by Jenny Rose | Apr 19, 2018 | Aging, Connection & Community, Emotional Intelligence
It’s strange to be aging, isn’t it? It doesn’t matter if you’re in your 20s or 60s, getting older is a remarkable experience. As I move through my 50s, I see more and more of my life when I look over my shoulder and I no longer have the feeling of limitless horizons in front of me. Whatever is ahead, it’s not limitless.
I have a friend who looks at a tape measure and finds the number of inches corresponding to his age. He takes in the distance between the end of the tape and his place at 70 something. Then he puts his finger at another 10 years, another 15 years. The visual on this exercise is startling. What happened to all those years of our life, and when did we move so close to our last day?
Photo by Cristian Newman on Unsplash
For at least a decade now I’ve been watching my elders and trying to figure out how to age gracefully. Every now and then I meet a remarkable elder. They have a twinkle in their eye, they laugh a lot, they’re curious and interested and they’re wonderfully authentic. I want to grow up to be just like that.
I’m convinced the great keys to aging gracefully are staying in intimate connection with ourselves every single day, no matter how old we are, and embracing change like a lover. Without consent and resilience, aging becomes a bitter battle to the end.
So many of us, as we age, live increasingly in the past. It’s understandable. We’ve been, done and seen a lot. The problem is as the years roll over us we don’t update our software. We hang on to what we were, what our bodies could do, how it all was during a time we remember as the best time (or at least a better time than now). We continue to define ourselves by outdated habits and routines. I’m not sure if this is a function of nostalgia or weariness or just plain laziness, but somewhere along the way we cross some invisible finish line, stop paying attention to embracing how things are right now and start waiting to die.
As our software gets more and more out of date, incompatibilities arise between how we show up in the world and our stories and memories. We lose credibility and effectiveness.
It seems to me the day we stop being curious about what we might learn, do or be next is the day our lives really end. People who age gracefully still have plans. They still dream. Their thinking remains flexible, even if their bodies don’t. They find some magical balance between letting go and moving forward. Change becomes a beloved friend rather than a feared enemy.
It’s not hard to see this in small external ways. We hang on to clothing, for example, that no longer fits, or was fashionable for a fleeting moment fifteen years ago. We hang on to books or movies or music we once loved and couldn’t do without, but now have outgrown. I don’t suggest there’s anything wrong with such nostalgia, but I do think all that stuff can pile up around us and block a clear view of what is now, or what might be ahead. Too often, the externals mirror our internal habits.
I notice many people my age still describe themselves by a job or position they no longer have. Some folks seem almost apologetic about being retired, as though they’ve lost personhood in the world, have become nobody. Others tell you all about some beloved skill or activity, how they practiced it, the ways it enhanced their life, their mastery, but never mention it was all long ago and right now, today, that activity is no longer part of their lives. Their lives have changed, but they haven’t updated their sense of identity. They’re stuck in their past and missing their present. They dangle in the empty gap between who they were and the stranger they are now.
I think some people feel angry about aging. We want our bodies to look, feel and perform the way they used to. We refuse to adjust to our present physical realities because they don’t match what we used to be able to do. We’re ashamed of our changing bodies rather than comfortable in them. We fear the changes the years bring and try to hide them or resist them.
Photo by Capturing the human heart. on Unsplash
Then there are people, amazing people, who know the trick of beginning over and over again throughout their lives. They spend their professional years as a lawyer and then retire and become an artist. A woman marries, works, raises a family and then, divorced and in her 60s, begins traveling all over the world. People in their 50s and 60s go back to school and acquire a new skill or a degree. They live in the day they’re in, in right now, and they’re focused on the present and future rather than the past. They accommodate their physical needs, feel at home in their skin and are constantly updating their identity, intentions, connections and contributions.
Defining ourselves by our pasts is a sad business. I know aging can feel limiting, but I think the real limiting factor in aging is refusing to participate in it! Defining ourselves by what we can’t do, don’t do or once did (but no longer) is a terrible way to live at any age, but in old age it becomes a pernicious habit indeed. After all, anyone may have physical limitations at any age. Those limitations needn’t define us unless we invite them to.
Considering what is possible, what we can do, what we’d like to do and what we’ve always wanted to do — now, there’s a set of questions for living a full, rich life, today and tomorrow. An elder who draws wisdom from years of experience and has a well-exercised sense of humor, curiosity and the ability to learn is indomitable, irrepressible and irresistible.
Life brings many things, including devastating loss, injury and illness. Every day we live we’re aging, and every day is a new gift we might choose to receive, or we might turn away and look only at the old gifts, the old days, all that came before when we were younger, better looking, stronger, more hopeful, more innocent.
I know what’s behind me. Some of it was grand and some very painful indeed, but it’s all over, good and bad. Many of the clothes I wore, the thoughts and beliefs I held firmly onto, the meaningful routines and rituals in my life, are like so many dropped leaves, fluttering in the wind of my passing. I have no idea how much time I have left or what’s in front of me, but there’s so much I still want to do! Still, I cling to the past in some ways. I tell myself such-and-such (a lovely, longed-for thing) will never happen again. I say I can’t do XYZ instead of I’ve never done it before and will you teach me how? I feel frustrated and old when I wrestle with a 40-lb bag of bird seed and my back hurts for three days. I can be just as lazy, sulky, resistant and weary as anyone else.
Yet I’m convinced enormous grace lies in aging, if we can find it. I believe aging is full of invisible gifts, insight and strength. I want that grace. I don’t want to miss the last part of my life because I’m refusing to be present with it. I want to take the time to close all my programs and apps and let my psyche and body update and reboot regularly.
Aging with grace is a work in progress. Some days are more graceful than others.
Photo by ivan Torres on Unsplash
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 27, 2017 | Connection & Community, Emotional Intelligence, Holistic Management
My partner and I have hired a permaculture group called the Resilience Hub out of Portland, Maine, to collaborate with us in the development of a 30-year plan for our 26 acres.
Photo by Gabriel Jimenez on Unsplash
Permaculture, for those of you who didn’t follow the above link, is “the development of agricultural ecosystems intended to be sustainable and self-sufficient.” In other words, it’s a holistic management plan that includes plants, animals (insects, birds and reptiles), people, water and land. The land we live on consists of wetland, a river, a pond, a year-round daylight spring, streams, fields and woodland.
That’s what we tell people, anyway. I’m beginning to understand what permaculture really means to me, though, is a commitment to love.
I’m interested to discover I’ve achieved the ripe old age of 53 and discarded nearly my entire definition of love after two marriages, two long-term non-marriage relationships and raising two children. At this point I know a lot more about what love isn’t than what it is.
Here’s my current working definition: A relationship revolving around what we want others to be is not love. A relationship revolving around the question “Who are you?” is love. Notice sex is not part of the definition. I’m talking about love in the wide sense here, the act of loving another human being, independent of legal or blood ties. For me, this is also the root of self-love. Do we endlessly tell ourselves what we should, must, and have a responsibility to be, or do we allow ourselves to discover who we in fact are?
Creating a permaculture plan for this piece of land is a deliberate and intentional journey into what the land and the life it sustains is, as well as what we are as individuals and as partners. From our most private thoughts and beliefs to the boundary of the 26 acres we live on, we become note takers and observers. We practice surrender and acceptance. We listen and watch with curiosity and attention. We are present every day with ourselves, one another, and the land. We don’t think about imposing our will. We think about collaboration and cooperation, weaknesses and strengths, effectiveness and healing.
The consent to see and be seen is a profound and intimate expression of love rippling from the inside outward. We are not intruders here. We inhabit this land and want to protect and preserve it. The porcupine living in the barn cellar, the owls down by the river, the phoebes nesting in the barn, the passing bear who wiped out our suet feeder, are not intruders, either. The poison ivy, stinging nettle, ticks and mosquitos live here. The snapping turtles in the river and the leeches in the pond call this place home, just as we do. Permaculture is a peace treaty, the practice of appreciation for the variety and complexity of life around us, and the humility to admit much of its elegant mystery is beyond our knowledge or understanding.
Photo by Takahiro Sakamoto on Unsplash
As I walk these acres, alone, with my partner or in a group with the Resilience Hub, I’m learning the land as I would learn a beloved’s body. I’m noticing the animal trails wandering from field to forest to river, lines and wrinkles of use tracing their way along the land’s contours and folds, suggesting where we, too, might make a path, a place to pause, a spiritual resting place.
I map old stone walls like the delicate sculpture of a spine, huge mossy boulders and landmark trees, learning the texture and landscape of this place. I wander in the thin-skinned places where old bones of ancient glacial esker are revealed. I think about bird nesting boxes, bee and pollinator boxes and honeybee hives.
Over the years, my partner has discovered all the delicate veins of water, daylight and underground, seasonal and year round, the lifeblood of the land. Thick forest hides damp, humid hollows and shallow bowls where mosquitoes fill the leaf-dappled air and the turkey and grouse hide. The grassy hair on the open slopes and fields is twined, in this season, with black-eyed Susan, purple vetch, queen Anne’s lace, wild pinks, blooming milkweed, and red clover.
The land shows us where wildflowers thrive, and which type decorate which season. It demonstrates where water runs, so we know exactly where to position a well. The trees inform us of water availability, drought, crowding, disease and age. The raptors flying over us, hunting, help us know where raptor roosts would be welcome in order to protect the woody agriculture we think of introducing against rodent damage.
As we wander this terrain, we look for nothing and try to see everything. This is how the sun falls during each month of the year. This is where the field floods when the river ice dams thaw in the spring. This is where the doe that was hit on the road lay down and died. This is the special spot where I come, early in the morning, to sit by the river and be alive. This is where the wind strokes the exposed slope, and this is where the trees shelter a small clearing that catches the sun. This is the place where a bittern pounced like a cat on some small rodent by the pond one morning. Here the snow drifts, and here it lies late in the season as the bluets bloom in the boggy field. Here was the old fox den.
Trees topple, decay into humus where fungus thrives and new trees reach for the sun. The land stretches, sheds, sloughs away and reconfigures. Species populations rise and fall. We aspire to that resilience and sustainability. We aspire to the harmony and complexity innate in the landscape around us. We don’t want more than we need to eat, to live, to love. We don’t want to be well-groomed, civilized, obedient and sterilized. We want to root the rest of our lives in the color and scent and texture of the primordial wisdom of life and death as naturally and unapologetically as the raven, the fern or the tree.
Who am I? Who is my partner? What is this land? I believe these are questions that open the way to true love; to sustainability; to reciprocity, respect and surrender. As long as we ask and cherish these questions and receive and cherish the answers, hour by hour, day by day, season by season, cycle by cycle, love endures.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 20, 2017 | A Flourishing Woman, Body
Photo by Leon Liu on Unsplash
Last night we danced. I’m patiently and persistently attempting to root a dance group into this community. It’s taking time, but I hope in the end to have a healthy core of four or five women with whom to share this sacred practice.
As I danced, I remembered an old friend with whom I danced in Colorado. She used to often say, at the end, as we sat in a circle holding hands, “It’s so good to be in the body.”
Not in the head, where family and other relationships, financial and political complexities, expectations, rules, to-do lists and all our internal voices reside, but in the body, right now.
Our bodies contain a childlike innocence and a wisdom beyond words. They communicate to us the truth about how things are with us via feeling and sensation. Patiently, they carry us through our lives, our most loyal and faithful companions. Persistently, we neglect, abandon and abuse them.
Somewhere along the way, we’ve learned to reject, be ashamed of and hate our physical being and experience. Now we’re to the point where bodily functions tied to being biologically female are a matter of political incorrectness and a hate crime. Social pressure is increasing to eradicate the very words that define female physical experience.
But dance is for everybody in every body, and the spiritual practice of dance has taught me to honor, protect and care for my physical self in new ways. There are no labels in dance, no gaslighting, no power-over that seeks to diminish or limit my physical history or expression. Dance is wordless, so there are no language police. Dance is the freedom to belch, to fart, to wiggle, to jiggle, to giggle, to cry, to shout, to play and to sweat.
Allowing my body to be and joyfully inhabiting it has been a powerful act of self-love. It means allowing my hair to grow as it will, where it will, in the color it is. It means moving with dignity and pride. It means gratitude, for my life is a journey mapped onto my flesh. Every mole, freckle, stretch mark, scar, lump, bump, line, wrinkle and vein holds part of my story, and I honor story.
Being in my body is a powerful act of surrender, not to what the culture says I must be or not be, not to what I think I should embody or not embody, but to what I am. Simply that. The unique, miraculous complex system of genetic material, living tissue, viruses, bacteria and chemical processes that I am.
Allowing my body to be is a peace treaty. My body is not for the pleasure or evaluation of others. It’s not for sale. My body and I owe nothing to anyone, not explanation, apology, conformity, obedience and especially not shame. I refuse to go to war over gender, sexuality or political correctness ideology. I decline to support or participate in self-hatred or hatred of other bodies. The power of my body transcends the judgements, criticisms and opinions of others.
The deepest language I know is of the body. Words are inadequate to my passion, to my love, to my creativity. Spoken and written language fails to convey the richness of my body’s capabilities.
The tick crawling high on the nape of my neck along my hairline, the feel of its tiny claws stirring each hair as it seeks a good place to fasten on, gives me a physical experience so vivid and visceral it cannot possibly be conveyed in words. My skin shrinks, telling me what the sensation is before I examine the cause with my eyes. Undisturbed hair around its path rises, quite automatically, in response to the small but ominous trespass. It feels solid and smooth as an apple-seed between my thumb and finger as I pinch it off. It hurries up and down a bookmark, chestnut colored, as I transport it down the stairs, almost as though it knows it’s been seen, recognized and a death sentence passed.
We come out of our favorite restaurant after a meal on a hot, humid day and find a snake clothed in brown and green, voluptuously twined around our right front tire. My partner stoops and grasps it and it curls and writhes as it dangles from his hand, twisting between the newly-laid black tar and the heavy sky, glaring with sun, humid as a steam bath. My partner takes it into a nearby field and as he comes back he holds out his hand with a rueful expression, showing me beads of bright red blood, dazzling as rubies, on his finger, and two parallel shallow cuts that sting, he says, like paper cuts.
Photo by Leon Liu on Unsplash
Last night I danced with the tick, the snake, the rasp on my knee from falling on the front cement steps, their uneveness hidden by the encroaching hostas, blooming now on thick, fleshy stems, their lavender flowers plundered all day by bumblebees.
I danced with the rattling air conditioner lodged into a window of the recreation center activity room. As usual, we traded the rise in heat and humidity in the room with the lower and quieter fan setting.
I danced with a dead fly on the wood floor, trying to avoid stepping on it with my bare foot. I danced with a living large black ant, bewildered, crawling across what must have seemed like acres of flat, featureless terrain, also not wishing to step on it, but too involved in the flow of the music to stop and take it outside.
I danced with my breasts and belly and thighs, with my feet and elbows and wild hair. I danced with trickles of sweat and a wet upper lip. I danced with my tattoo and swaying earrings and sliding silver bangles. I let myself go. I let myself be. I let myself sink into my body as though sinking into a lover’s arms, for I am my body’s lover, and it is mine.
I danced, and remembered again how good it is to be in the body.
Photo by David Hofmann on Unsplash
All content on this site ©2017
Jennifer Rose
except where otherwise noted
