Category Archives: Connection

Rules For Success

I’ve been blogging now for a year.

Photo by Markus Spiske on Unsplash

I remember the first time I stood on a high diving board as a kid. The safe haven of the water was impossibly far away. I did eventually jump, but I stood, hesitating, for a long time.

Beginning to blog was like that. Could I manage the technological learning curve? Would I have time to do a good job? Did I have anything to say? Would I have to deal with spammers, hackers, hecklers and hate mail? Would anyone read it? And, the biggest Boogeyman of all, what would people think when I revealed who I really am?

I researched. I read dozens of articles on blogging. I made lists of do’s and don’ts. I bought a book on blogging.

I hesitated. I worried. I doubted myself. I clung to limits, obstacles and fears.

Then, in the middle of a personal and emotional catastrophe, the very last time I would have chosen or planned such a risky, frightening new endeavor, I suddenly started. I suppose I felt I had nothing more to lose.

This summer I’ve been taking stock of what I’ve created, what I’ve learned, my long list of mistakes and my intentions for the future. Now I’m a member of She Writes  and Medium . I follow several other bloggers. I went into my Favorites and deleted most of my Blogging folder and then started filling it up again with new articles on Intermediate blogging.

There are hundreds, if not thousands of articles about blogging on the web. What I notice is that 19 out of 20 are geared to successful blogging, which is to say blogging with the most possible likes, looks, shares, clicks, referrers, subscribers, advertising and side bar businesses, all of which can translate directly into income for the blogger. The Holy Grail is to go viral with your blog. To this end, the advice is repetitive. Use sentences of five words or less. Use short paragraphs of two or three sentences. Use a lot of images, video, bullet points, colors, fonts and section titles. Keep your blog short and to the point. Carefully construct a title that will result in as many clicks as possible. Convince the reader you have something of value that they need. Don’t be emotional or personal. You can’t be successful unless you have several active social media accounts.

I read, saved, took a few notes, and then realized I didn’t want to do most of what these articles said I should do. I paused and thought about that for a couple of days. I looked at my stats. I talked with my partner. I groped for a bottom line.

I absolutely love blogging/writing.

Why?

Because when I do it I’m real. Every single week I write about something real. Most weeks I struggle with what other people might think, but at the end of the struggle I again chose to be seen. I stare down that fear of using my voice and speaking up. I’m taking my power back, week by week, post by post, line by line.

It’s my hug, my love letter to the world, my kiss of peace. 

Blogging and writing are my way of building bridges and fostering connection, to myself, to others and to life. It’s the medicine I can offer to aid in healing. It’s my hug, my love letter to the world, my kiss of peace. It’s my outstretched hand, regardless of whether or not others choose to clasp it, ignore it or spit on it.

Photo by Alona Kraft on Unsplash

My feeling of success about writing a book and creating a blog isn’t attached to any of the general markers of success among bloggers. We have all kinds of programs that help us gather statistics on the web, but my heart doesn’t thrill to hundreds of clicks or fall if there are only five. None of these stats tell me anything about the quality of my contribution to my readers, and that’s the only stat that interests me. I don’t have anything to sell you. I don’t assume I have anything of value to you. I never expected to make money on my blog.

I just am. Myself is all I have to give, and what I really want from you is just … you.

I’ve been honored to achieve that simple connection with others through Our Daily Crime. Some I know about, because people comment. I may be making other connections that are invisible to me. Contrary to the best advice, I don’t have social media accounts. I don’t have a Facebook page. If a reader connects with my words or finds some kind of value in the experience I share and doesn’t comment or email me, I don’t know anything about it, but I have faith. I believe there are others out there who think about relationships, empowerment, being a woman and what it means to be alive on Earth today. I think there are readers who can deal with sentences more complex than five words and read a paragraph of several sentences. I think a blog about rules for success should be titled, clearly and honestly, Rules For Success. I’m not a click bait engineer.

I don’t regret a minute of research or reading I’ve done about writing and blogging, and I wish those writers the success they seek. They’ve helped, especially their content that I couldn’t use. All those rules set off a lot of feelings. I hardly ever met a rule I didn’t want to challenge, and my feelings showed me the way into my own definition of success.

I find it useful to have goals and intentions, to know what kind of outcome I want, but the fact is I don’t always know. Some things are so unknown and such a personal leap of courage or faith that to insist on exactly defined goals before beginning is to never take action. Jumping inelegantly off the high dive into blogging was all I could manage last summer. I couldn’t define an audience, a goal or an intention, except that I was damned if I would let fear stop me from trying. It’s only now, 50 posts later, that I begin to understand what I’m up to, and it’s not necessarily the same as what other bloggers are up to.

Here’s my favorite story about success. This version is from One Bird One Stone by Sean Murphy.

For 40 years, a fisherman in China used a straight needle to fish. When someone asked him, “Why don’t you use a bent hook to fish with?” he replied, “You can catch ordinary fish with a bent hook, but I will catch an extraordinary fish with my straight needle.”

Word of this came to the ear of the Emperor, and he went to see this fool of a fisherman for himself. Laughing at the sight of the fisherman’s straight pin, the Emperor asked, “What are you fishing for?”

The fisherman said, “I’m fishing for you, Emperor.”

Photo by Steinar Engeland on Unsplash

Thank you for reading my blog. You’ve helped make it a success.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

 

True Love

My partner and I have hired a permaculture group called the Resilience Hub  out of Portland, Maine, to collaborate with us in the development of a 30-year plan for our 26 acres.

Photo by Gabriel Jimenez on Unsplash

Permaculture, for those of you who didn’t follow the above link, is “the development of agricultural ecosystems intended to be sustainable and self-sufficient.” In other words, it’s a holistic management plan that includes plants, animals (insects, birds and reptiles), people, water and land. The land we live on consists of wetland, a river, a pond, a year-round daylight spring, streams, fields and woodland.

That’s what we tell people, anyway. I’m beginning to understand what permaculture really means to me, though, is a committment to love.

I’m interested to discover that I’ve achieved the ripe old age of 53 and discarded nearly my entire definition of love after two marriages, two long-term non-marriage relationships and raising two children. At this point I know a lot more about what love isn’t than what it is.

Here’s my current working definition: A relationship revolving around what we want others to be is not love. A relationship revolving around the question “Who are you?” is love. Notice that sex is not part of the definition. I’m talking about love in the wide sense here, the act of loving another human being, independent of legal or blood ties. For me, this is also the root of self-love. Do we endlessly tell ourselves what we should, must, and have a responsibility to be, or do we allow ourselves to discover who we in fact are?

Creating a permaculture plan for this piece of land is a deliberate and intentional journey into what the land and the life it sustains is, as well as what we are as individuals and as partners. From our most private thoughts and beliefs to the boundary of the 26 acres we live on, we become note takers and observers. We practice surrender and acceptance. We listen and watch with curiosity and attention. We are present every day with ourselves, one another, and the land. We don’t think about imposing our will. We think about collaboration and cooperation, weaknesses and strengths, effectiveness and healing.

The consent to see and be seen is a profound and intimate expression of love rippling from the inside outward.

The consent to see and be seen is a profound and intimate expression of love rippling from the inside outward. We are not intruders here. We inhabit this land and want to protect and preserve it. The porcupine living in the barn cellar, the owls down by the river, the phoebes nesting in the barn, the passing bear who wiped out our suet feeder, are not intruders, either. The poison ivy, stinging nettle, ticks and mosquitos live here. The snapping turtles in the river and the leeches in the pond call this place home, just as we do. Permaculture is a peace treaty, the practice of appreciation for the variety and complexity of life around us, and the humility to admit much of its elegant mystery is beyond our knowledge or understanding.

Photo by Takahiro Sakamoto on Unsplash

As I walk these acres, alone, with my partner or in a group with the Resilience Hub, I’m learning the land as I would learn a beloved one’s body. I’m noticing the animal trails that wander from field to forest to river, lines and wrinkles of use tracing their way along the contours and folds of the land, suggesting where we, too, might make a path, a place to pause, a spiritual resting place.

I map old stone walls like the delicate sculpture of a spine, huge mossy boulders and landmark trees, learning the texture and landscape of this place. I wander in the thin-skinned places where old bones of ancient glacial esker are revealed. I think about bird nesting boxes, bee and pollinator boxes and honeybee hives.

Over the years, my partner has discovered all the delicate veins of water, daylight and underground, seasonal and year round, the lifeblood of the land. Thick forest hides damp, humid hollows and shallow bowls where the leaf-dappled air is filled with mosquitoes and the turkey and grouse hide. The grassy hair on the open slopes and fields is twined, in this season, with black-eyed susan, purple vetch, queen Anne’s lace, wild pinks, blooming milkweed and red clover.

The land shows us where wildflowers thrive, and which type decorate which season. It demonstrates where water runs, so we know exactly where to position a well. The trees inform us of water availability, drought, crowding, disease and age. The raptors flying over us, hunting, help us know where raptor roosts would be welcome in order to protect the woody agriculture we think of introducing against rodent damage.

As we wander this terrain, we look for nothing and try to see everything. 

As we wander this terrain, we look for nothing and try to see everything. This is how the sun falls during each month of the year. This is where the field floods when the river ice dams thaw in the spring. This is where the doe that was hit on the road lay down and died. This is the special spot where I come, early in the morning, to sit by the river and be alive. This is where the wind strokes the exposed slope, and this is where the trees shelter a small clearing that catches the sun. This is the place where a bittern pounced like a cat on some small rodent by the pond one morning. Here the snow drifts, and here it lies late in the season as the bluets bloom in the boggy field. Here is the fox den.

Trees topple, decay into humus where fungus thrives and new trees reach for the sun. The land stretches, sheds, sloughs away and reconfigures. Species populations rise and fall. We aspire to that resilience and sustainability. We aspire to the harmony and complexity innate in the landscape around us. We don’t want more than we need to eat, to live, to love. We don’t want to be well-groomed, civilized, obedient and sterilized. We want to root the rest of our lives in the color and scent and texture of the primordial wisdom of life and death as naturally and unapologetically as the raven, the fern or the tree.

Who am I? Who is my partner? What is this land? I believe these are the questions that open the way to true love; to sustainability; to reciprocity, respect and surrender. As long we ask and cherish these questions and receive and cherish the answers, hour by hour, day by day, season by season, cycle by cycle, love endures.

True love.

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Cultural Appropriation

This week I want to explore the idea of cultural appropriation . In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions I want to address.

I intend to approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote and illustrated several books, among them ‘Draw Me a Star’. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .

The Artist

“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”

Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.

Symphony of the Forest and Mysterious Island, by Kitaro ,a Japanese artist.
Maryam, by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
Aye Lon Lon Vadjro, by Angelique Kidjo , an African artist.
Kozuma, by Professor Trance and the Energizers , who perform multicultural Trance Dance music.
Stars Align, by Lindsey Stirling , an American violinist.
Mwari, from the album World of Rhythm.
Pinguli Pinguli Giuvaccinu, by Savina Yannatou , a Greek artist.
Barcelona Nights, by Ottmar Liebert, a German guitarist.
Symphony of Dreams and A Drop of Silence by Kitaro.

I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects that belong to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.

Anyone who creates art or delves into old oral traditions realizes that cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.

It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. The fact is that science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.

Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.

Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?

We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life that persists is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank goodness and all the manifestations of divinity, are not that powerful.

What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.

Have you noticed, though? Life–human, animal, plant–goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain that goes right back to the first humans.

Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of ‘Draw Me a Star’ to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.

The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.

Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.

The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and all the other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to commit the daily crime of adding myself to the culture of humanity and passing it on.

All content on this site ©2017
Jennifer Rose
except where otherwise noted