sterile or lush and verdant; I definitely want moons. I want constellations, too, and stories to go with them. Blazing meteors and trailing comets add movement. Nebulae add color and mystery. Galaxies swirl and spiral or spill like ribbons of milk against the darkness. Black holes suck. Suns supernova.

One by one, I use my unmet needs to decorate my cosmos. I turn them into color, texture, pattern, alien world, moon, star, sun, comet, meteor and nebula. I name them, animate them with feeling, polish them like jewels and set them in place. Maybe they stay in the farthest reaches of my cosmos, where I rarely visit them, or maybe I keep them closer. Perhaps my unmet needs appear from time to time in a meteor shower or a comet with a long tail, and I marvel at their beauty and mystery and remember again their taste and feel before they burn away to ash or disappear behind a planet.

Photo by Bryan Goff on Unsplash

My cosmos is my laboratory and my kitchen, illuminated by starlight. I stir and simmer over the heat of suns; chop and mix under waxing and waning moons; grind alien insects, rocks and roots for pigment and infuse gas and cosmic dust with color. I orbit, I dance from galaxy to galaxy in bare feet, combine a pinch of this with a handful of that until I float, weightless and free, in a cosmos of my own design and decoration.

Whenever the world is too much with me and I find myself staggering under burdens of unmet needs and other things I cannot release, I unlock a hidden door with the key I carry between my breasts and find star candles lit, suns asimmer, planets revolving and black holes lurking. Mortar and pestle, cauldron and crucible wait for my magical offerings as I combine, create and transform the material of my life into a complex and resplendent whole.

Alchemy. My daily crime.

Photo by Bryan Goff on Unsplash

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All content on this site ©2018
Jennifer Rose
except where otherwise noted