Tag Archives: boundaries

Arguing With What Is

Arguing with what is.

Possibly the most fruitless endeavor in the world.

Yet many of us consistently argue with how we are, how others are and how the world is.

Arguing with what is is like living in an unending war. Clinging to a story inconsistent with what is requires constant vigilance. Our lives begin to revolve around the fear that the truth we refuse to acknowledge will escape or be exposed.

Photo by Ian Espinosa on Unsplash

We cannot allow that to happen, so we put all our energy into convincing ourselves that what is isn’t. Then we start trying to persuade others to validate our particular reality because God speaks to us, or we’re especially victimized, marginalized, enlightened, rich or powerful. If we can’t persuade others, we try to create and enforce rules requiring them to fall into line, to agree, at least tacitly, with our point of view and belief system. We scorn critical thinking, science and evidence-based data. We discourage questioning, careful definitions and nuances. We create jargon, acronyms, blacklists and smear campaigns. We enlist the sympathy, empathy, kindness and compassion of well-meaning but naïve people. We set up zero sum games, use gaslighting, violence, abuse, projection, deflection, sweeping and inaccurate generalizations and distortions. We hurt ourselves, and we hurt others.

Arguing with what is is a full-time job.

My particular version of arguing with what is takes place mostly in my head. For example:

I don’t feel loved.

What? How can you say that? Remember that one kiss at the beginning, the most passionate kiss of your life? You know you want that again! Think of how funny he can be, how charming, how much fun! If you don’t feel loved it’s because you’re not trying hard enough. You’re ungrateful. You’re disloyal. You’re a bad partner. You don’t deserve him. You want too much. You’re needy and demanding. Of course he loves you, he’s just not comfortable saying it! You are happy and loved. Get a grip!

I don’t feel happy or loved.

I had this ding-dong conversation with myself for years. I desperately and repeatedly tried to convince myself I was both happy and loved, but I could never quite silence that deep internal voice that went right on saying, “I don’t feel loved.” It wouldn’t shut up. After years of this nonsense, I finally got so exhausted I stopped arguing with my true feelings and ended the relationship. Then, one day I came across narsite dot com and immediately recognized the narcissist-empath dynamic.

You know what? I was right. I didn’t feel loved because I wasn’t, in fact, loved.

Photo by Travis Bozeman on Unsplash

Arguing with what is means fear and self-doubt are my constant companions.

So what’s the other side of the coin? What’s the fix for arguing with what is?

This magical phrase: However this needs to be, it’s okay with me.

Say it aloud: However this needs to be, it’s okay with me. Is it a lie? It usually is a lie for me when I first apply it to any given situation. I want things to be predictable, controlled and adhere to my expectations and standards. I expect that of myself, of others and of the world.

I haven’t had great luck with that expectation. The rebellious world is chaotic, unpredictable and unexpected. I’m not in charge of anyone but myself, and my feelings (along with the rest of me) are disobedient and refuse to be controlled.

My need for control and predictability are rooted in fear and lack of trust in myself. If, at any moment in any day, however things need to be is not okay with me, I know I’m dealing with fear or lack of self-trust, and those are both places where I have all the power. That instant refocus from avoiding, denying or refusing an inconvenient or unexpected truth or reality over which I have no power to the very center of my power clears away anxiety, confusion and fear. What happens in me, in a day, or in the world is not really the problem. The problem is in the way I manage my power and my choices. Addressing my own power and choices allows me to say, with perfect truth, that however this needs to be, it’s okay with me.

Being okay with the ways things are doesn’t mean endless love, light and turning the other cheek. It doesn’t mean I accept boundary violations, bullying, coercion, violence or any other kind of power-over games. It doesn’t mean I tip-toe through life pleasing others, following rules and keeping silent. It doesn’t mean toadying to the political correctness police. It doesn’t mean I feel no frustration or disappointment, or that the status quo should remain unchallenged and unchanged. It means clarity about where my power is.

Nobody wants a flat tire, herpes, an unwanted pregnancy, a cancer diagnosis, mental illness, the flu or to lose a loved one. We don’t want superstorms that wipe out our homes, the uncertainties and anxiety of climate change or food and water shortages. Nobody voted for lead in their drinking water, or to experience genocide. Nobody wants to be silenced, attacked, abused, marginalized, shot or scapegoated.

Yet all these things are. They’re real, along with many magical, wonderful things, and I can’t change the way things are.

Photo by Ludde Lorentz on Unsplash

I can only change the way I am. I can decide when and how to speak. I can decide how I interact with others. I can listen, learn, research, ask questions, think critically and decide where I stand on important issues. I can speak up for those without voices. I can pay attention to my own integrity and operate within it. I can disengage, refuse to pick up poisoned bait, move away from where the blow is going to land (sometimes) and learn self-defense.

I can say no.

I can learn to trust my own strength, courage, willingness to love, intuition, intelligence, feelings and ability to adjust and adapt to whatever happens. I can choose confidence and curiosity as companions.

I can make sure that however I need to be, it’s okay with me.

I can surrender to others in all their flaws, beauty, passion, wounds, strengths and imperfections. Each one of us is however we need to be, sick or well, destroyer or hero, weak or strong, power-over or power-with. People in the world are okay with me, and I choose who I engage and connect with, who I support or hinder, who I share power with, who I collaborate and cooperate with and who I allow in my life.

However this minute, this hour, this day needs to be, it’s okay with me. If I catch the flu, it’s okay with me (Ugh). If I can’t get out of the icy driveway to go swimming, it’s okay with me (Rats!). If I reread the rough draft of this blog and decide it needs to be rewritten before tomorrow when I post, it’s okay with me (what a pain in the neck!)

I can accept what is, deal with it, and go on.

Or I can argue with what is.

It’s a chocolate-or-vanilla choice, and we make it a hundred times a day.

Whatever you choose, it’s okay with me.

And So

Photo by freestocks.org on Unsplash

And so, after all, it was no use,
That desperate determination to please.
In the end a hidden, untamed thing
Always looked out of my eyes,
Beseeching for freedom,
And none of us could beat it down.

Now all the rigid outlines of my life
Have fallen around my feet in graceful folds.
I’ve counted silver threads and lines
And granted freedom.
If there’s no lover for what I am
I can kiss my own shoulders.

All content on this site ©2018
Jennifer Rose
except where otherwise noted


For several weeks the depth of snow has limited my ability to walk on our 26 acres. Last week we had a couple of inches of rain that arrived with the scent of the sea and tropical warmth, followed by a hard, fast freeze. The rain melted a great deal of snow and we had flooding. The sudden freeze created a hard crust on the remaining few inches of snow, and as we returned to subzero winter temperatures I decided to see if I could get down to the river.

Photo by Vincent Foret on Unsplash

The crust supported my weight–sometimes! Other times I broke through and floundered up to my knees, the icy rind bruising and scraping my lower legs in spite of long underwear and heavy canvas pants. I saw tracks of deer and moose, rodents and birds in the snow. The river, ice encased, had thawed slightly and flooded during the rain, so the cracked ice was piled in slabs. In some fissures I could see open water. In other places thin new ice had formed and old, yellow ice lay flat but spider webbed with cracks.

As I stood next to the river catching my breath and marveling at the power of winter, I could hear the voice of the ice. It’s an odd sound, because it comes from beneath one’s feet rather than the sky or the world around. The ice pops and groans, sings and mutters and snaps. It’s a wild, unearthly voice, a chorus of cold water, cold air and cold crystals, the medley of flowing, living water and rigid winter armor. I wondered what it sounded like to the creatures hibernating in the river bed and the beavers in their dens.

The trees here have voices as well. When the wind blows they creak and groan as they sway, and their branches rub together, making a classic haunted house rusty hinges sound. In the deep winter when it’s very cold, sap freezes, expanding, and the trees explode with a sound like a gun going off. Sometimes they split right through the trunk.

So many voices in this world. Every place has its own special choir, every season its own song. The sound of a beetle chewing bark, the Barred owls calling to each other in the snow-bound January night, the agonized shriek of a vixen calling for a mate on a February midnight of crystal and moon, and the barely discernible high-pitched talk of the bats as they leave their roost at dusk are all familiar voices to me.

I’m a seeker of voice, a listener, partly because I’m a writer and partly because I know what it is to be silenced. Our world contains so much pain and suffering, such unimaginable horror and injustice that my compassion is frequently overwhelmed. I cannot staunch the wounds and wipe the tears of the world.

But I can listen. I can bear witness. I can stand and wonder and marvel at the wild ice, the mating owls, the hunting bats and also the handful of people in my life. For a few minutes, I can encircle another with my presence and attention, allowing their voice to speak freely, truly and fully. I can choose to have no agenda about the voices of others, no expectations or judgements.

I can also give that to myself. It’s only in the last three or four years that I’ve reclaimed my own voice. That, more than anything, is why I began writing this blog. Once a week I sit in front of a blank page and write in my true voice. Blogging, for me, is not about validation or statistics. It’s not about trying to please anyone, click bait or competition. It’s about contributing my voice because I am also here, not more important but as important as anyone else.

Using our voice does not require a listener.

Listening to the ice and the world around me has allowed me to realize, for the first time, how deeply I’m committed to appreciating and supporting authentic voice. My appreciation is a thing apart from agreement or disagreement with what I hear. Speaking our truth is not a matter for criticism. It’s an offering of self, and listening without judgement is an acceptance of that offering. I feel no need to annihilate those I disagree with.

Photo by Quino Al on Unsplash

The dark side of voice is the voice that deliberately drowns everyone else out, the voice that silences, controls and distorts our world and our sense of self. The voice that deliberately destroys is an evil thing, a thing afraid and threatened by the power of others. Dark voices throw words like a handful of gravel in our faces.

An essential part of self-care is learning to recognize, minimize and/or eliminate our exposure to voices that we experience as destructive or silencing. This is boundary work. Note the difference between appropriate boundaries and dropping an atomic warhead. Healthy boundaries do not disrespect, invalidate or silence others.

I wonder what the world would be like if all criticism, jeering and contempt were replaced with “I hear you. I’m listening. I believe in the truth of your experience. You are not alone.” What would we be like if we gave that gift to ourselves?

Photo by Quino Al on Unsplash

And what of lost voices? I don’t mean unheard or unremarked, but those voices who spoke, faintly, for a moment, and then were silenced so brutally and completely no one but the silencer heard their last cry. Such a person lives, breathes, walks, eats and sleeps, but he or she is a shell mouthing superficial words. Attempts to draw close, to understand, to share authentically and elicit a true voice in return are all in vain. The phone is off the hook. Silence and deflection are the only response. No one is at home. Love and listening count for nothing and behind the mask is only emptiness. Connection is denied.

How many voices can we truly hear? The world is filled with a cacophony of sound made by billions of people. Even here in the heart of Maine the voice of the river is punctuated by traffic noise. We all seem intent on increasing our exposure to voices via social media, 100 TV channels, streaming, downloading and YouTube. Does all this clamor make us better at listening and honoring voices? Can we listen to our child, our mate, the TV and read Facebook all at the same time?

Some people say they can, and perhaps it’s true. What I know is that I can’t. I don’t want to. I don’t feel listened to when I’m competing with other voices. I can’t hear myself when my day is filled with racket and din. I can’t extend the gift of presence to 100 friends on Facebook. I can’t discern between an authentic voice and a dark voice in the middle of uproar.

Voice is precious. It’s sacred. No created character lives in our imagination without voice. Silencing voice is a horrific violation. I have promised myself I’ll never again abdicate my own voice.

Honoring voice, yours, mine, theirs and the world’s: My daily crime.

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Cultural Appropriation

This week I want to explore the idea of cultural appropriation . In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions I want to address.

I intend to approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote and illustrated several books, among them ‘Draw Me a Star’. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .

The Artist

“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”

Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.

Symphony of the Forest and Mysterious Island, by Kitaro ,a Japanese artist.
Maryam, by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
Aye Lon Lon Vadjro, by Angelique Kidjo , an African artist.
Kozuma, by Professor Trance and the Energizers , who perform multicultural Trance Dance music.
Stars Align, by Lindsey Stirling , an American violinist.
Mwari, from the album World of Rhythm.
Pinguli Pinguli Giuvaccinu, by Savina Yannatou , a Greek artist.
Barcelona Nights, by Ottmar Liebert, a German guitarist.
Symphony of Dreams and A Drop of Silence by Kitaro.

I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects that belong to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.

Anyone who creates art or delves into old oral traditions realizes that cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.

It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. The fact is that science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.

Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.

Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?

We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life that persists is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank goodness and all the manifestations of divinity, are not that powerful.

What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.

Have you noticed, though? Life–human, animal, plant–goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain that goes right back to the first humans.

Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of ‘Draw Me a Star’ to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.

The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.

Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.

The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and all the other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to commit the daily crime of adding myself to the culture of humanity and passing it on.

All content on this site ©2017
Jennifer Rose
except where otherwise noted