One of my favorite things about this land we live on is the old barn. Circa 1832 in the original part, it dwarfs the house and consists of four stories topped by an attic space under the roof. The cellar contains several rough animal stalls and is the occasional residence of a skunk, raccoon, woodchuck or grumpy porcupine. Phoebes nest every year in the cellar and first floor rafters. We store wood on the first floor. The second and third floors were an old hay mow and now are a repository for discarded furniture, miscellaneous remnants of wood, and old windows and doors. This is New England. These Yankees keep everything!
The barn is a tenement for rodents, bats, insects and birds, along with creatures like the aforesaid porcupine, who wander into the cellar in search of shelter.
When I moved to Maine, I stored some of my things in the barn; things I didn’t have room for in the house but wanted more accessible than the storage unit. Now that I’ve moved out of the storage unit and everything is here on the property, I’m determined to go through each box and discard what is no longer useful.
I work in the second story of the barn. The south wall contains a row of windows, several of which are broken. The west wall also has a broken window, and plentiful bat guano on the floor under it tells us this is their favored access point.
My hours in that space are strange, almost otherworldly. I sit on an old round lidded metal bucket that once contained popcorn. My table is the lid of a large plastic storage bin. I unpack the boxes I taped and labeled more than four years ago in Colorado, in a different life and half a world away. The barn is alive with stirrings and fugitive drafts. The wood floor dips and sways, creaking underfoot and showing cracks between the planks. The scent of apple blossoms floats in through the windows, along with the sounds of insects and the sweet calls of the phoebes as they hunt those insects. Once I’ve settled down quietly to work, squirrels, mice and chipmunks forget my presence and begin to scurry overhead and in the walls around me. I know bats are clustered under the roof, a floor and a half above me. Light comes in through countless cracks and crevices in the walls. The roof leaks in many places.
The body of the barn is loosening and thinning, much like my own skin, but as it does so it’s becoming rewoven into nature.
I’ve gone through boxes and boxes of beading material, sewing supplies, wreathmaking tools and elements, camping gear, seasonal decorations and kitchen items. The quiet barn fills with my memories as I review where I’ve been and recognize the steps that brought me to this place and this moment.
We love increase in this culture. The journey of childhood to adulthood. Increasing income in order to increase spending power. Upscaling, upgrading, updating, trading in. Increased choice, increased technological power and speed, increased likes and friends, increased access to “information” and entertainment. Bigger, better, newer, faster, more.
Now, suddenly I find myself strangely captured by the beauty of decrease. Perhaps what I’m feeling is a kind of surrender, a letting go. The barn lets go of its glass window panes, its nails, its roof shingles, the mortar in its foundations. As the fabric of its structure thins, life pours into it. The world inhabits it. The boundaries between the building and its setting are softening.
Observing this process of gradually increasing boundary ecstasy is breathtakingly, almost piercingly beautiful. My appreciation of its magic mingles with tears, memories and nostalgia as I unwrap and handle my things, once so beloved and important in my life, now boxed and stored.
As I load up the car and donate to our local charities, sell or give away what I no longer need, the storage space in the barn gradually empties. Sunlight fingers the floor where a stack of boxes stood. An errant breeze swirls dust into a brief glittering cloud.
Is empty space, or an empty moment, ever really empty? Can it be? Is a quiet afternoon without distraction or entertainment sterile and boring, or filled with peace and possibility that we no longer recognize or welcome but are starving for nonetheless?
Watching the reflection of moving leaves or water and sunlight on a bare wall feeds my creativity and joy in a way the finest piece of manmade art never could.
As I empty my life of so many objects, it becomes like the
barn. I allow the cracks of long use, weathering and aging to show. I allow my
memories and experience to mingle with the light, the moving air and the life outside
my boundaries and barriers. I feel less isolated and more grateful, less
anxious and more peaceful.
What is a life defined by the spaces between objects and tasks rather than the objects and tasks themselves? What is life in the spaces between our debts, bank balance and paychecks? What are the gifts hidden in decrease, in the slow passage of time, in loosening skin and softening bone? How much creativity and wisdom fill the spaces between our obligations, habits and addictions?
What hidden infinities lie in the spaces between each tick of the clock, each heartbeat and each breath? How much light can come into me as I widen the cracks in my physical envelope? More importantly, how much of my light can shine out into the darkness around me?
Widening the spaces between. My daily crime.
© 2019, Jenny Rose. All rights reserved.